Melodie sněžných hor (1976)

Este, para quem só há felicidade conjugal quando se é o primeiro marido da mulher, é escrupulosamente mantido na ignorância do casamento com Eric Thomson. Só a irmã de Gilberte, Arlette Poumaillac, ainda solteira, conhece o segredo. Mas o que aconteceria se, por pura coincidência, Georges Valandray iniciasse uma relação de negócios com Eric Thomson e ficassem amigos?

This musical comedy based on an opera by Jacques Offenbach incorporates a twist on the classic Greek myth: Orpheus, a music teacher at a girls’ school in the ancient Greek city of Thebes, actually does not miss his wife Eurydice that much – until the gods and Offenbach himself pressure him to retrieve her from Hades.

Renée Fleming lights up the Met stage as Hanna Glawari, the fabulously wealthy widow of the title in Lehár’s beloved operetta, set in Paris and seen in a glittering production directed and choreographed by Broadway’s Susan Stroman. Nathan Gunn is Danilo, Hanna’s former flame, who is supposed to woo and marry her in order to keep her fortune in their home country of Pontevedro. Kelli O’Hara sings Valencienne, the flirtatious young wife of the Pontevedrian ambassador in Paris, Baron Zeta, played by Thomas Allen, and Alek Shrader is her suitor, Camille. Andrew Davis conducts the waltz-rich score, and the new English translation is by Jeremy Sams.

In 1890, Gus Sascher joins the Austrian Army and romances the impoverished girl Elsa Hofner. Elsa instead marries the wealthier officer Franz von Renner, in an attempt at social climbing.

A student nun falls in love with a Mexican singer starring in a cafe next door to her convent.

Country girl Margit sits for the artist Sándor, from Budapest. She is fascinated and charmed by him, and agrees to accompany him to the capital, so he can complete the painting there. Disillusionment sets in, however, when Sándor wins a prize with the finished portrait and loses interest in her. Margit recognizes that her true happiness lies at home, with Pista, her faithful lover.

Captain Stanton, who because of a misunderstanding over a woman with Major Davolo, has been cited for a court martial. As a scout, he is sent to escort a wagon train which is under military escort. It turns out that this escort is his own former regiment. When he meet Davolo, there is another fight and between Stanton and Davolo in which Davolo is killed.

Eisenstein gets in trouble for shooting a grouse. He is told that he must go to prison for his crime. However, his friend has invited him to an aristocratic ball. Eisenstein, despite being married, wants to go to the ball to meet women. Eisenstein lies to his wife. He tells her that he is going to prison but actually he goes to the ball. His story arises the suspicion of his wife. His wife devises a plot to catch her womanizing husband.

A shy young man with a passion for opera has his world turned upside down by a con artist who really does have a heart of gold.

A newspaper reporter and the daughter of an immigrant maintenance man help expose political corruption in New York City.

French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.

O enredo de Der Zarewitsch baseia-se vagamente numa história verídica. Retrata o exílio autoimposto de Zarewitsch, filho do Czar Russo, que fugiu ao comando do seu pai para se tornar monge ou se interessar pelos militares, com a sua amante Sonja disfarçada de pagem. O casal passou dois anos escondido até que seu pai o obrigou a regressar. Em vez de retornar, no entanto, ele fugiu novamente e só se convenceu a retornar quando seu pai morreu e ele teve que assumir o trono.

In a mythical Japan, Ko-Ko, a cheap tailor, has been appointed Lord High Executioner and must find someone to execute before the arrival of the ruling Mikado. He lights upon Nanki-Poo, a strolling minstrel who loves the beautiful Yum-Yum. But Yum-Yum is also loved by Ko-Ko, and Nanki-Poo, seeing no hope for his love, considers suicide. Ko-Ko offers to solve both their problems by executing Nanki-Poo, and an agreement is reached whereby Ko-Ko will allow Nanki-Poo to marry Yum-Yum for one month, at the end of which Nanki-Poo will be executed, in time for the arrival of the Mikado. But what Ko-Ko doesn't know is that Nanki-Poo is the son of the Mikado and has run away to avoid a betrothal to an old harridan named Katisha. The arrival of the Mikado brings all the threads of the tale together. This is the Stratford Festival of Canada, directed by Brian Macdonald. This is a filmed version of a stage performance, and the sets are beautifully spare and economical.

Celestin is the singing teacher in a monastery and Denis is one of her students. They both dream about the life outside. (It's a Swedish version of the famous vaudeville-opérette "Mam'zelle Nitouche").

Based on the operetta of the same name by Isaak Dunayevsky. The port town of one of the small southern countries. After the Nazi occupiers left, the port's berths were empty, the steamers did not smoke, cargo cranes stood. Fearing retaliation for collaborating with enemies, port owner Georg Stan fled the city. After waiting a while and securing the support of local authorities, Stan nonetheless returns - and loading operations begin in the port. While loading oranges, the sailor Yango and the beautiful Stella are preparing for the wedding. Suddenly, Stan makes a proposal to the girl and tricks her into agreeing. Upon learning of the deception, the girl runs away to Yango. Having discovered weapons intended to support fascism in the drawer of the hold, the heroes do everything possible to make the boxes fall to the bottom of the sea.

Based on the classic Broadway operetta by Victor Herbert and Glen MacDonough, this live television special became an annual Christmas tradition with rotating cast members.

A young girl becomes lost in a department store during the Christmas shopping rush. The frightened child is comforted by a department store Santa Claus who tells her a tale of storybook characters brought to life - of Tommy Tucker's love for the lovely Jane Piper and the cold-hearted villainy of evil Silas Barnaby. Through the girl's dreams, the viewer is transported to Toyland. Based on the classic Broadway operetta by Victor Herbert and Glen MacDonough, this was its second live television special production, with some new cast members and some returning.

Maud Goodin is the daughter of a millionaire, content with her present life, but she is an interesting conquest for those wants to get on the social ladder.

Às vésperas de um baile na residência do príncipe Orlofsky, Gabriel Eisenstein deve se apresentar na prisão para cumprir oito dias por desacato a uma autoridade. Seu amigo, Dr. Falke, o convence a não se entregar naquela noite e ir ao baile. No ano anterior Falke, vestido de morcego, foi vitima de uma brincadeira de Eisenstein e abandonado, fantasiado e embriagado, em uma praça publica, virando motivo de chacota da população local pela manhã. Secretamente Falken convence a empregada, Adele a ir ao baile também, e depois a mulher de Eisentein, Rosalinde, para ir com uma máscara. Os próximos dois atos contam os encontros e desencontros dos personagens no baile e depois na delegacia de policia.

Lotfi Mansouri's spectacular last production as General Director of The San Francisco Opera with Yvonne Kenny making her debut in the title role, new dialogue specially commissioned from Pulitzer Prize-winning playwright, Wendy Wasserstein and an original ballet to set the scene ‘Chez Maxime’ bringing fresh insight into Lehár's classic operetta. This production also features another world premiere, Njegus's song, ‘Quite Parisian’.