Exit Oerlikon (2015)

After dedicating their whole life in upbringing their children, elderly couple Raj Malhotra and Pooja gets homeless. Instead of caring, their children treat them as a burden.

오랜 세월동안 마음의 문을 닫고 살던 아버지와 딸이 애정을 되찾게 되는 과정을 그린 영화이다. 뉴잉글랜드의 황금 연못이라는 호숫가 별장에서 노부부(헨리 폰다, 캐서린 헵번)는 여름을 보낸다. 어느 날 딸 첼시(제인 폰다)가 유럽 여행을 가기 위해 남자친구 빌의 아들 빌리를 맡기러 별장에 들른다. 오랫동안 첼시와 아버지는 불화로 마음의 문을 닫고 있었다. 하지만 별장에서 함께 시간을 보내면서 차츰 마음의 문을 연다. 또한 아버지는 빌리에게 다이빙을 가르쳐주면서 가까워진다. 유럽 여행에서 돌아온 첼시는 어머니의 도움으로 아버지와 화해를 하고 가족애를 되찾는다. (최은영)

1715년 8월. 루이 14세가 다리의 통증을 호소한다. 그는 이후 며칠간 고통과 고열에 시달리면서도 공식적인 직무를 수행하기 위해 애쓰지만 점점 쇠약해진다. 프랑스의 가장 위대한 왕의 마지막 날들은 이렇게 시작되었다. 장피에르 레오에게 ‘인생의 배역’을 안긴 그림 같은 영화. (2016년 제21회 부산국제영화제)

A four-part anthology film dealing with homosexuality from the young to the old. Crush, detailing the budding friendship of a 12-year old girl and a 16-year old boy, who bond over their favorite TV program and musical tastes. The Mountain King, details a young street hustler who makes a play for a straight man on a deserted beach one afternoon. . Lost is a look at a day in the life of a young man who is first seen engaging in unsafe sex with a random partner,. The Confession, a dying Catholic asks his partner of 35 years to send for a priest, even though the partner is greatly opposed to such a request. ~ Jason Clark, Rovi

Miniature Dwyer is named after her mother, who was making miniature doll houses when Minnie was born. Minnie, too, has built doll houses for years, and when she learns that she is terminally ill, she and her husband Teddy begin planning their joint suicide. She makes sure that her dolls are placed with people who will appreciate and cherish them. The couple refuse to allow their grief-stricken daughter or the solicitous social worker or anyone else to forestall the death they are determined is right for them

An elderly married couple find that as their physical and mental health deteriorates, they find themselves dependent more and more upon their grown children.

기다리고 기다리던 첫 데이트에 이게 웬일, 그녀가 납치됐다! 손자의 그녈 찾아 80대 할아버지 출동! 웬 할배냐고? 이상한 말만 하시긴 하지만 먼 옛날 정보요원이셨다는데...

After his son dies, an elderly man comes back to Spain from the US and hopes to find out which of his granddaughters is true, and which one is bastard.

An unusual love-hate relationship between a 75-year-old son and his 102-year-old father, who wants to break the oldest-man-alive record.

Made during confinement, "In My Room" plunges us into the poignant story of a woman at the twilight of her life, through recordings of the director's deceased grandmother. Living rooms become stages where life is performed. Windows become portals to the lives of others.

Situated in Prague, a 20-year-old Vietnamese named Song, hoped for a better future in Europe. But now in a Vietnamese district in Prague, he is trapped in a marijuana grow house and has life of a modern slave. Police rounds up the place. Song runs away on the rooftop of a condo building in a nearby district where he breaks down. Mr. Rypar (78) lives alone. He is fond of the old times, living in a strong opposition to modern world. Rypar goes up on the roof and meets Song standing on the very edge of the roof crying and the story begins.

18 Again! is a 1988 comedy film starring George Burns and Charlie Schlatter. The plot involves a grandson switching souls with his grandfather by means of an accident. This was one of a series of unrelated films, including Like Father, Like Son and Vice Versa, produced in the late 1980s involving a similar plotline.

고바야시 마사히로의 또 한편의 로드무비. 이전 작품에 비해 감동은 배가된다. 고단한 삶을 살고 이어가는 노인 타다오와 그의 손녀 하루는 집을 떠나 도시에 있는 할아버지의 형제들을 만나러 길을 나선다. 할아버지와 손녀의 여정을 통해 우리는 삶의 소중함과 가족의 가치를 발견한다.

King Lear has ruled for many years. As age begins to overtake him, he decides to divide his kingdom amongst his children, living out his days without the burden of power. Misjudging his children’s loyalty and finding himself alone in the wilderness, he is left to confront the mistakes of a life that has brought him to this point. Antony Sher plays King Lear, one of the greatest parts written by Shakespeare in this, one of Shakespeare’s most epic and powerful plays.

Near Winter tells of a young Norwegian man returning home to an isolated farm with his English girlfriend only to find something is wrong with his hermit-like uncle who lives there and who is prepping for the coming winter.

A diverse group of people grapple with the imminent probability of a nuclear strike on the east coast.

This sparkling, irreverent, and deeply emotional piece of creative nonfiction announces the arrival of a standout filmmaking partnership. When their father is hauled away, a colorful trio of brothers — a sibling team to rival Moe, Larry, and Curly — step up to take care of América, their grandmother, in Colima, Mexico. Rodrigo, Diego, and Bruno are stilt-walkers and acrobats and Elvis impersonators and unicycle riders — when not running the family's agriculture warehouse. With a loose, offhanded charm, Stoll and Whiteside capture the family’s natural performative streak in a way that makes even the most explosive, dramatic moments feel organic. The endearing, genuine scenes between Diego and his grandmother celebrate the possibility of multigenerational connection.

The Windmill is a quirky and endearing love story about 20 year old Hendri, who arrives on the doorstep of a retirement village to live with his grandfather. Shortly after arriving, Hendri is taken under the wing of an elderly neighbour who forces him to take regular baths at her house. One night, Hendri follows three figures into the forest and finds a peculiar sight - elderly folks diving into a dam, a windmill rising from its moonlit centre. A beautiful young girl appears from amongst the trees in the darkness and introduces herself as Margot. Hendri is immediately smitten with this mysterious girl, and Margot is equally taken with Hendri.As Hendri's and Margot's summer romance blossoms, it soon becomes clear that all is not what it seems in this unusual village.

The story of a family; the story of a conflict. The rural and the urban, the past and the present, parents and their offspring: opposing ways of life struggle against one another whilst, in eloquent silence, the grandmother ('amama') watches her family’s destiny unfold.