Self
The castle of Horní Staňkov. Camera enters the castle park. Approaching Kunstkamera, it stops at the emblem of Ouroboros above the entrance. The door opens, letting the camera in, to reveal the magical square with astrological figures of Virgo and Libra, combined with Dog and Lion from Chinese zodiac. A painting of Rudolf II as Vertumnus, more Arcimboldos. The camera continues to the main hall. A huge stone fireplace with ceramic statues. African fetishes, ritual masks, Bis poles and masks from Papua New Guinea, spiritualists´ drawings, surrealistic photographs, and paintings etc. In this way, the whole Kunstkamera collection will be filmed. Time to time, as if by mistake, an object will appear in the shot, reminding of the fact that the place is inhabited.
Writer
The castle of Horní Staňkov. Camera enters the castle park. Approaching Kunstkamera, it stops at the emblem of Ouroboros above the entrance. The door opens, letting the camera in, to reveal the magical square with astrological figures of Virgo and Libra, combined with Dog and Lion from Chinese zodiac. A painting of Rudolf II as Vertumnus, more Arcimboldos. The camera continues to the main hall. A huge stone fireplace with ceramic statues. African fetishes, ritual masks, Bis poles and masks from Papua New Guinea, spiritualists´ drawings, surrealistic photographs, and paintings etc. In this way, the whole Kunstkamera collection will be filmed. Time to time, as if by mistake, an object will appear in the shot, reminding of the fact that the place is inhabited.
Director
The castle of Horní Staňkov. Camera enters the castle park. Approaching Kunstkamera, it stops at the emblem of Ouroboros above the entrance. The door opens, letting the camera in, to reveal the magical square with astrological figures of Virgo and Libra, combined with Dog and Lion from Chinese zodiac. A painting of Rudolf II as Vertumnus, more Arcimboldos. The camera continues to the main hall. A huge stone fireplace with ceramic statues. African fetishes, ritual masks, Bis poles and masks from Papua New Guinea, spiritualists´ drawings, surrealistic photographs, and paintings etc. In this way, the whole Kunstkamera collection will be filmed. Time to time, as if by mistake, an object will appear in the shot, reminding of the fact that the place is inhabited.
Himself
Jan Svankmajer, at 85 years of age, is one of the most prominent artists of European cinema. His work has inspired and guided generations of directors, and represents a sharp and merciless exploration of human nature which is entirely unique. When he decided to retire from filmmaking after "Insect" (2018), his producer suggested that the creative processes which ferment within their company Athanor should be preserved on film. Over three years, the directors of this documentary followed the life of Jan Svankmajer, elucidating his artistic principles, as well as his collaboration with old friend and producer Jaromír Kallista. The film is also haunted by the memory of Eva Svankmajerová, his wife and creative partner, muse and inseparable other half. Playful and poetic, candid and with a touch of Czech humour, it is an ode to creation and to companionship.
Himself
Writer
The Dung Beetle is late, the Parasite is asleep and Mrs Larva is more interested in her knitting than the director’s instructions. It’s clear: this amateur theatre company has a long way to go before they can perform their version of The Insect Play, a famous satirical work from 1922 by the brothers Karel and Josef Čapek which features insects with decidedly human traits: greed, egocentrism, jealousy.
Director
The Dung Beetle is late, the Parasite is asleep and Mrs Larva is more interested in her knitting than the director’s instructions. It’s clear: this amateur theatre company has a long way to go before they can perform their version of The Insect Play, a famous satirical work from 1922 by the brothers Karel and Josef Čapek which features insects with decidedly human traits: greed, egocentrism, jealousy.
Interviewee
One of the best Czech composers of film soundtracks is often described as a genius of film scores. He was not afraid to experiment and the timelessness of his work is proven by the admiration of the world, including the generation who came to know his music only after his death.
Self
A tortuous journey, in the company of the Spanish painter Salvador Dalí, around the figure of the enigmatic and visionary French poet Raymond Roussel (1877-1933).
