Playing at Politics (1931)

A young doctor gets stuck on a ship after treating an injured first mate. Later, he rescues a woman from plane wreckage, and with the help of the cook, he hides her away from the rowdy and dangerous crew.

A young couple accept an offer for $2 million to stay in a haunted house for a week. Based on real footage and events.

Anna é uma órfã criada por freiras. Sua mestre lhe conta que, antes de completar seus votos, ela deve encontrar sua família, então ela vai visitar Wanda, sua única parente viva, antes que esta venha a falecer. Wanda diz a Anna que ela é judia, então as duas mulheres iniciam uma viagem, não só para encontrar a sua trágica história de família, mas para saber quem elas realmente são e aonde pertencem.

Herman Melville's mad Capt. Ahab (John Barrymore) spends years hunting the white whale that got his leg.

O clipe mostra um jóquei, Domm, montando um cavalo, Sally Gardner. O clipe não é filmado, mas consiste em 24 fotografias individuais filmadas em sucessão rápida, fazendo uma imagem em movimento ao usar um Zoopraxiscópio.

Originally made for the 100 Feet Film Festival hosted by Image Forum. However, to test the limits, Terayama Shūji willfully made use of 3 projectors to project 300 feet of film at the same time.

Finished shooting in 1962, the movie’s cast was almost the same as its crew. With a bunch of experimental symbols such as skinny human body, clock and goat flow from one scene to another, the film explores the question of whether a man is a prisoner of time.

In this Borgesian satire on knowledge and technology, bibliophilic desire leads to the construction of a pedal-powered reading machine. Resembling a combination of gymnastic contraption, printing press and early cinematic apparatus, the machine’s purpose remains ambiguous. And like this machine, Terayama’s film connects his work in poetry, motion picture and graphic design by weaving together printed and projected, still and moving images.

Short recording of several parishioners leaving the city's basilica. It is considered the first Spanish film in history.

A young man falls in love with the daughter of the man who adopted him.

France in the early 60s. Simon, a wrestler, wears a white mask. In the ring, he is known as "The Specter". He suggests to his friend Victor who has just returned from combat to be his adversary in the ring and wear a black mask, and be known as "The Slaughterer of Belleville". But for Victor, still shaken from his experience in combat, this is too much; for once in his life he would like to be the good guy, the one people cheer on. Simon then suggests they switch masks. But it proves less easy to fool the rest of the wrestling crowd...

Structured in visual chapters: the port, anchors, the wind, the spray, the dunes, the North Sea… A series of images that need no anecdote or explanation. Storck offers a glimpse of Ostend, aspects that order its multiple constitutive elements; The water, the sand, the waves, vital cinematic language displayed in simple pictures. A poetic and kinetic shock, without fiction or sound, which relieves film from its narrative obligation and restores it to the world of sensations that it can alone carry.

Three people playing cards.

A man and a woman meet in 1960. They marry because that's what you are supposed to do. But something goes wrong on their wedding night. They have no idea what to do with each other. Sexually. Emotionally. The husband meets a man who knows what to do with his sexuality. Suddenly a hand can do something no hand has done before and lips something no lips have ever done. The two men have a secret love affair. But there is a problem: The woman. And she has something up her sleeve. Will she act? Yes, she will. What happens? Nobody knows. Until now.

The perfect body as an object of cult worship. Based on the mass sports and body worship movement of the 1920s, the film propagates physical training and shows in stylized documentary scenes aspects of physical hygiene, gymnastics, sports and dancing as well as scenes in which supposed sportsmen of antiquity pose naked.

Em Coimbra o estudante de Direito José Duarte e a bela Maria de Lisboa vivem uma intensa história de amor mas, terminado o curso e julgando-se traído, José Duarte abandona Maria e vai para o Porto, em busca do sucesso como cantador do fado coimbrão. Mas, sem saber, deixa-a grávida de um filho.

Refutation of All the Judgements, Pro or Con, Thus Far Rendered on the Film "The Society of the Spectacle"

Lucas é viúvo e vive com a afilhada, Lena. Dono de uma tipografia, é inseparável do seu empregado Lico. E os três ocupam o tempo num clube de bairro, onde ensaiam uma comédia musical, até ao dia em que são apresentados a um empresário que lhes promete carreira e fama. Mas Lena e Rui apaixonam-se, para desespero de Lico...

Na Amazônia brasileira, o pesquisador Carl Maia fotografa o que parece ser a nadadeira de um anfíbio possivelmente extinto. Carl viaja para mostrar sua descoberta e obter apoio financeiro, mas ao retornar com outros pesquisadores, descobre que dois funcionários deles foram mortos. Eles rumam para a Lagoa Negra, onde acham uma misteriosa criatura anfíbia, que pode ser o elo perdido entre duas espécies - uma aquática e outra terrestre.

O filme relata histórias de vidas em um campo do exército americano no Havaí, às vésperas do ataque japonês à Pearl Harbor. Centraliza as ações acompanhando os conflitos de três militares da base. Roteiro baseado num livro de James Jones.