Matthias Weidenhöfer

Berlin in the near future: A secret meeting takes place between a board member of the dominant internet company "Freemee" and members of the government. Camera drones film it unauthorized and document the events live on the Internet. The anonymous net activist group "Zero" is publicly committed to the media attack. Online journalist Cynthia Bonsant, widow and single mother, has been asked to do background research on "Zero" by the head of the online magazine "Daily". The group is classified as a terrorist organization, but according to their own statements they fight the excessive influence on the population through the so-called "Act App", which contoles the lives of users. When a friend of Cynthia's 17-year-old daughter Viola is shot dead in a hunt for a criminal, "Zero" contacts her and tries to recruit her for their own purposes. In the meantime, Cynthia has bad suspicions during her research, because soon a new version of the app will be released that will change everything.

A plastic surgeon publishes an ad searching for a slave. Even if he meant it in an ironic way and is really looking for a housemaid, a lot of SM-subs are showing up in front of his house the next day...

Four former classmates, Philipp, Leonie, Timo and Yasmin arrange reunion over the weekend in one of Philipp's properties. Philipp's wife and daughter are also present. The weekend ends in bloodbath however, with three people dead and the suspect in coma. Two years later Leonie's mother asks the former classmate of the alleged murderer, Doro Kagel, to reopen the case. She would never trust her daughter to do such an act, and even Doro starts having doubts that are only reinforced by the silence of the survivors.

In the third film of the successful series, Jan Fedder is back as a Pastor Book with body and soul. To look after human destinies in St. Pauli, he sees as his life's task, no matter what milieu they come from or what confession they belong. The fallen and stranded people challenge him this time especially.

12 anos após o fim da era nazista, tudo o que a maioria dos cidadãos da Alemanha deseja é deixar para trás os horrores vividos. Mas, o procurador geral Fritz Bauer se comprometeu a detectar o paradeiro do criminoso nazista Adolf Eichmann. Bauer tenta trazer o criminoso à justiça, porém é impedido várias vezes, sendo sabotado por pessoas envolvidas na política.

Isabell Suba, ambitious up-and-coming director, has made it – one of her short films is in the line-up of the most important film festival of the world! When she arrives at the 65. Cannes film festival, she has face the accomplished facts: David, her incompetent producer, has kindly sublet their cosy joint apartment to other festival guests. The other bad news: There is not a single movie in the competition directed by a woman! This affirms Isabell’s qualms: The film business demands women to gear up instead of dressing up low cut! Moreover, the chauvinistic remarks of her comrade-in-arms David who feels comfortable around the clichéd gender stereotypes from the Stone Age seemingly prevalent in Cannes infuriate Isabell. As if this wasn’t enough already, a shattering feedback on her new film project by a potential investor finally causes her to doubt herself. Before she can live her dream up at the Olympus of film business, she must first find out who really believes in her.

It is not out of love that Ines gives her boyhood friend Moritz the vow, not even because he is rich. On the contrary. For the financial expert the dreamy loser type is interesting as a low-income earner. The fictitious marriage with him brings a lot of tax savings for Ines. On paper, everything is perfectly sophisticated, except for the last place after the comma. Unfortunately, a conscientious financial officer moves into the same apartment building. In order not to be unmasked as unscrupulous tax evaders, Ines and Moritz must play him the newly in love couple - with unimaginable consequences.

Fine Lorenz, uma estudante de arte dramática, sonha com uma carreira nos palcos. Dada sua modéstia, ela teria poucas chances se não fosse o interesse de Karl Friedmann. Talvez seja exatamente isso o que atraiu a atenção do eminente diretor. Fine é uma folha em branco, maleável para representar um grande papel e disposta a alterar sua identidade também na vida, sacrificando sua própria personalidade. Quanto mais Fine se dispõe a incorporar o papel sob a pressão do diretor, mais arriscado se torna o jogo. A autoanulação leva a jovem atriz à beira de uma catástrofe.

Martin Harris acabou de sair de um coma de quatro dias, fruto de um acidente de carro em Berlim. Ao acordar, descobre que sua esposa não o reconhece e, para piorar, existe um outro homem usando sua identidade. Ignorado pelas autoridades e na mira de assassinos, sua única chance de desvendar este mistério é contar com Gina, uma motorista de táxi que poderá ajudá-lo a provar que ele não está louco.

On his way to a construction site a young German businessman gets lost in the African no man’s land. Without connection and orientation he has to find a way back to »civilisation«. Three days filled with absurd events and encounters in an alien world lay ahead of him.