Bill Sheehy

Фильмы

Alan Arkin: Live from the TCM Classic Film Festival
Camera Operator
Academy Award-winning actor Alan Arkin discusses his life and career with TCM host Robert Osborne at the 2014 TCM Classic Film Festival.
Вуди Аллен
Director of Photography
Документальный фильм о культовом писателе, режиссере, актере, комике и музыканте - Вуди Аллене. Всем почитателям его творчества рекомендуем смотреть онлайн «Вуди Аллен».
Why Be Good?: Sexuality & Censorship in Early Cinema
Additional Photography
Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.
The Making of 'Cape Fear'
Director of Photography
Blind Loyalty, Hollow Honor: England's Fatal Flaw
Director of Photography
Historical context for The Remains of the Day.
Прочь из моей комнаты!
Director of Photography
Get Out of My Room, was a mockumentary in the style of This Is Spinal Tap, written and directed by Cheech Marin. In the film, he and Tommy Chong are shown attempting to finish a "video album" for their novelty record Get Out of My Room.
Escape from DS-3
Assistant Camera
Prisoners of Detention Satellite 3 plan an impossible escape.
Music Lessons: The Kodaly Method in the American Classroom
Gaffer
Hungarian composer Zoltán Kodály believed that music could be taught to children as readily as reading. The method he developed uses a child's own natural instrument, the voice. Beginning with simple musical intervals, the child progresses from folk tunes and children's songs to the complex notes and rhythms of composed music--from Bye baby bunting to Bach. [The film] is a look at the Kodály method of music training in public elementary schools in San Jose, California, and West Hartford, Connecticut. Ordinary children are shown in the film, but they exhibit extraordinary self-confidence, discipline, concentration, and an eagerness to learn. There is no such thing as failure in a Kodály classroom; in fact, the children are able to correct their mistakes themselves. Moreover, the children will bring much of 'how' they learn in their music lessons--counting and problem-solving, left-to-right progression, following directions--to their study of reading, writing and arithmetic.