Balthus through the Looking-Glass (1996)
Gênero : Documentário
Runtime : 1H 12M
Director : Damian Pettigrew
Sinopse
Using rare images of the artist filmed at work in his studio, exclusive interviews with his family and close friends, photographs by Henri Cartier-Bresson, and unpublished artwork, this award-winning feature documentary highlights the painter’s complex creative process. Acclaimed as the definitive film portrait of the master, Balthus through the Looking-Glass was shot on Super 16 over 14 months in Switzerland, Italy, France and the Moors of England by the director of Fellini, I’m a Born Liar. (Arte)
Isabel Walker, americana, vai para a França visitar sua irmã Roxeanne, que está grávida, mas foi abandonada pelo marido recentemente. Durante sua estadia na França, Isabel se apaixona por Edgard, um diplomata francês que é casado e também é tio de sua irmã. E juntamente com Roxeanne, Isabel passa a conhecer a bela Paris e participar de seus acontecimentos e eventos sociais.
Após a mãe o abandoná-lo, devido a dependência química, Joshua (Josh Hutcherson) se refugia na pequena cidade de Carmel. É neste local, que ele descobre o talento para falsificar obras de arte. O jovem então, precisará decidir entre o sucesso e o questionamento interior.
Seemingly at random, the wings and other bits of moths and insects move rapidly across the screen. Most are brown or sepia; up close, we can see patterns within wings, similar to the veins in a leaf. Sometimes the images look like paper cutouts, like Matisse. Green objects occasionally appear. Most wings are translucent. The technique makes them appear to be stuck directly to the film.
Charting the intersection between rural America and contemporary graphic design.
In the 1980's, something changed the world forever. Computer technology, mostly due to the appearance of affordable Commodore 64's, entered households worldwide, providing the opportunity for everyone to create digital art. Moleman 2 is about the demoscene subculture, told by mostly Hungarian sceneres, but it features also some other nationalities.
A selection of seemingly unconnected scenes featuring Nick Cave, Blixa Bargeld, Nina Hagen and Lene Lovich. Losely based on Voltaire's satire "Candide".
Rough Cut, the debut feature from London-based artist Jamie Shovlin, explores the re-making of an exploitation film that never was. At its dark heart is Hiker Meat, an archetypal 1970s slasher movie imagined by Shovlin, complete with hitchhiking heroine, charismatic commune leader and a group of teens who disappear one by one. This tantalising film-within-a-film serves to both deconstruct and pay affectionate homage to the often-maligned exploitation style. Having created a full screenplay, score and cut-and-paste prototype for Hiker Meat, Shovlin filmed key sections and a full trailer in an intense shoot in the Lake District in summer 2013. Rough Cut contrasts these re-made sequences with on-set footage and insights into the development of Hiker Meat’s script, soundtrack and design, to create a compelling mash-up of self-referencing processes, behind-the-scenes viewpoints and time-honoured slasher tropes.
Em uma noite chuvosa, duas belas mulheres batem à porta de Evan Webber (Keanu Reeves). Ele está sozinho em casa, já que a esposa e filho estão viajando. Não demora muito para que ambas o seduzam, tendo uma noite de amor com ele. Só que, no dia seguinte, elas passam a persegui-lo implacavelmente.
P(l)ain Truth tells the story of the emotional and physical transition of a transsexual woman through poetic visuals.
Three-part film about the Dutch painter and poet Lucebert who died in 1994. Director Johan van der Keuken made three short films about his friend and inspiration Lucebert. The black-and-white film Lucebert, dichter-schilder was shot in 1962 on a very low budget. In 1967 Een film voor Lucebert was released. Unlike Van der Keuken's first film about Lucebert, this one had a political message. It is a film for an artist about the world. Lucebert died in May 1994. A reaction to his death is contained in Als je weet waar ik ben zoek me dan. In this film, shot in Lucebert's studio, the presence of the artist is evoked once more through his absence. In Lucebert, Time and Farewell, Van der Keuken puts the three films together into a new entity that exploits the tension between changing and standing still over a period of 32 years.
A short film which has its emphasis on back street walls with peeling posters and the constant pedestrian traffic in the foreground. It has a static camera positioned in front of the walls; experimental editing techniques, no dialogue-just background music, and quick edits of blackness throughout.
Situado em um subúrbio de Tóquio, o Estúdio Ghibli parece um modesto prédio de escritórios. Mas por trás de suas portas trabalham diariamente alguns dos maiores talentos criativos do cinema japonês. São as mentes por trás de filmes como A Viagem de Chihiro, Meu Amigo Totoro, Princesa Mononoke e Ponyo: Uma amizade que Veio do Mar. Este documentário nos leva para dentro do estúdio, seguindo de perto o trabalho do produtor Toshio Suzuki e dos mestres Hayao Miyazaki e Isao Takahata. Durante as filmagens, Miyazaki trabalha em seu filme Vidas ao vento e Takahata em O Conto da Princesa Kaguya.
Tim Jenison, a Texas based inventor, attempts to solve one of the greatest mysteries in all art: How did Dutch Master Johannes Vermeer manage to paint so photo-realistically 150 years before the invention of photography? Spanning a decade, Jenison's adventure takes him to Holland, on a pilgrimage to the North coast of Yorkshire to meet artista David Hockney, and eventually even to Buckingham Palace. The epic research project Jenison embarques on is as extraordinary as what he discovers.
A surreal, experimental, minimalistic animated film that dives into the inner recesses of creativity, imagination, longing and inspiration. Taking place from the somber point of view of a young wizard as he lives out his day, watching over a little town. Le Geniaque pays homage to Georges Melies and 1920s silent films in general.
The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.
A voice occasionally says a word or two: "on the sidewalk" or "lithium" or a woman's name. A hand-held camera frames parts of sculptures, or moves across their surfaces, sometimes slowly, sometimes quickly, almost always in close-up. The soundtrack, in addition to the voice, is discordant music. Light and shadows are paramount. Sometimes the camera repeats up and down movements; once, a set of jump cuts brings an object closer. The music can be shrill in contrast to the sculptures. Almost entirely of wood, they are the work of Isamu Noguchi (1904-1988): Abstract, usually smooth and rounded (but not always).
The Michael Clark Dance Group perform to the music of T.Rex, Chopin, the Beatles and the Velvet Underground.
Crunch Calhoun, um motociclista e ocasionalmente ladrão, é preso após ser traído por Nicky Calhoun, seu irmão e parceiro no crime. Algum tempo depois, ele deixa a cadeia e logo se reúne com Nicky para um novo e audacioso golpe: O roubo dos livros mais valiosos do mundo.
The early life of Walt Disney is explored in this family film with an art house twist. Though his reality was often dark, it was skewed by his ever growing imagination and eternal optimism.
An ambitious four-part documentary on the history and cultural significance of sampling and collaborative creation.