Writer
Eugene leva uma vida normal com a esposa e o trabalho em um escritório, até que começa a sonhar com uma linda mulher todos os dias. Algo leva o senhor a acreditar que aquele sonho insistente tem algum significado profundo e ele começa a querer estar mais dormindo que acordado.
Director
Eugene leva uma vida normal com a esposa e o trabalho em um escritório, até que começa a sonhar com uma linda mulher todos os dias. Algo leva o senhor a acreditar que aquele sonho insistente tem algum significado profundo e ele começa a querer estar mais dormindo que acordado.
Experimental documentary about Japanese experimental musician Otomo Yoshihide. Includes interviews with multiple musicians, artists, and writers as well as live footage.
Director
A collection of short films by 16 European directors.
Director
Featuring all 26 entries in the official filmography, this is the world's first complete DVD edition of the short films by the legendary Czech Surrealist filmmaker-animator Jan Švankmajer. Technically and conceptually astonishing in their own right, these films are also as remarkable for their philosophical consistency as for their frequently mind-boggling imagery. This package also includes a bonus short, Johanes Doktor Faust (1958), the longer cut of 'The Cabinet of Jan Švankmajer' with a new introduction by the Quay Brothers, the documentary Les Chimeres des Švankmajer (2001), interviews with Jan and Eva Švankmajer and examples of their work in other media. There's also a chance to see some Švankmajer special effects, created when he was banned from directing his own films.
Director
A collection of short films by 16 European directors.
Production Design
Jean é assombrado por seu pesadelo terrível e quebra todo o quarto do hotel onde está hospedado, assustando os hóspedes. O evento o leva a conhecer o Marquês, um homem que ainda vive como se estivesse no século XVIII, que oferece a Jean um tempo de estadia em seu palácio e uma possível cura para seu "problema".
Screenplay
Jean é assombrado por seu pesadelo terrível e quebra todo o quarto do hotel onde está hospedado, assustando os hóspedes. O evento o leva a conhecer o Marquês, um homem que ainda vive como se estivesse no século XVIII, que oferece a Jean um tempo de estadia em seu palácio e uma possível cura para seu "problema".
Director
Jean é assombrado por seu pesadelo terrível e quebra todo o quarto do hotel onde está hospedado, assustando os hóspedes. O evento o leva a conhecer o Marquês, um homem que ainda vive como se estivesse no século XVIII, que oferece a Jean um tempo de estadia em seu palácio e uma possível cura para seu "problema".
Director
For the past 40 years, Jan Svankmajer (Faust, Conspirators of Pleasure) has been hailed as one of cinema's most consistently surprising, wildly imaginative, and remarkable surrealists of our time. Utilizing a delirious combination of puppets, humans, stop-motion animation, and live action, Svankmajer's films conjure up a dreamlike universe that is at once dark, macabre, witty, and perversely visceral. KimStim (and Kino) is proud to to offer this collection of remarkable short works from an artist that has mesmerized audiences the world over and has inspired filmmakers from the Brothers Quay to Tim Burton and Terry Gilliam.
Production Design
Baseado no folclore Tcheco, o filme conta a história de um casal que não pode ter filhos. Então o marido escava no quintal uma raiz e a talha, de forma a tomar a forma de um bebê. Sua esposa decide cuidar dela como se fosse uma criança. A raiz ganha vida, para a alegria da mãe. Entretanto, a estranha criança acaba desenvolvendo grande apreço por carne e quanto mais ela cresce, maior se torna seu apetite.
Producer
Baseado no folclore Tcheco, o filme conta a história de um casal que não pode ter filhos. Então o marido escava no quintal uma raiz e a talha, de forma a tomar a forma de um bebê. Sua esposa decide cuidar dela como se fosse uma criança. A raiz ganha vida, para a alegria da mãe. Entretanto, a estranha criança acaba desenvolvendo grande apreço por carne e quanto mais ela cresce, maior se torna seu apetite.
