Co-Writer
1956. Algeria is a French colony. Fernand and Helene are madly in love. Fernand is an activist, fighting for independence alongside the Algerians. Helene is fighting for Fernand’s life. History will irrevocably change the course of their destiny.
Writer
Com Virginie Efira. Judith leva uma vida dupla: dois amantes, dois filhos na França e uma filha na Suíça. Enredada em segredos e mentiras, suas vidas começam a se despedaçar.
Director
Com Virginie Efira. Judith leva uma vida dupla: dois amantes, dois filhos na França e uma filha na Suíça. Enredada em segredos e mentiras, suas vidas começam a se despedaçar.
Adaptation
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.
Writer
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.
Co-Writer
Fall into the world of Felix Kubin's experimentation and creation of music sound and his mastering of his instrument of predilection, the KORG MS20. A portrait of a great artist who never stops living with music in his head.
Producer
Depois de 26 anos no ringue, Cassandro – o astro dos lutadores mexicanos travestis conhecidos como Exoticos – está longe de se aposentar. Mas com dezenas de ossos quebrados e pinos de metal no corpo, ele terá que se reinventar.
Co-Writer
Depois de 26 anos no ringue, Cassandro – o astro dos lutadores mexicanos travestis conhecidos como Exoticos – está longe de se aposentar. Mas com dezenas de ossos quebrados e pinos de metal no corpo, ele terá que se reinventar.
Co-Producer
O filme reinterpreta um famoso mito português que explora a vida da figura religiosa de Santo Antônio.
Producer
A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.
Screenplay
A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.
Director
A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.
Mysterious portrait of Fernando, aka Deborah Krystal, the glittering and poetic performer of the Lisbon club Finalmente, where he has been performing every night over thirty years in golden dresses. Under the layers of his colorful fabrics, the many skins of Fernando are revealed, letting Lisbon’s legends come to life. Alternately woman mermaid, female birds, woman lion, we are taken into the desires and dreams of metamorphosis and myths.
Em 2013, para celebrar o seu décimo aniversário, o IndieLisboa tinha convidado quatro realizadores a filmarem em Lisboa: Dominga Sotomayor e Marie Losier (vencedoras da Competição Internacional com “De Jueves a Domingo”, em 2012, e “The Ballad of Genesis and Lady Jaye”, em 2011, respectivamente), e Denis Côté e Gabriel Abrantes, duas presenças recorrentes do festival. “Aqui, em Lisboa” é o surpreendente resultado – quatro autores com quatro visões diferentes da cidade de Lisboa, passando pelos registos da ficção, do documentário, da comédia ou do fantástico. Mas com o traço comum que espelha o festival que os acolhe: a independência.
Producer
A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters. But what he doesn't show to anyone, not even his wife, is the mark on his back that keeps getting bigger. This red mark worries him, upsets him, and seems to want to tell him something...
Screenplay
A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters. But what he doesn't show to anyone, not even his wife, is the mark on his back that keeps getting bigger. This red mark worries him, upsets him, and seems to want to tell him something...
Director
A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters. But what he doesn't show to anyone, not even his wife, is the mark on his back that keeps getting bigger. This red mark worries him, upsets him, and seems to want to tell him something...
Writer
Um pequenino passarinho órfão que nunca saiu de seu ninho. Tímido, desajeitado e semnenhuma confiança, ele se torna inesperadamente o líder de um bando que migra para a África. Junte-se aele e seus novos amigos em uma aventura cheia de descobertas e surpresa
Producer
In Madeleine Among the Dead, Bonello wanted to tell Hitchcock’s Vertigo from the perspective of Madeleine (played by Kim Novak), not Scottie (James Stewart). He only filmed a scene of this project as part of another film by Antoine Barraud, Le Dos Rouge, in which Bonello plays the role of a director by the same name; a director whose films are all either invented or his “ghost-movies.”
Stephen Dwoskin’s final film is a meditation on the subjective experience and cultural concepts of ageing. The film is an ode to the texture, the beauty, the singularity of aging faces and silhouettes, a hypnotic poem in the Dwoskin meaning of the term which is long observations of very tiny details. A gesture, a pause, a look, a moment. Throughout his films intimacy has always played a leading role and this is also true for Age is..., all the faces being close friends, or close friends relatives and sometimes even Stephen himself.
Maurice
Five gigantic sinkholes have recently been discovered on a remote plateau on the other side of the world. A team of experts has made the trip to descend into the depths. Among them is professor Georges Lebrun, who has come with his wife.
Writer
Five gigantic sinkholes have recently been discovered on a remote plateau on the other side of the world. A team of experts has made the trip to descend into the depths. Among them is professor Georges Lebrun, who has come with his wife.
A historical saga, based on personal stories and the history of Brda (a region near the border in the west of Slovenia), depicts a bloody history of Europe, full of wars, nationalisms and at the same time cohabitation, which is always personal and common to everyone.
Director
Five gigantic sinkholes have recently been discovered on a remote plateau on the other side of the world. A team of experts has made the trip to descend into the depths. Among them is professor Georges Lebrun, who has come with his wife.
Writer
Short Film
Director
Short Film
Executive Producer
Free interpretation of the myth. Tsai Ming-liang propels a woman neglected by her lover in the mob of the bus station of Kuala Lumpur.
Writer
Antoine Barraud Short Film
Director
Antoine Barraud Short Film
Antoine Barraud Short Film
Writer
I am there. I say nothing. In the lounge, the boxes still opened from our moving in. My father. My mother. Come to comfort me. Her father. Her mother. Incapable to say the words. To put into words what has happened. And outside, the rain. Diluvian. Improbable.
Director
I am there. I say nothing. In the lounge, the boxes still opened from our moving in. My father. My mother. Come to comfort me. Her father. Her mother. Incapable to say the words. To put into words what has happened. And outside, the rain. Diluvian. Improbable.
Moi
I am there. I say nothing. In the lounge, the boxes still opened from our moving in. My father. My mother. Come to comfort me. Her father. Her mother. Incapable to say the words. To put into words what has happened. And outside, the rain. Diluvian. Improbable.
