Exit Oerlikon (2015)

After dedicating their whole life in upbringing their children, elderly couple Raj Malhotra and Pooja gets homeless. Instead of caring, their children treat them as a burden.

Os mergulhões estão de volta em Golden Pond assim como Norman Thayer, professor aposentado, e Ethel, que sempre tiveram uma casa de verão lá, desde o início de seu casamento. Neste verão a sua filha Chelsea - a quem não viam há anos - sente que deve estar lá para o aniversário de Norman. Ela e seu noivo estão indo para a Europa no dia seguinte, mas estarão de volta em duas semanas para pegar o filho do noivo. Quando Chelsea retorna já está casada e seu enteado tem o relacionamento com seu pai que ela sempre quis. Será que pai e filha serão capazes de finalmente se comunicar?

No ano de 1715, mais especificamente no mês de agosto, o monarca Luís XIV (Jean-Pierre Léaud) começa a sentir dores na perna. Ele continua a exercer suas funções nos dias seguintes, mas passa a ter sonos intranquilos, além de problemas com alimentação e febre. Cada dia mais fraco, acompanhamos os lentos últimos dia da sua vida.

Um filme antológico de 4 partes retratando a homossexualidade. Crush o Rei da Montanha ...Perdido A confissão

Miniature Dwyer is named after her mother, who was making miniature doll houses when Minnie was born. Minnie, too, has built doll houses for years, and when she learns that she is terminally ill, she and her husband Teddy begin planning their joint suicide. She makes sure that her dolls are placed with people who will appreciate and cherish them. The couple refuse to allow their grief-stricken daughter or the solicitous social worker or anyone else to forestall the death they are determined is right for them

An elderly married couple find that as their physical and mental health deteriorates, they find themselves dependent more and more upon their grown children.

encontro de Jake com a garota dos sonhos toma outro rumo quando ela desaparece. Mas o avô dele, um ex-oficial da inteligencia, está dispostoa encontrá-la.

After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.

Aos 102 anos de idade, Dattatraya Vakharia vive a vida ao máximo e quer quebrar o recorde do homem mais velho vivo, mantido por um chinês de 118 anos. Ele tenta viver uma vida livre de estresse, no entanto, ele enfrenta um obstáculo, seu filho triste e rabugento de 75 anos, Babulal.

Feito durante a quarentena, In My Room retrata a história comovente de uma mulher no ocaso de sua vida, por meio de gravações da falecida avó da diretora. Salas se tornam palcos onde a vida é representada. Janelas se tornam portais para as vidas dos outros.

Situated in Prague, a 20-year-old Vietnamese named Song, hoped for a better future in Europe. But now in a Vietnamese district in Prague, he is trapped in a marijuana grow house and has life of a modern slave. Police rounds up the place. Song runs away on the rooftop of a condo building in a nearby district where he breaks down. Mr. Rypar (78) lives alone. He is fond of the old times, living in a strong opposition to modern world. Rypar goes up on the roof and meets Song standing on the very edge of the roof crying and the story begins.

Um jovem de dezoito anos e seu avô de noventa trocam de corpo após um acidente automobilístico e o avô acaba voltando aos dezoito anos e resolve aproveitar a vida novamente, enquanto o neto fica preso ao corpo do idoso no hospital.

Stuck in a fishing village in Hokkaido, Tadao's grand-daughter Haru is desperate to visit Tokyo, a trip Tadao is reluctant to make.

King Lear has ruled for many years. As age begins to overtake him, he decides to divide his kingdom amongst his children, living out his days without the burden of power. Misjudging his children’s loyalty and finding himself alone in the wilderness, he is left to confront the mistakes of a life that has brought him to this point. Antony Sher plays King Lear, one of the greatest parts written by Shakespeare in this, one of Shakespeare’s most epic and powerful plays.

Near Winter tells of a young Norwegian man returning home to an isolated farm with his English girlfriend only to find something is wrong with his hermit-like uncle who lives there and who is prepping for the coming winter.

A diverse group of people grapple with the imminent probability of a nuclear strike on the east coast.

This sparkling, irreverent, and deeply emotional piece of creative nonfiction announces the arrival of a standout filmmaking partnership. When their father is hauled away, a colorful trio of brothers — a sibling team to rival Moe, Larry, and Curly — step up to take care of América, their grandmother, in Colima, Mexico. Rodrigo, Diego, and Bruno are stilt-walkers and acrobats and Elvis impersonators and unicycle riders — when not running the family's agriculture warehouse. With a loose, offhanded charm, Stoll and Whiteside capture the family’s natural performative streak in a way that makes even the most explosive, dramatic moments feel organic. The endearing, genuine scenes between Diego and his grandmother celebrate the possibility of multigenerational connection.

The Windmill is a quirky and endearing love story about 20 year old Hendri, who arrives on the doorstep of a retirement village to live with his grandfather. Shortly after arriving, Hendri is taken under the wing of an elderly neighbour who forces him to take regular baths at her house. One night, Hendri follows three figures into the forest and finds a peculiar sight - elderly folks diving into a dam, a windmill rising from its moonlit centre. A beautiful young girl appears from amongst the trees in the darkness and introduces herself as Margot. Hendri is immediately smitten with this mysterious girl, and Margot is equally taken with Hendri.As Hendri's and Margot's summer romance blossoms, it soon becomes clear that all is not what it seems in this unusual village.

The story of a family; the story of a conflict. The rural and the urban, the past and the present, parents and their offspring: opposing ways of life struggle against one another whilst, in eloquent silence, the grandmother ('amama') watches her family’s destiny unfold.