Stepan Shkurat

O estudante de teologia Khoma Brutus vive uma situação inusitada quando é chamado para orar durante três noites pela alma de uma rica moça de um pobre vilarejo, morta em circunstâncias violentas. No entanto, trata-se de uma bruxa sedenta de vingança, que invocará lobisomens, vampiros e outras criaturas do inferno para atormentar a vida do pobre discípulo.

Singer Oksana has lost her beloved in the war. Everyone thinks he perished, but actually he was taken prisoner, then ran away, hid, fell into American hands, and… Finally, he returns to his village, and meets Oksana. —Yerevan International Film Festival

Khristina, a peasant woman from a provincial village, decided to leave for the city in search of a better life. But, having not found there either a better life or happiness, she perishes ...

On a small island is a lighthouse. The lighthouse keeper, the old boatswain Yemelyan Leleka, lives here with his wife and daughter. The boat that delivers supplies is the only guest from the big world. Over time, the girl feels romantic feelings for the boat captain - Igor.

Episodic story of the resistance to the German invasion of the Ukraine in 1918 during World War 1, and made as an example of the guerrilla warfare and fierce spirit in which Ukrainian peasants were again resisting Teuton onslaughts in 1939. Highlights a small band of guerrillas and their battles using scythes, shotguns and, often, just clubs against the Kaiser's army in the Ukrainian forests.

By Nikolai Gogol's "May Night, or the Drowned Maiden". Son of a stubborn mayor can not get his father's agreement to marry an ordinary peasant girl. Unexpectedly he gets the help from an "evil force"

Adapted from the opera written by the composer Semen Hulak-Artemovsky.

This film is the first adaptation of an operetta written by Ukrainian composer Mykola Lysenko. It follows the trials and tribulations of Natalka and Peter (Petro). The sweethearts planned to get married; however, Natalka's father does not approve of the marriage because Petro was not affluent enough to keep Natalka in the manner he thought that she should be kept. Petro goes off to earn the required fortune.

Aerograd is a 1935 Soviet film by Ukrainian director Olexander Dovzhenko, Mosfilm-VUFKU coproduction. It is a futuristic adventure story set in the Soviet Far East. Considered one of two sound masterpieces by Dovzhenko, the other being "Ivan".

The movie's opening sequence takes place in 1921, towards the end of Russia's civil war, as the Red Army are vanquishing the last Menshevik forces of the White Guard along the western frontier.

Conta a história sobre Vasily Ivanovich Chapaev (1887-1919), um lendário comandante do Exército Vermelho que se tornou um herói da Guerra Civil Russa. O enredo é baseado no romance de mesmo nome de Dmitri Furmanov, escritor russo e comissário bolchevique que lutou junto com Chapaev.

After the critical lambasting of his masterpiece Earth, Dovzhenko returned with a more popular iteration of its main motifs. Much like Earth, Ivan concerns itself with the natural rhythms of country life, disrupted by the beat of looming industrialisation.

A peasant visits the DneproGES construction.

Terra é uma história que envolve várias gerações. Ela começa com morte de um avô, o que dificulta a vida do filho Opanas e do neto Vasily. Quando latifundiários ricos se apropriam de suas terras, Vasily lidera um movimento juvenil comunista e forma uma agricultura coletivizada na Ucrânia.

The lost film about the peasant rebellion of the 18th century in Ukraine, led by Maksym Zalizniak and Ivan Honta. The history of the haydamak movement became a trigger for authors to have experiments in the field of film language: shooting against the background of black velvet, focus on the static character of the picture, the sculptural nature of composition mise-en-scène solutions, replacement of dramatic collisions with cinema engravings depicting the historical past.

The lost film about the peasant rebellion of the 18th century in Ukraine, led by Maksym Zalizniak and Ivan Honta. The history of the haydamak movement became a trigger for authors to have experiments in the field of film language: shooting against the background of black velvet, focus on the static character of the picture, the sculptural nature of composition mise-en-scène solutions, replacement of dramatic collisions with cinema engravings depicting the historical past.