Flatworld (1997)

Paródia da televisão americana roteirizada pelo trio responsável pelas comédias "Apertem os Cintos, O Piloto Sumiu" e "Corra que a Polícia Vem Aí", com 22 quadros satirizando (e ridicularizando) os filmes-catástrofe e comerciais de TV, documentários educativos, trailers de filmes sensacionalistas e as aventuras de kung-fu importadas de Hong-Kong.

Harris K. Telemacher (Steve Martin) é o "homem do tempo" em uma rede de televisão. Ele transforma suas previsões em algo um pouco cômico, pois em Los Angeles há muito pouco para se falar sobre o tempo. Harris passa seu tempo em museus e em lugares da moda sendo que num deste lugares conhece Sara McDowel (Victoria Tennant). Entretanto Harris está, sendo assediado por SanDeE* (Sarah Jessica Parker), uma bem vendedora de roupas. Como o tempo nunca mudava, Harris disse que haveria sol em toda a Califórnia, mas caiu um temporal que destruiu o iate do chefe de Harris e foi demitido. Simultaneamente Harris descobre que sua namorada tinha um caso com o seu agente, Frank Swan (Kevin Pollak). Isto o afeta pois está realmente interessado em Sara. O problema é que Roland Mackey (Richard E. Grant), o ex-marido de Sara, está tentando reatar com ela e Harris acaba recebendo conselhos e ajuda de um luminoso de rua.

Um locutor de noticiário de uma rede de televisão estadunidense é demitido em razão da baixa audiência do programa. Ele então anuncia que irá cometer suicídio no ar. Por esta razão, os índices de audiência do programa voltam a crescer, ele passa a ser conhecido como o Profeta Louco, e é readmitdo. Mas seu comportamento insano faz com que os responsáveis pela sua ascensão decidam detê-lo.

Ricky Hayman trabalha em um canal de TV de venda de produtos e está na iminência de perder o emprego. As vendas estão fracas sob a sua liderança, e seu chefe quer substituí-lo por Kate Newell. Ricky conhece um homem interessante chamado G. Por capricho, ele põe G na frente das câmeras e as vendas disparam. Mas quando o trabalho começa a alterar o comportamento de G, Ricky se questiona se fez a coisa certa.

Programa de perguntas e respostas na TV, nos anos 1950, é investigado e se descobre que, visando a audiência, produtores passam a dar as respostas a um jovem de família rica, que passa a ganhar de um rapaz judeu muito mais inteligente.

Apresentador da previsão do tempo ,em Chicago, recebe oferta de trabalho em uma rede de TV ,em NY. Mas, ele é divorciado e, antes de se mudar para a Big Apple, terá de resolver uma série de problemas com a ex-mulher e os filhos.

Deb Metcalfe, uma estudante de meteorologia, dá a previsão do tempo em uma estação de rádio enquanto tenta obter seu doutorado. Quentin Sterling é produtor de telejornal e decide contratar Deb após ouvi-la no rádio, pois precisa de uma garota do tempo substituta. O novo emprego na televisão acompanha melhorias no visual e prende a atenção tanto do público quanto de Quentin. Mas uma tempestade se forma com as pressões do emprego, um romance florescendo e menos tempo para os estudos.

A New Jersey trucker creates a hit TV show with help from his girlfriend in the ratings business.

It had all the makings of a huge television success: a white-hot comic at the helm, a coveted primetime slot, and a pantheon of future comedy legends in the cast and crew. So why did The Dana Carvey Show—with a writers room and cast including then unknowns Steve Carell, Stephen Colbert, Louis C.K., Robert Smigel, Charlie Kaufman, and more— crash and burn so spectacularly? TOO FUNNY TO FAIL tells the hilarious true story of a crew of genius misfits who set out to make comedy history… and succeeded in a way they never intended.

The King is the story of Graham Kennedy, Australia's first and greatest home grown TV superstar. It traces his rise from working class Balaclava kid, through radio, TV, film, and back to TV again. It also tracks Kennedy's personal tragedies - the loneliness, the unrealised ambitions and the terrible pressures of being Australia's first homegrown superstar in the 1950s and 60s.

While listening to a tedious lecture on the Soviet threat, Wisconsin Dells’ Tuesday Club members fall asleep and find themselves laboring in an all-women collective in Russia under the unflinching eye of the Soviet special police

"In Chakra, I was able to transfer the traditional order of the chakras into a film, starting with the first (lower) chakra and working up to the seventh (top) chakra…" - Jordan Belson

An ascetic walks through the narrow streets of a village every morning while his family is still asleep. In his semi-somnolent state he dreams about the history of the village mixing up myths, folklore and facts.

