Antoine Barraud

1956. Algeria is a French colony. Fernand and Helene are madly in love. Fernand is an activist, fighting for independence alongside the Algerians. Helene is fighting for Fernand’s life. History will irrevocably change the course of their destiny.

Она живет на две страны, у нее два имени, два любовника, два сына во Франции и дочь в Швейцарии. Из-за роковой случайности часть тайного становится явным. Запутавшись в паутине лжи, она рискует не только своей жизнью.

Она живет на две страны, у нее два имени, два любовника, два сына во Франции и дочь в Швейцарии. Из-за роковой случайности часть тайного становится явным. Запутавшись в паутине лжи, она рискует не только своей жизнью.

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

Fall into the world of Felix Kubin's experimentation and creation of music sound and his mastering of his instrument of predilection, the KORG MS20. A portrait of a great artist who never stops living with music in his head.

After 26 years of spinning dives and flying uppercuts on the ring, Cassandro, the star of the gender-bending cross-dressing Mexican wrestlers known as the Exoticos, is far from retiring. But with dozens of broken bones and metal pins in his body, he must now reinvent himself.

After 26 years of spinning dives and flying uppercuts on the ring, Cassandro, the star of the gender-bending cross-dressing Mexican wrestlers known as the Exoticos, is far from retiring. But with dozens of broken bones and metal pins in his body, he must now reinvent himself.

Переосмысление легенды о католическом святом Антонии Лиссабонском, считающемся покровителем путешественников. Как и этот проповедник герой фильма орнитолог Фернандо брошен на произвол стихии — теперь не он наблюдает за птицами, а они с высоты безмятежно следят за его злоключениями.

A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.

Mysterious portrait of Fernando, aka Deborah Krystal, the glittering and poetic performer of the Lisbon club Finalmente, where he has been performing every night over thirty years in golden dresses. Under the layers of his colorful fabrics, the many skins of Fernando are revealed, letting Lisbon’s legends come to life. Alternately woman mermaid, female birds, woman lion, we are taken into the desires and dreams of metamorphosis and myths.

Welcome to Lisbon: there are mermaids by the Tagus and birds flying over the old city; there are mad scientists and singing fish; lost tourist guides and lost tourists; fado and sad guitars. What a weird city you may think - but no. Lisbon is about being different, sarcastic, welcoming to foreigners even in an economic crisis. Different directors became fascinated by our strangeness. We became fascinated by these directors. The city is never the same in these four episodes, here in Lisbon.

A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters. But what he doesn't show to anyone, not even his wife, is the mark on his back that keeps getting bigger. This red mark worries him, upsets him, and seems to want to tell him something...

A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters. But what he doesn't show to anyone, not even his wife, is the mark on his back that keeps getting bigger. This red mark worries him, upsets him, and seems to want to tell him something...

A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters. But what he doesn't show to anyone, not even his wife, is the mark on his back that keeps getting bigger. This red mark worries him, upsets him, and seems to want to tell him something...

Каждый год, все птицы улетают на юг. Должна улететь и стая нашего юного героя Чижика, но в последний момент перед перелетом на вожака стаи Дариуса нападает злой кот. Только Дариус знает дорогу на юг, и он успевает передать секрет Чижику, который теперь должен стать вожаком стаи. У Чижика нет опыта таких дальних перелетов, и тем более, опыта лидерства в стае, но ему не остается ничего, кроме как быстро учиться.

In Madeleine Among the Dead, Bonello wanted to tell Hitchcock’s Vertigo from the perspective of Madeleine (played by Kim Novak), not Scottie (James Stewart). He only filmed a scene of this project as part of another film by Antoine Barraud, Le Dos Rouge, in which Bonello plays the role of a director by the same name; a director whose films are all either invented or his “ghost-movies.”

Stephen Dwoskin’s final film is a meditation on the subjective experience and cultural concepts of ageing. The film is an ode to the texture, the beauty, the singularity of aging faces and silhouettes, a hypnotic poem in the Dwoskin meaning of the term which is long observations of very tiny details. A gesture, a pause, a look, a moment. Throughout his films intimacy has always played a leading role and this is also true for Age is..., all the faces being close friends, or close friends relatives and sometimes even Stephen himself.

Five gigantic sinkholes have recently been discovered on a remote plateau on the other side of the world. A team of experts has made the trip to descend into the depths. Among them is professor Georges Lebrun, who has come with his wife.

Five gigantic sinkholes have recently been discovered on a remote plateau on the other side of the world. A team of experts has made the trip to descend into the depths. Among them is professor Georges Lebrun, who has come with his wife.

A historical saga, based on personal stories and the history of Brda (a region near the border in the west of Slovenia), depicts a bloody history of Europe, full of wars, nationalisms and at the same time cohabitation, which is always personal and common to everyone.

Five gigantic sinkholes have recently been discovered on a remote plateau on the other side of the world. A team of experts has made the trip to descend into the depths. Among them is professor Georges Lebrun, who has come with his wife.

Short Film

Short Film

Free interpretation of the myth. Tsai Ming-liang propels a woman neglected by her lover in the mob of the bus station of Kuala Lumpur.

Antoine Barraud Short Film

Antoine Barraud Short Film

Antoine Barraud Short Film

I am there. I say nothing. In the lounge, the boxes still opened from our moving in. My father. My mother. Come to comfort me. Her father. Her mother. Incapable to say the words. To put into words what has happened. And outside, the rain. Diluvian. Improbable.

I am there. I say nothing. In the lounge, the boxes still opened from our moving in. My father. My mother. Come to comfort me. Her father. Her mother. Incapable to say the words. To put into words what has happened. And outside, the rain. Diluvian. Improbable.

I am there. I say nothing. In the lounge, the boxes still opened from our moving in. My father. My mother. Come to comfort me. Her father. Her mother. Incapable to say the words. To put into words what has happened. And outside, the rain. Diluvian. Improbable.