O Belo Antônio (1960)

Larry Coe (Kirk Douglas) é um arquiteto bem sucedido que deixa de amar Eve Coe (Barbara Rush), sua esposa. Um dia cele onhece Maggie Gault (Kim Novak), sua vizinha, que tem um marido que perdeu o interesse sexual por ela. Neste contexto eles começam a ter um affair, mas logo estão se amando intensamente.

Advogado Stephen Blume, especializado em divórcios, vive uma situação paradoxal em que, tendo o seu próprio casamento terminado, ainda é apaixonado por sua ex-esposa.

Julie Cavendish comes from a family of great Broadway actors. Her mother Fanny staunchly continues acting. Her boisterous brother Tony is fleeing a breach of promise suit in Hollywood. Her daughter Gwen must decide between going on stage, or settling down in a conventional marriage. Julie is just thinking that it would be nice to retire and get married, when who should turn up but her old beau, Gilmore Marshal, the platinum magnate from South America.

Theo has had many boyfriends who wanted to marry her. Since her mother, Mrs. Selworth, has been married many times, Theo is unsure of commitment. Without much thought, she finally accepts the proposal of Air Corps Lieutenant Tom West. After the honeymoon, Tom's father dies and Tom goes into the defense industry. When Theo has a baby, she hates the idea of being matronly and wants to be the old party girl. The problem is that her husband is working constantly. She looks to her friends, who are having their own problems, and to her old flame Captain Lancing. To decide on what she wants to do with her baby and her life, Theo must grow up.

A poignant story of redemption that takes us into the relationship between a man and a woman trapped in a spiral of mutual destruction after 26 years of marriage, the Spine continues Landreth's pursuit of a twisted, beautiful and highly original visual aesthetic, using digital imagery to create characters whose physical appearances are metaphors for their unique souls.

Ad-agency president Dan Edwards goes to Mexico to celebrate his nineteenth wedding anniversary and winds up getting divorced by mistake, whereupon his wife Valerie marries his best friend Ernie Brewer by mistake.

A fun-loving bachelor woos and weds a secretary, but the bonds of this marriage aren't strong enough to stop his philandering from continuing.

This conventional post-nuclear holocaust drama from Yugoslav director Veljko Bulajic seems to be at cross purposes. On the one hand, its anti-war sentiments are clear, as well as its realistic scenarios of destruction, and on the other hand, the director and scripter Cesar Zavatini have turned the story into a satire. At the center of focus is a young couple who were getting married when the atomic bombs changed the face of the planet, and through the couple's own dilemma the greater picture is glimpsed. Assisting Eva Krizevska, Anton Vrdoljak, Zlatko Madunic, and other actors is President Marshal Tito's army.

A wife escapes her pressure-filled marriage only to have her husband haunt her literally and figuratively.

A young married couple's relationship becomes strained when he is assigned overseas as a foreign correspondent and she becomes a major stage star.

Grace Caldwell, a young Pennsylvania newspaper heiress living with her widowed mother, has trouble restraining herself when it comes to the amorous attentions of young men. As word starts to spread about her behavior, Grace becomes a major source of heartache for her mother and a big source of concern to her brother.

After being fired from his job at the Marriage License Bureau, a clerk turns to matchmaking.

Niskavuori's Aarne (Arne från Niskavuori) is a Finnish drama film from 1954. It is based on Hella Wuolijoki's play Niskavuori's Bread. In chronological order of the Niskavuori series, the film is the fourth. Aarne has married Ilona and left the house in Niskavuori, which he hosts, where his former wife Martta still lives, while the old mistress is holding the reins. Aarne and Ilona live in Helsinki, but Aarne has not been able to completely break away from Niskavuori, but keeps secretly in touch with the headmaster and gives instructions on the farm management.

Valerie (Stefanie Stappenbeck) is about to get married to the first and only man she ever slept with. But before that happens, she wants to at least try on other guy. So she asks her friends Minza (Mina Tander) and Edda (Simone Hanselmann) to find her a single and suitable match. When they realize there is no other choice than best man Tim, long buried feeling are revived.

A young woman has difficulty understanding why her husband walks out on her. Alone for the first time, she finds life difficult to cope with and for a time lives with the hope that her husband will come back to her.

A small European Kingdom wants to make a frowning Princess smile for the upcoming Royal photo to be done. A mischievous Prime Minister goes to Paris to kidnap three famous comics to force them to do an act to make the Princess smile. However, the King is not aware of this scheme... especially that this evil minister has to face a "fasting strike" by the prisoners and force them to surrender by telling a recipe of "Coq au Vin" by the radio...

Kimiko, a Tokyo white-collar working girl, lives with her serious, intellectual, haiku-writing mother. Kimiko seeks to marry her boyfriend but needs her absent father to act as the go-between and negotiate the marriage. Kimiko travels and finds her father living with a second family.

Jennie is a twelve-year-old girl living with her parents in extremely rural mountain country. Her schoolteacher, Miss Carol, though a mountain girl herself, has gone off to be educated and returned in hopes of stopping the tradition of child marriage which permeates the culture. Jennie's father Ira is a good man who tries to protect Miss Carol from the men who threaten her if she doesn't call off her crusade. One of these men, Jake Bolby, has his eye on little Jennie and plots to make her his bride. NOTE: the actress playing Jennie was 14 years old when she made this film, and appears topless in a couple of shots.

Charming Andre Cassil woos physician Jane Alexander and the two impulsively get married. The honeymoon ends very quickly when Jane voices her progressive views on marriage which include the two having separate apartments. Andre then tries to make his wife jealous in order to lure her into his bedroom.

Violetta, a courtesan much wooed by Parisian society, organizes a grand party that is attended, amongst others, by the young Alfredo Germont. He confesses his feelings to Violetta, who is already suffering from consumption. She vacillates between genuine affection and a realistic assessment of her situation as a "fallen woman", which precludes any lasting relationship with a man. The Willy Decker production of La Traviata, recorded live at the Salzburger Festspiele in August, 2005. Anna Netrebko stars as Violetta Valéry, with Rolando Villazón as Alfredo Germont and Thomas Hampson as Giorgio Germont. Carlo Rizzi conducts the Wiener Philharmoniker.

Julien tem um grave problema. Apesar de ser um brilhante assessor matrimonial, é incapaz de ter uma relação que dure mais de 15 dias. Ele é um autêntico mau agouro para as mulheres. E não é um desses que dão um pouquinho de má sorte, não. Seus maus agouros as mandam para o hospital, fazem perder o emprego e os amigos… Julien é o pior dos piores para as mulheres e Joana não tardará a se dar conta disso quanto seus caminhos se cruzarem.

Em 1960 um grupo de mulheres vanguardistas criou em Chicago uma organização secreta que oferecia abortos seguros para mulheres em uma época em que a prática ainda não era legalizada. Neste contexto, uma mulher casada engravida inesperadamente e procura o grupo com urgência, no entanto, ela acaba se tornando uma das principais líderes do movimento que mais tarde carregaria o seu nome

Uma família desajustada é unida para o enterro do patriarca. Quando um homem misterioso aparece e ameaça chantagear a família com um embaraçoso e obscuro segredo do falecido, seus dois filhos, Daniel (Matthew Macfadyen) e Robert (Rupert Graves), tentam de tudo para não deixar que os presentes descubram.