Costume Design
Baseado no folclore Tcheco, o filme conta a história de um casal que não pode ter filhos. Então o marido escava no quintal uma raiz e a talha, de forma a tomar a forma de um bebê. Sua esposa decide cuidar dela como se fosse uma criança. A raiz ganha vida, para a alegria da mãe. Entretanto, a estranha criança acaba desenvolvendo grande apreço por carne e quanto mais ela cresce, maior se torna seu apetite.
Story
Baseado no folclore Tcheco, o filme conta a história de um casal que não pode ter filhos. Então o marido escava no quintal uma raiz e a talha, de forma a tomar a forma de um bebê. Sua esposa decide cuidar dela como se fosse uma criança. A raiz ganha vida, para a alegria da mãe. Entretanto, a estranha criança acaba desenvolvendo grande apreço por carne e quanto mais ela cresce, maior se torna seu apetite.
Screenplay
Baseado no folclore Tcheco, o filme conta a história de um casal que não pode ter filhos. Então o marido escava no quintal uma raiz e a talha, de forma a tomar a forma de um bebê. Sua esposa decide cuidar dela como se fosse uma criança. A raiz ganha vida, para a alegria da mãe. Entretanto, a estranha criança acaba desenvolvendo grande apreço por carne e quanto mais ela cresce, maior se torna seu apetite.
Director
Baseado no folclore Tcheco, o filme conta a história de um casal que não pode ter filhos. Então o marido escava no quintal uma raiz e a talha, de forma a tomar a forma de um bebê. Sua esposa decide cuidar dela como se fosse uma criança. A raiz ganha vida, para a alegria da mãe. Entretanto, a estranha criança acaba desenvolvendo grande apreço por carne e quanto mais ela cresce, maior se torna seu apetite.
Set Designer
"Domingo". Isso é tudo o que está escrito numa carta anônima que o senhor Peony recebe das mãos de Malkova, a responsável pelo Correio da cidade. É também um sinal para que ele se prepare para as mais extremas e estranhas experiências de prazer.
Art Direction
"Domingo". Isso é tudo o que está escrito numa carta anônima que o senhor Peony recebe das mãos de Malkova, a responsável pelo Correio da cidade. É também um sinal para que ele se prepare para as mais extremas e estranhas experiências de prazer.
Writer
"Domingo". Isso é tudo o que está escrito numa carta anônima que o senhor Peony recebe das mãos de Malkova, a responsável pelo Correio da cidade. É também um sinal para que ele se prepare para as mais extremas e estranhas experiências de prazer.
Director
"Domingo". Isso é tudo o que está escrito numa carta anônima que o senhor Peony recebe das mãos de Malkova, a responsável pelo Correio da cidade. É também um sinal para que ele se prepare para as mais extremas e estranhas experiências de prazer.
Art Direction
Fantástica versão da obra de Goethe, o filme mistura atores humanos com marionetes, personificando o mito de Fausto em um homem comum contemporâneo.
Production Design
Fantástica versão da obra de Goethe, o filme mistura atores humanos com marionetes, personificando o mito de Fausto em um homem comum contemporâneo.
Author
Fantástica versão da obra de Goethe, o filme mistura atores humanos com marionetes, personificando o mito de Fausto em um homem comum contemporâneo.
Director
Fantástica versão da obra de Goethe, o filme mistura atores humanos com marionetes, personificando o mito de Fausto em um homem comum contemporâneo.
Himself
Švankmajer demonstrates the darkly humorous approach to life and politics which the Czech authorities at one time regarded as so subversive that they banned him from film-making for eight years.
Production Design
BREAKFAST: After eating breakfast, a man is transformed into an elaborate dumb-waiter-style breakfast dispenser - and the same fate befalls the man who obtains breakfast from him. LUNCH: After failing to catch the waiter's eye, two would-be diners end up eating everything within reach. DINNER: Portraits of various meals made up of human organs.
Writer
BREAKFAST: After eating breakfast, a man is transformed into an elaborate dumb-waiter-style breakfast dispenser - and the same fate befalls the man who obtains breakfast from him. LUNCH: After failing to catch the waiter's eye, two would-be diners end up eating everything within reach. DINNER: Portraits of various meals made up of human organs.
