Anjos da Noite (1987)
Gênero : Drama, Comédia
Runtime : 1H 38M
Director : Wilson Barros
Escritor : Wilson Barros
Sinopse
Um flagrante do painel fragmentado da noite paulista... O diretor Wilson Barros, em seu único filme, mostra um cruel e realista painel da noite paulista, com seus personagens mais característicos, como artistas, bandidos, travestis, prostitutas e toda sorte de michês que estão á procura de amor e aventura. A trama se desenrola a partir de dois crimes que ocorrem no mesmo dia e envolvem direta ou indiretamente a vida de doze personagens. No início da noite, o secretário de um industrial é brutalmente assassinado por um vendedor ambulante negro, em meio a um engarrafamento. O segundo crime é na madrugada: o corpo nu de um jovem é encontrado na banheira ensanguentada do apartamento de um ator conhecido. Um conto cinematográfico sobre a solidão dos habitantes da noite.
Uma equipe de filmagem viaja para os Alpes austríacos perto da fronteira com a antiga Iugoslávia para filmar três entusiastas de esportes radicais sendo perseguidos por uma avalanche de um comercial. O que eles não sabem, no entanto, é que eles estão filmando perto do esconderijo secreto de Slobodan Pavle, um criminoso de guerra sérvio. Acidentalmente pegá-lo no cinema, eles ficam trancados em uma perseguição de vida ou morte por suas vidas através das montanhas que inclui esqui, snowboard, sky diving, rafting, helicópteros, motocicletas e salto básico.
The followers of a charismatic cult leader set out to murder a pregnant actress.
A pair of estranged offspring visit their parents in an abandoned Mexican village.
Um filme dentro um filme, apresentando um triângulo amoroso que acontece paralelamente na vida dos atores. Ciúme, ódio e paixão, inflamados por memórias do passado, colidem e culminam com a intervenção de um ser celeste, um Cupido moderno, que compartilha de sua alegria e tristeza.
After spending three years in an asylum, a washed-up actor views a minor assignment from his old director in Rome as a chance for personal and professional redemption.
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
A horror film about a screenwriter who loses the ability to distinguish between his fantasy world and the real world, with disastrous consequences. As he ruminates on his place in any world and loses his grip, he also loses his wife and his children's respect, and critics tear him apart. The final undoing of this screenwriter is a deadline that must be met at all costs, costs that perhaps are too great.
An aspiring filmmaker goes to shocking extremes to convince Hollywood actress Anne Hathaway to star in his film. First entry in Adrian Țofei's trilogy which includes We Put the World to Sleep and Pure.
Some crew members of a company shooting a horror film begin to suspect that the "killings" in the movie are real, and that they are actually making a "snuff" film.
Nobody's home, so Tom invites his alley cat friends in to look at home movies (clips from earlier cartoons where Tom gets the drop on Spike). While they're showing them, Spike sneaks in.
London, 1968. Director Alphonse attempts to complete his greatest cinematic work yet, entitled “The Death of Don Quixote.” But his aging star, Patrick, is seriously ill, so it is unclear what will die first: his vision, Patrick or Don Quixote.
Three people become connected through mysterious circumstances involving electronic devices which spontaneously appeared in their world.
A film student at Ryerson University struggles to complete her thesis project.
Katelyn discovers she is a character in a film after fighting back against 'The Narrator' that controls her life.
Belinda and Jim are dragged down by life: While he gets abused in his monotonous job, she became apathetic and unable to form any kind of relationship. Now, in constantly crossing frontiers, she tries to escape her dismal everyday life. With that, the project of Heinrich, who seems to think similarly, becomes really interesting for the both. But delving into the threshold range has it's consequences.
A young veteran overwhelmed by grief returns home and must make peace with his new reality.
Josef finds a propeller hat and does everything he can to be able to fly with it. That's roughly the short film narrative of film student Claudius, who does everything in his power to finally shoot his graduation film. But making films isn't that easy, not to mention flying.
En route to an audition, aspiring actress Leila stops at a motel and hooks up with one of the locals. After swallowing a weed edible, she is flooded with paranoia and insecurity about her physical appearance as a transwoman. To make matters worse, everywhere she turns she sees the apparition of her biggest tormentor. Will she summon the courage to vanquish the demons of her past once and for all?
Um flagrante do painel fragmentado da noite paulista... O diretor Wilson Barros, em seu único filme, mostra um cruel e realista painel da noite paulista, com seus personagens mais característicos, como artistas, bandidos, travestis, prostitutas e toda sorte de michês que estão á procura de amor e aventura. A trama se desenrola a partir de dois crimes que ocorrem no mesmo dia e envolvem direta ou indiretamente a vida de doze personagens. No início da noite, o secretário de um industrial é brutalmente assassinado por um vendedor ambulante negro, em meio a um engarrafamento. O segundo crime é na madrugada: o corpo nu de um jovem é encontrado na banheira ensanguentada do apartamento de um ator conhecido. Um conto cinematográfico sobre a solidão dos habitantes da noite.
Adrian and Duru get lost in the characters they play in an apocalyptic film and embark on a secret mission to end the world for real. Second entry in Adrian Țofei's trilogy which includes Be My Cat: A Film for Anne and Pure.