Isobel Buchanan

Isobel Buchanan

Perfil

Isobel Buchanan

Filmes

O Fim de um Longo Dia
Vocals
Bud is a lonely and quiet boy whose moments of solace occur when he sits in rapture at the local cinema, watching towering and iconic figures on the movie screen. The movies give Bud the strength to get through another day as he deals with his oppressive school environment and his burgeoning homosexuality.
Amadeus
Susanna in 'The Marriage of Figaro' (singing voice) (uncredited)
Após tentar se suicidar, Salieri confessa a um padre que foi o responsável pela morte de Mozart e relata como conheceu, conviveu e passou a odiar Mozart, que era um jovem irreverente mas compunha como se sua música tivesse sido abençoada por Deus.
Carmen
Micaëla
Em Sevilha na Espanha do séc XIX. Carmen é uma cigana que trabalha numa fábrica de cigarros. Sua beleza quente seduz os homens especialmente o soldado Don José que se torna completamente obcecado. Por esse amor, ele perde a farda e torna-se amante de Carmen até o ponto de fazer parte de um bando de contrabandistas, amigos da bela cigana. Pela liberdade de amar, Carmen acaba deixando o pobre amante para ficar com um famoso toureador. O soldado enfeitiçado então é tomado por um acesso de ira e ciúme e caba por matá-la.
Lakmé
Ellen
Opera Australia's 1976 production of Lakmé, an opera in three acts by Léo Delibes, with a French libretto by Edmond Gondinet and Philippe Gille. Set in India during the British Raj, the story focuses on Lakmé, the daughter of a Hindu priest. Lakmé's life is troubled by her infatuation with a British officer.
Dialogues of the Carmelites
Blance de la Force
Francis Poulenc's only full-length opera is firmly rooted in the post World War II era. Based on the historical events of the time of the French Revolution, this story of a community of Carmelite nuns who go to the guillotine rather than renounce their calling can be received in many ways. Poulenc's warmly melodic and lyrical score is wholly dramatic and gripping, and Dame Joan Sutherland, recreating the role she sang at the opera's British premiere in 1958, sings the second prioress with commanding moderation. This production serves the inspiration of Poulenc in every important particular of style, economy and theatrical force. Richard Bonynge conducts the Elizabethan Sydney Orchestra. Sung in English.