Director
BREAKFAST: After eating breakfast, a man is transformed into an elaborate dumb-waiter-style breakfast dispenser - and the same fate befalls the man who obtains breakfast from him. LUNCH: After failing to catch the waiter's eye, two would-be diners end up eating everything within reach. DINNER: Portraits of various meals made up of human organs.
Writer
A bust of Stalin is cut open on an operating table, leading to an elaborate animated depiction of Czech history from 1948 (the Communist takeover) to 1989 (the Velvet Revolution). Some knowledge of the subject is essential in order to understand the film, which is entirely visual.
Production Design
A bust of Stalin is cut open on an operating table, leading to an elaborate animated depiction of Czech history from 1948 (the Communist takeover) to 1989 (the Velvet Revolution). Some knowledge of the subject is essential in order to understand the film, which is entirely visual.
Director
A bust of Stalin is cut open on an operating table, leading to an elaborate animated depiction of Czech history from 1948 (the Communist takeover) to 1989 (the Velvet Revolution). Some knowledge of the subject is essential in order to understand the film, which is entirely visual.
Himself
This half-hour BBC documentary offers a revealing look at Svankmajer at work on "Death of Stalinism in Bohemia," and uses excerpts from his earlier films to trace the development of his unique sensibility.
Director
An animated film compiled by David Ehrlich consisting of 27 animators from different countries all explaining themselves through their animation.
Art Direction
The story takes place entirely on a kitchen counter and sees two slices of raw meat as protagonists. The first slice is courted by the second and together they dance to the notes of a recording from the 1920s broadcast on the radio, after which the two slices find themselves playing and flirting on a plate full of flour, but the passion is abruptly interrupted by two skewers who fork the two slices and fry them in a pan.
Writer
The last moments of a creature made out of fruits and vegetables.
Writer
A human body gradually reconstructs itself as its various component parts crowd themselves into a small room and eventually, after much experimentation, sort out which part goes where.
Writer
The story takes place entirely on a kitchen counter and sees two slices of raw meat as protagonists. The first slice is courted by the second and together they dance to the notes of a recording from the 1920s broadcast on the radio, after which the two slices find themselves playing and flirting on a plate full of flour, but the passion is abruptly interrupted by two skewers who fork the two slices and fry them in a pan.
Director
The last moments of a creature made out of fruits and vegetables.
Director
A human body gradually reconstructs itself as its various component parts crowd themselves into a small room and eventually, after much experimentation, sort out which part goes where.
Director
The story takes place entirely on a kitchen counter and sees two slices of raw meat as protagonists. The first slice is courted by the second and together they dance to the notes of a recording from the 1920s broadcast on the radio, after which the two slices find themselves playing and flirting on a plate full of flour, but the passion is abruptly interrupted by two skewers who fork the two slices and fry them in a pan.
Production Design
Releitura da história clássica de "Alice no país das maravilhas" feita pelo mestre da animação e stop motion Jan Švankmajer.
Author
Releitura da história clássica de "Alice no país das maravilhas" feita pelo mestre da animação e stop motion Jan Švankmajer.
Director
Releitura da história clássica de "Alice no país das maravilhas" feita pelo mestre da animação e stop motion Jan Švankmajer.
Director
Svankmajer's music video for Hugh Cornwell's "Another Kind of Love."
Writer
A man sits down to watch a football match, which seems to consist of the players being violently mutilated in various inventive ways. The players then leave the football pitch and invade the spectator's flat...
Director
A man sits down to watch a football match, which seems to consist of the players being violently mutilated in various inventive ways. The players then leave the football pitch and invade the spectator's flat...
Animation
It is a story of three veterans released from the army. During one night spent camping in the country they one by one wake up and meet three elvish brothers. Each of the veterans is given a magic item - one gets magic harp that provides him with servants by wish, other one endless pouch of gold and the last one owns magic hat that can create all the staff excluding money and people.
