Sua Esposa e o Mundo (1948)
Como vai o Governo Federal? Vai Muito Bem!
Gênero : Comédia, Drama, Romance
Runtime : 2H 4M
Director : Frank Capra
Escritor : Anthony Veiller, Myles Connolly
Sinopse
Um empresário é levado a candidatar-se a presidente dos EUA, mas isso requer compromissos desconfortáveis tanto no nível político quanto no matrimonial.
Kay Thordyke adora Grant Matthews e ajuda-o a se tornar o candidato republicano para a presidência dos EUA. A máquina do partido começa a se preocupar quando Grant começa a colocar suas próprias ideias. Em um importante jantar importante, sua esposa Mary condena os políticos corruptos, o que incentiva Grant a começar a falar com mais coragem.
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Shot over six weeks in December 1971, and January 1972, the film consisted of interviews with Protestants, Catholics, politicians, and some soldiers, combined with TV news clips of bombings and violence. The deaths of four individuals formed the central focus of the film, which Ophüls described as ‘an old, middle-aged, humanistic, social-democratic attempt to give people an idea that life after all is not that cheap’. The BBC refused to transmit the completed film on the grounds that it was ‘too pro-Irish’ (Sunday Times, 5 Nov. 1972). (via http://cain.ulst.ac.uk/othelem/media/docs/freespeech.htm)
A screenwriter gets involved with two actresses who are trying to succeed in the 1960s Hong Kong film industry.
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Filme baseado na vida real do médico paraguaio Joel Filartiga (Anthony Hopkins de O Silêncio dos Inocentes), que ousou enfrentar o regime militar instaurado pelo violento general Alfredo Strossner no país. Acreditando em seus ideais humanitários, o médico desafia o regime ao oferecer tratamento gratuito aos pacientes pobres. Isso irrita os militares até que Joel tem o filho morto. Ele descobre sinais de tortura no corpo do jovem e passa a acreditar que na verdade ele foi assassinado pelo governo, e não foi vitima de um crime passional como o fizeram a acreditar no princípio. O filme ainda tem a participação da atriz brasileira Fernanda Torres (de Casa de Areia).
The story of the Cyprus' turbulent recent history using the device of a desperate man, Evagoras (Costas Timvios), who returns to the island after years of absence to look for his wife and son. His family disappeared while they were visiting his native village on Cyprus, just when the Turkish army invaded (1974). As Evagoras goes out on his search each day with a friendly taxi driver, flashbacks illustrate the recent history of the Greek Cypriots, and the normally quiet Evagoras heads closer and closer to a militant stance.
In recent years it has become the handiest character of Mexican cinema: the Chilango fleeing the capital to the province in search of something. But this case is different because the trip is used as an excuse to illustrate, through documentary techniques, the deep contrasts of Mexican society. Tired of the city, Javier goes to visit his aunt, an eccentric woman with quite radical ideas, who lives isolated from the world in a ranch in Querétaro. Javier works as a laborer for an Argentinean foreman, with whom he shares a few passions. His life begins to change.
"Mother" stands out on the front of her black t-shirt, "Fucker" on the back. And as angrily as these words sound when combined into a curse, is how Antonia behaves. Because she is pregnant, and Victor, who slept with her, is getting married in a few hours to Blanca.
Lidia is a responsible and dedicated maid for a hugely wealthy, elderly Tijuana matron who loves only her pet whippet. Rafael is a quiet and dignified janitor who buys a new pair of shoes to celebrate his imminent retirement from the large corporate facility where he's worked for 30 years. When Lidia's boss dies, leaving everything to her dog, and Rafael's plans get derailed, they both turn to criminal subterfuge to get what their harsh lot in life has denied them.
Lee is a fresh young kid from the South when he gets a job with The Press. His first assignment on gangsters gets his name in the paper, the police on a raid and Lee in the hospital.
In the 1950s a village in Kerala is preparing itself to be included in the nation's electric grid. Things are looking up for villagers and everyone is optimistic about the progress that electrification will bring. However soon some trouble brews starting with petty quarrels on trees being felled for the power lines. A series of unfortunate events follow the electrification as the village comes into terms with rapid modernization.
Residents of a big city, each of whom has their own sexual problems and desires, secret and, most often, shameful from the point of view of society, need to solve them. Each of the characters tries to solve their problems in their own way: someone sublimates them, someone turns to a psychotherapist for help, someone rushes into experiments... but sooner or later they all return to where they started, and they have to overcome themselves again and again to get at least a little, even a millimeter closer to their happiness.
A man and two women are trying their luck in the red room in the countryside. The older (but therefore not wiser) Fred, freshly divorced as a kisser who still desires his ex, meets the self-confident Lucy, who feels called to explore the soul of men in her novels. She lives with her intimate friend Sibil in a Vorpommern house in the countryside. Fred decides to move from Berlin to the two women and try a ménage-à-trois. They get to know each other and themselves.
A comedy about a man (Bill Pullman), who is on the run after his mistress (Julie Brown) confesses to her husband (Peter Boyle) that the two of them have been having an affair.
A mafia don sends his son out of the country because he doesn't want even a shadow of his life falling on him. Destiny wills otherwise. The son makes an innocuous trip to Mumbai to visit his dad. And ends up filling his father's large shoes.
A young woman inherits a newspaper whose editor refuses to hire lady reporters.
A society man's loving, devoted wife, upon learning that he has been unfaithful and is planning to leave her for the other woman, strategically pretends to be having an affair of her own. The woman's friends gladly assist in the deception.
A Central American plantation manager and his boss battle over a traveling showgirl.