The Leunig Fragments (2019)

Depois de um incidente bizarro, Frank é transportado para um universo animado, o Cool World. Lá, por vários anos, ele é o único humano entre vários personagens animados. Um dia, o cartunista Jack também entra para o Cool World e lança seus olhares devassos em sua própria criação, a beldade loura Holli, que quer se tornar humana. A interação excessiva entre personagens de desenho animado e humanos pode resultar em consequências desastrosas, um risco que Jack parece estar disposto a correr.

Hoops McCann (John Cusack) é o filho de um craque do basquete, mas após se formar no colegial só sonha ser um bom cartunista e em escrever e ilustrar uma história de amor. Além disto deseja entrar na escola de arte. Para ajudá-lo a encontrar seu objetivo George Calamari (Joel Murray), um amigo, o convida para passar o verão em na ilha de Nantucket. Na viagem eles se metem em confusões quando salvam Cassandra Eldrich (Demi Moore) de um bando de motoqueiros. Na ilha Hoops e George, juntamente com os amigos de George, tentam ajudar Cassandra, pois ela precisa pagar três mil dólares da hipoteca da casa do seu avô em uma semana, sendo que se não conseguir a casa irá para os Beckersted, uma gananciosa família que pretende despejar pessoas para construir no lugar um restaurante de luxo.

In the 1950s, a horror-comic artist's creations come alive and kill him. Years later a new cartoonist revives the creatures in his house, now part of an artist's colony.

Após perder todo o cabelo e ter seu rosto deformado devido a um tratamento para curar um câncer, jovem sonha em voltar a ter uma vida normal e reencontrar a antiga namorada. Sua irmã decide, então, ajudá-lo a vencer todos os obstáculos.

A história fala de Duffy Berman (Wilder), um famoso cartunista cujo relógio biológico disparou, causando uma crise de meia idade. Duffy quer um filho. Não obtendo nenhum em seu casamento, ele inicia uma busca cômica por realização.

The New Yorker is the benchmark for the single-panel cartoon. This light-hearted and sometimes poignant look at the art and humor of the iconic drawings shows why they have inspired and even baffled us for decades. Very Semi-Serious is a window into the minds of cartooning legends and hopefuls, including editor Bob Mankoff, shedding light onto how their humor evolves.

Jim's father wants to marry Eugenia, but her sister Netta refuses to allow it. When Jim sees Ann at a club, he falls for her even though she is with Lord Priory. He meets her the next day at the riding path, but she quickly loses him. He searches all over for her, not knowing that his father's hopeful fiancée is her Aunt. As his caricature work suffers as he searches, he is fired from his paper. But he makes a comeback with the comics 'Rags to Riches' which is based upon the Pett's. But this upsets the Pett's so much that they go back to New York, and he follows, being careful not to let them know that he is the one who draws the strip that parodies them.

When cartoonist Hyun-joon falls in love with Da-hong, one of his fans, it sets up the archetypal battle between their two families, who are from rival regions. Hyun-joon comes from the politically liberal Honam region (North and South Jeolla) while Da-hong comes from the conservative Yeongnam region (North and South Gyeongsang). When the two declare their intention to marry, they are confronted with a seemingly endless number of barriers that threaten their happiness.

The young cartoonist Gao Dewei, played by Wu Zhenyu, has a cowardly character and a strict tutor. He uses the drawing of Superman to express his feelings.

A young, naive heiress is forced into a 'marriage of convenience' with an unemployed cartoonist in an attempt to save her millions - a move orchestrated by the scheming aunt.

Isabelle and Maxime are a pair of lighthearted lovers -- that is, until Isabelle gets the itch for motherhood. When she confesses her desire for a child, Maxime panics. As a cartoonist by trade he is far from financially stable, so he outright rejects the idea of parenthood. What follows is a roller-coaster romance full of recriminations and reconciliations, until Maxime must ultimately decide whether his fear of becoming a parent is a reason to leave.

A cartoonist, who detests films and movie stars, finds himself in an awkward situation when he falls in love with a film actress

Americans are preoccupied with the news, but need an escape from many of the events reported in the news. These escapes in the past have included dime store novels. The most accessible of these escapes is what are known as the funny papers, the set of serialized comic strips that are included within many newspapers. They appeal to all socio-economic classes, and all ages. Some of the earliest known from the late 19th century include the Yellow Kid, Little Nemo, Happy Hooligan, the Katzenjammer Kids, Mutt & Jeff, and Bringing Up Father. Many cartoonists are seen in action. Some originated their characters, while others have taken over following the passing of the originator. The joy of many comic strips are the absurd and the fantastical, which are limited only by the imagination of the cartoonist. Others are grounded in reality, which add to their poignancy within the public mindset.

Drawing Between the Lines is a short documentary examining the autobiographical world of Chicago cartoonist Jeffrey Brown. Whether sitting in his apartment, riding the L-train, or traveling the country promoting his work, Brown spends his time filling the pages of his sketchbooks. His graphic novels provide a humorous, yet intensely personal look at love, sex and relationships. Drawing Between the Lines explores Brown's candid approach to storytelling and unconventional method of cartooning and provides insight from friends, fans and fellow cartoonists.

Every fall, The Center for Cartoon Studies invites 20 aspiring cartoonists to White River Junction, Vermont for a no-holds-barred education in comics. Those who complete the two-year program earn a Master of Fine Arts degree and are ready to face the hardship of a career in one of the world's most drudgery-inducing art forms. This is their story.

Tito del Amo, a passionate 72-year-old researcher, takes the final step to unravel the enigma about the alleged Spanish origin of the American cartoonist Walt Disney, making the same journey that his supposed mother made to give him up for adoption in Chicago. A journey that begins in Mojácar, Almería, Spain, and ends in New York. An exciting adventure, like Alicia's through the looking glass, to discover what is truth and what is not, with an unexpected result.

The Spanish author Enrique Jardiel Poncela (1901-1952) was one of the best comedy writers of all time, a novelist and newspaper columnist, misunderstood, even censored, both by the Second Republic government and Francoism, an outsider ahead of his time; also a filmmaker and screenwriter in Hollywood, architect of a revolutionary theatrical building and scenographer, cartoonist and illustrator. An implausible genius.

The life and work of the legendary Francisco Ibáñez, brilliant cartoonist, creator of Clever & Smart and many other characters through whom he has portrayed Spanish society for over seven decades, with wild humor, subtle cruelty and much tenderness.

A staged TV portrait of the Austrian cartoonist Gerhard Haderer; and first collaboration with Maria Hofstätter.

Documentary about the work of Albert Hahn.