Art Designer
A little girl goes down to the basement cellar to fetch some potatoes, and finds all her hidden fears about the cellar depicted in animated form.
Writer
A little girl goes down to the basement cellar to fetch some potatoes, and finds all her hidden fears about the cellar depicted in animated form.
Director
A little girl goes down to the basement cellar to fetch some potatoes, and finds all her hidden fears about the cellar depicted in animated form.
Production Design
A short film based on Edgar Allan Poe's "The Pit and the Pendulum" and Auguste Villiers de l'Isle-Adam's "A Torture by Hope".
Writer
A short film based on Edgar Allan Poe's "The Pit and the Pendulum" and Auguste Villiers de l'Isle-Adam's "A Torture by Hope".
Director
A short film based on Edgar Allan Poe's "The Pit and the Pendulum" and Auguste Villiers de l'Isle-Adam's "A Torture by Hope".
Writer
A three-part depiction of various forms of communication.
Director
A three-part depiction of various forms of communication.
Writer
In this animated version of Edgar Allan Poe's story, a traveller arrives at the Usher mansion to find that the sibling inhabitants are living under a mysterious family curse: The brother's senses have become painfully acute, while his sister has become nearly catatonic.
Director
In this animated version of Edgar Allan Poe's story, a traveller arrives at the Usher mansion to find that the sibling inhabitants are living under a mysterious family curse: The brother's senses have become painfully acute, while his sister has become nearly catatonic.
Title Designer
Martin, a poor student, volunteers to go on a quest to find a cure for the princess Adriana, who is stricken with a strange illness. Unknown to Martin or anyone else, the princess is actually under the spell of the powerful magician Andlobrandini, who is preparing a rejuvenating elixir made from the blood of nine men's hearts.
Art Direction
Martin, a poor student, volunteers to go on a quest to find a cure for the princess Adriana, who is stricken with a strange illness. Unknown to Martin or anyone else, the princess is actually under the spell of the powerful magician Andlobrandini, who is preparing a rejuvenating elixir made from the blood of nine men's hearts.
Art Designer
When famous detective Nick Carter visits Prague, he becomes involved in strange case of a missing dog and even stranger carnivorous plant. He becomes convinced that he is standing against his greatest enemy, the Gardener, who supposedly died years ago in a swamp...
Animation
When famous detective Nick Carter visits Prague, he becomes involved in strange case of a missing dog and even stranger carnivorous plant. He becomes convinced that he is standing against his greatest enemy, the Gardener, who supposedly died years ago in a swamp...
Writer
"The Castle of Otranto" is animation/short/mockumentary based on "The Castle of Otranto", a 1764 novel by Horace Walpole, the first Gothic novel. The novel takes place in Otranto in southern Italy. In Jan Svankmajer's mocumentary, the amateur archaeologist Dr Vozáb has set to prove that the supernatural ghost love story takes place not in Italy but in Otranto Castle near Nachod in Czechoslovakia.
Director
"The Castle of Otranto" is animation/short/mockumentary based on "The Castle of Otranto", a 1764 novel by Horace Walpole, the first Gothic novel. The novel takes place in Otranto in southern Italy. In Jan Svankmajer's mocumentary, the amateur archaeologist Dr Vozáb has set to prove that the supernatural ghost love story takes place not in Italy but in Otranto Castle near Nachod in Czechoslovakia.
Story
Animated drawings inspired by Leonardo da Vinci are intercut with seemingly unrelated (but in fact strangely similar) live-action scenes.
Screenplay
Animated drawings inspired by Leonardo da Vinci are intercut with seemingly unrelated (but in fact strangely similar) live-action scenes.
Art Direction
Director
Animated drawings inspired by Leonardo da Vinci are intercut with seemingly unrelated (but in fact strangely similar) live-action scenes.
