Rebecca Pan

Pai Niang Niang (1972)—was thought to have not been captured on film and faded into obscurity. This work used the Broadway musical model to adapt the famous Chinese myth Legend of the White Snake. Bringing together Eastern and Western theatrical styles, the production combined Chinese traditional music, dance, costume and stage design with modern Western concepts. Despite this bold attempt, the resulting work was ahead of its time and was not a commercial success. This year in April, however, a partial film record of the performance was miraculously discovered. The restored surviving footage has become the finale of this documentary, Pai Niang Niang: The Last Osmanthus Blossom, bringing the saga to a flawless conclusion.

Set in Hong Kong in 1967 — a time of complex politics when it was still a British colony — No. 7 Cherry Lane revolves around a love triangle between a university student, a single mother and her teenage daughter.

Concentra-se nas pessoas, suas histórias e arquitetura que vão desde meados de 1800, quando Shanghai foi aberto como um porto comercial, até os dias atuais.

Wealthy construction mogul Sam Ching and cabaret dancer Milan Sit fall madly in love with one another despite the class differences that would keep many couples apart. However, what Sit doesn't know is that Ching is the man responsible for razing a building representing cherished memories from her childhood.

The Emperor is desperate for the free-spirited life of a wanderer, and tries to escape from the royal palace with his sister, the Princess. He's caught and returned to his angry mother by the royal guards, but the Princess, disguised as a man, manages to escape. Meanwhile, King Bully has returned to his hometown, where he is widely despised for his bullying ways, to run a restaurant with his tomboy sister, Phoenix. They have a very close relationship. In fact, King Bully mistakenly believes that he can read his sister's mind. When the Princess arrives in town, King Bully finds himself drawn to her, but, believing she's a man, decides that his attraction is some kind of empathy with Phoenix.

A documentary following Wong Kar-wai and his cast and crew through the production of his 2000 film IN THE MOOD FOR LOVE.

Kong Kong, 1962. Chau, o editor dum jornal local, muda-se para um novo edifício, juntamente com a sua esposa. Aí conhece Li-Chun, que vive na casa ao lado e que se muda para o prédio no mesmo dia de Chau. É também uma coincidência, o facto de ambos estarem a mudar sem a ajuda dos respectivos esposos que, mais uma coincidência, se encontram fora em trabalho. Com os esposos fora, Chau e Li-Chun passam cada vez mais tempo juntos. Até que um dia ambos se dão conta que estão a ser traídos pelos respectivos cônjuges. E esta descoberta chocante aproxima-os ainda mais...

Women struggle in a Shanghai brothel where everything only appears to be beautiful.

Yuddy (Leslie Cheung) é um homem diletante que seduz mulheres mas mantém uma relação conturbada com a mãe adoptiva (Rebecca Pan), a quem pressiona para saber a identidade e o paradeiro da mãe verdadeiro. Uma das mulheres com quem ele se relaciona é Li zhen (Maggie Cheung), que termina a relação e fica destroçada quando ele não a aceita de volta. O guarda da zona, Tide (Andy Lau), torna-se seu confidente e desenvolve silenciosamente uma particular afeição por ela. Entretanto Yuddy enceta uma relação com Mimi (Carina Lau), mulher extrovertida a quem também acaba por deixar. Para Yuddy a única mulher que interessava conhecer era a mãe incógnita.

As Cai Mei, a single 40 year old woman and a social worker starts a relationship with a teen-ager Tian-Ah, she remembers her relationship when she was young with her professor, a married man older than her.