A surrealist saga in four parts: 1.) The credit sequence in which title cards show successively larger foetuses pulsating on the screen until the baby is born and cries. 2.) Etoile-directly referring to Cocteau, Lethem shows an adolescent sucking a starfish and then giving birth to a smaller starfish. A statement of inadequacy. To give birth involves an emasculation and a loss of vitality. 3.) Corps-two images of a man on a couch groping for each other, watched by a mysterious peeping Tom. As the two superimposed images come together, the heavy breathing subsides…the statement that the birth of desire is a self – realisation. 4.) Hymen – The decaying body of a girl is shot through green filters, and the final image reveals her vagina crawling with maggots and overlain with a crucifix. A representation of Catholicism preventing the free expression of desire.

A young boy gets caught stealing a sheep and is shaved of all his hair and branded with a mark on his forehead so that everyone will know that he is a thief and not to be trusted. Dumped in the desert, the thief covers his marking with a headscarf and goes to the nearest village where he is taken in by a trusting family in return for his work. However, has be actually changed or is he still the same thief at heart?

Uncle Sam has been living peacefully in the American southwest, running a gas station. But when terrorists kidnap the Statue of Liberty, Uncle Sam teams up with an eagle to go rescue her.

A formal 1861 portrait of a Chinese Mandarin and his wife is the starting point for this allegorical investigation of the fantasies spawned in the West about the East, particularly that which associates femininity with the mysterious Orient. ADYNATA presents a series of oppositions-male and female images, past and present sounds-which in and of themselves construct a minimal and fragmentary narrative, an open text of our imaginations, fears and fantasies.

Simple objects, photographs, and events prompt Frank to self-conscious rumination. From his homes in New York and Nova Scotia and on visits to friends, the artist contemplates his relationships, the anniversary of his daughter's death, his son's mental illness, and his work.

Documentary film and home movie about Dwight Core, Jr., a boy with Down syndrome. The footage was originally shot throughout the 1960s and 1970s by Core's father, Dwight Core, Sr. The footage was later discovered and completed by the filmmaker's grandson, George Ingmire

De Düva is a 1968 Oscar-nominated American short film that parodies the films of Swedish director Ingmar Bergman, including Wild Strawberries and The Seventh Seal. The film borrows heavily from the plot lines of some of Bergman's most famous films. The dialogue, seemingly in Swedish, is actually a Swedish-accented fictional language based on English, German, Latin, and Swedish, with most nouns ending in "ska." The film was nominated for an Oscar for Best Live Action Short Film.

"TESTAMENT is James Broughton's exquisite self-portrait. A major figure in avant-garde filmmaking and poetry since the 1940s, Broughton views his life and life's work with irony, charm, humor, and a combination of joyous self-love and gentle self-depreciation. Scenes from his earlier films mix the elements of humor, magic, slapstick, melodrama, and romance which mark his aesthetic. A plethora of rich personal symbols is woven throughout the film, tied together by verbal games, Zen poems, anecdotes, songs, a child's prayer, dreams, and visions." - Karen Cooper "James Broughton's TESTAMENT is one of the most remarkable films ever produced within the American independent cinema. It is the most moving and most sublimely detached of the recent trend of filmic autobiographies - by Jerome Hill, Jonas Mekas, and Stan Brakhage, to name only the masters, and Broughton's peers." - P. Adams Sitney "A beautiful, important, mysterious work." - Amos Vogel

A documentary overview of silent cinema pioneer Edwin S. Porter.

Depois da mastectomia pós-parto de sua mãe, Ngozi redescobre seu corpo junto ao corpo dela. Ao se tornar modelo, com sua aparência em evidência, as percepções sexuais, amorosas, raciais e maternais da existência social dos corpos das duas se entremeiam na fabulação das memórias reencenadas por elas.

In Razor Blades, Paul SHARITS consciously challenges our eyes, ears and minds to withstand a barrage of high powered and often contradictory stimuli. In a careful juxtaposition and fusion of these elements on different parts of our being, usually occurring simultaneously, we feel at times hypnotised and re-educated by some potent and mysterious force.

A short documentary that explores a blue-collar community’s growing unease with the Vietnam War. It was produced in response to President Nixon’s famous November, 1969 speech when he contrasted the unlawful and vocal anti-war protesters to the respectful “silent majority” who were in favor of remaining in Vietnam to fight communism. This film explores the thoughts and opinions of the “silent majority” represented by the folks living in the Garfield Ridge neighborhood on the southwest side of Chicago.

The U.S. Army Signal Corps Pictorial Division made this short documentary shortly after the end of WWII to look at the after-effects of the atomic bombs dropped on Hiroshima and Nagasaki. There is no credited crew or cast.

Life, customs and the fight for survival in the desolate wastelands of the Venezuelan plains.

An Islamic faithfull returns from his holy pilgrimage to Mecca with the venerated title “el hadji”. On his return he falls in love with his daughter’s friend Santou, who is already engaged to be married to Garba. El Hadji however already has two wives and his second wife, Gaika, cannot stand the idea of another younger wife entering her house. She plots to kill Santou.

Shot in high-definition video using rear-screen process plates from classic Warner Bros. films noirs. A young man (in color) searches for his past through black-and-white scenes from "The Big Sleep," "Mildred Pierce," and "Strangers on a Train."