Writer
In stop-motion animation, a wardrobe moves through the countryside. It arrives in a house, a child's voice recites Lewis Carroll's "Jabberwocky," and various objects, such as toys and dolls, move about, disintegrate, and play out archetypal scenes. Like Carroll's verse, the images are at once familiar and unfamiliar. A child's play suit, hanging in the wardrobe, becomes the adventure's protagonist.
Director
In stop-motion animation, a wardrobe moves through the countryside. It arrives in a house, a child's voice recites Lewis Carroll's "Jabberwocky," and various objects, such as toys and dolls, move about, disintegrate, and play out archetypal scenes. Like Carroll's verse, the images are at once familiar and unfamiliar. A child's play suit, hanging in the wardrobe, becomes the adventure's protagonist.
Screenplay
A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).
Story
A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).
Director
A non-narrative voyage round Sedlec Ossuary, which has been constructed from over 50,000 human skeletons (victims of the Black Death).
Writer
The age-old story of Don Juan, played by giant puppets.
Writer
A man, apparently on the run, takes shelter in a dilapidated house. Every day, he drills a hole through a wall and looks into one of the rooms, each time seeing a different surreal vision...
Director
The age-old story of Don Juan, played by giant puppets.
Director
A man, apparently on the run, takes shelter in a dilapidated house. Every day, he drills a hole through a wall and looks into one of the rooms, each time seeing a different surreal vision...
Screenplay
Frank visits his friend Josef, who introduces him to his pedigree rabbits and his wife Mary. Frank is more interested in the slightly unsettling fact that Josef and Mary's garden fence is entirely made up of living people holding hands. Finally, Frank asks Josef how he manages to keep the fence together..
Director
Frank visits his friend Josef, who introduces him to his pedigree rabbits and his wife Mary. Frank is more interested in the slightly unsettling fact that Josef and Mary's garden fence is entirely made up of living people holding hands. Finally, Frank asks Josef how he manages to keep the fence together..
Editor
In one of Jan Svankmajer's many mind-blowing, deliberately weird short films, a picnic consists of a suit sunbathing, a phonograph playing records, a shovel digging holes, and a camera taking pictures.
Writer
In one of Jan Svankmajer's many mind-blowing, deliberately weird short films, a picnic consists of a suit sunbathing, a phonograph playing records, a shovel digging holes, and a camera taking pictures.
Director
In one of Jan Svankmajer's many mind-blowing, deliberately weird short films, a picnic consists of a suit sunbathing, a phonograph playing records, a shovel digging holes, and a camera taking pictures.
Screenplay
A nondescript man is trapped in a sinister flat, where nothing seems to obey the laws of nature.
Story
A nondescript man is trapped in a sinister flat, where nothing seems to obey the laws of nature.
Director
A nondescript man is trapped in a sinister flat, where nothing seems to obey the laws of nature.
Editor
In 1967, Jan Švankmajer participated in the Terre des Hommes competition of the Montreal International Film Festival by submitting "L'homme et la technique." The rules of this international competition stipulated that the films should last 50 seconds, contain no dialogue and be inspired by the themes of Expo 67. This very rare film, which does not appear in the official filmography of Jan Švankmajer, is today preserved by the Cinémathèque Québécoise. Obviously inspired by the director's 1966 short film "Et Cetera," "L'homme et la technique" tackles the themes of reality and dreams.
Producer
In 1967, Jan Švankmajer participated in the Terre des Hommes competition of the Montreal International Film Festival by submitting "L'homme et la technique." The rules of this international competition stipulated that the films should last 50 seconds, contain no dialogue and be inspired by the themes of Expo 67. This very rare film, which does not appear in the official filmography of Jan Švankmajer, is today preserved by the Cinémathèque Québécoise. Obviously inspired by the director's 1966 short film "Et Cetera," "L'homme et la technique" tackles the themes of reality and dreams.
Writer
In 1967, Jan Švankmajer participated in the Terre des Hommes competition of the Montreal International Film Festival by submitting "L'homme et la technique." The rules of this international competition stipulated that the films should last 50 seconds, contain no dialogue and be inspired by the themes of Expo 67. This very rare film, which does not appear in the official filmography of Jan Švankmajer, is today preserved by the Cinémathèque Québécoise. Obviously inspired by the director's 1966 short film "Et Cetera," "L'homme et la technique" tackles the themes of reality and dreams.
