Camera Operator
Academy Award-winning actor Alan Arkin discusses his life and career with TCM host Robert Osborne at the 2014 TCM Classic Film Festival.
Director of Photography
Woody Allen: A Documentary" é um grande documentário sobre o cineasta, dirigido por Robert Weide (Curb Your Enthusiasm) e produzido por, acreditem, Brett Ratner (Roubo nas Alturas). Woody Allen concordou em falar às câmeras sobre a sua carreira e o seu processo de trabalho. Com um acesso sem precedentes, Weide acompanhou o diretor durante um ano e meio - das filmagens de Você Vai Conhecer o Homem dos Seus Sonhos à estreia de Meia-Noite em Paris em Cannes. O projeto faz parte da série American Masters do canal PBS dos EUA e mostra a trajetória do diretor de 76 anos, da sua infância no Brooklyn à sua obsessão pelo trabalho, suas neuroses e o seu senso de humor. Entre os depoimentos, uma longa lista de atores, colaboradores e admiradores, incluindo Diane Keaton, Martin Scorsese, Scarlett Johansson, Sean Penn, Chris Rock, Antonio Banderas e Penélope Cruz.
Additional Photography
Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.
Director of Photography
Director of Photography
Historical context for The Remains of the Day.
Director of Photography
Get Out of My Room, was a mockumentary in the style of This Is Spinal Tap, written and directed by Cheech Marin. In the film, he and Tommy Chong are shown attempting to finish a "video album" for their novelty record Get Out of My Room.
Assistant Camera
Prisoners of Detention Satellite 3 plan an impossible escape.
Gaffer
Hungarian composer Zoltán Kodály believed that music could be taught to children as readily as reading. The method he developed uses a child's own natural instrument, the voice. Beginning with simple musical intervals, the child progresses from folk tunes and children's songs to the complex notes and rhythms of composed music--from Bye baby bunting to Bach. [The film] is a look at the Kodály method of music training in public elementary schools in San Jose, California, and West Hartford, Connecticut. Ordinary children are shown in the film, but they exhibit extraordinary self-confidence, discipline, concentration, and an eagerness to learn. There is no such thing as failure in a Kodály classroom; in fact, the children are able to correct their mistakes themselves. Moreover, the children will bring much of 'how' they learn in their music lessons--counting and problem-solving, left-to-right progression, following directions--to their study of reading, writing and arithmetic.