Director
In 1967, Jan Švankmajer participated in the Terre des Hommes competition of the Montreal International Film Festival by submitting "L'homme et la technique." The rules of this international competition stipulated that the films should last 50 seconds, contain no dialogue and be inspired by the themes of Expo 67. This very rare film, which does not appear in the official filmography of Jan Švankmajer, is today preserved by the Cinémathèque Québécoise. Obviously inspired by the director's 1966 short film "Et Cetera," "L'homme et la technique" tackles the themes of reality and dreams.
Art Direction
An eight-part animated portrait of various species, accompanied by a different style of music. The various parts are: Aquatilia (foxtrot), Hexapoda (bolero), Pisces (blues), Reptilia (tarantella), Aves (tango), Mammalia (minuet), Simiae (polka) and Homo (waltz). Each animation mixes drawings, pictures, real animals and animated skeletons.
Screenplay
An eight-part animated portrait of various species, accompanied by a different style of music. The various parts are: Aquatilia (foxtrot), Hexapoda (bolero), Pisces (blues), Reptilia (tarantella), Aves (tango), Mammalia (minuet), Simiae (polka) and Homo (waltz). Each animation mixes drawings, pictures, real animals and animated skeletons.
Art Direction
A small, animated figure learns how to use a whip, a pair of wings and a house.
Screenplay
A small, animated figure learns how to use a whip, a pair of wings and a house.
Director
An eight-part animated portrait of various species, accompanied by a different style of music. The various parts are: Aquatilia (foxtrot), Hexapoda (bolero), Pisces (blues), Reptilia (tarantella), Aves (tango), Mammalia (minuet), Simiae (polka) and Homo (waltz). Each animation mixes drawings, pictures, real animals and animated skeletons.
Director
A small, animated figure learns how to use a whip, a pair of wings and a house.
Art Direction
Two puppets, Punch and Judy, do battle to the death over the custody of a live guinea pig.
Screenplay
Two puppets, Punch and Judy, do battle to the death over the custody of a live guinea pig.
Director
Two puppets, Punch and Judy, do battle to the death over the custody of a live guinea pig.
Writer
In this early stop-motion film by Czech surrealist Jan Svankmajer, a device consisting of a clock, a pendulum, a faucet and a bucket enacts a series of events whenever the clock chimes.
Director
In this early stop-motion film by Czech surrealist Jan Svankmajer, a device consisting of a clock, a pendulum, a faucet and a bucket enacts a series of events whenever the clock chimes.
Art Direction
A man plays the Bach piece of the title on the organ, accompanied by images of stone walls with cracks and holes that grow and shrink, intercut with images of doors and wire-meshed windows.
Screenplay
A man plays the Bach piece of the title on the organ, accompanied by images of stone walls with cracks and holes that grow and shrink, intercut with images of doors and wire-meshed windows.
Story
A man plays the Bach piece of the title on the organ, accompanied by images of stone walls with cracks and holes that grow and shrink, intercut with images of doors and wire-meshed windows.
Director
A man plays the Bach piece of the title on the organ, accompanied by images of stone walls with cracks and holes that grow and shrink, intercut with images of doors and wire-meshed windows.
Art Direction
Two magicians, Mr.Schwarzwald and Mr.Edgar, try to outdo each other in performing elaborate magic tricks, leading to a violent ending.
Screenplay
Two magicians, Mr.Schwarzwald and Mr.Edgar, try to outdo each other in performing elaborate magic tricks, leading to a violent ending.
Story
Two magicians, Mr.Schwarzwald and Mr.Edgar, try to outdo each other in performing elaborate magic tricks, leading to a violent ending.
Director
Two magicians, Mr.Schwarzwald and Mr.Edgar, try to outdo each other in performing elaborate magic tricks, leading to a violent ending.
