Co-Writer
1956. Algeria is a French colony. Fernand and Helene are madly in love. Fernand is an activist, fighting for independence alongside the Algerians. Helene is fighting for Fernand’s life. History will irrevocably change the course of their destiny.
Writer
Judith leads a double life between Switzerland and France. On the one hand Abdel, with whom she is raising a little girl, on the other Melvil with whom she has two older boys. Little by little, this fragile balance, made up of lies, secrets and back and forth, cracks dangerously. Trapped, Judith chooses to head forward, at the risk of losing everything.
Director
Judith leads a double life between Switzerland and France. On the one hand Abdel, with whom she is raising a little girl, on the other Melvil with whom she has two older boys. Little by little, this fragile balance, made up of lies, secrets and back and forth, cracks dangerously. Trapped, Judith chooses to head forward, at the risk of losing everything.
Adaptation
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.
Writer
In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.
Co-Writer
펠릭스 쿠빈은 악기 중 신시사이저 Korg MS-20을 가장 좋아하는 실험 음악가다. 펠릭스는 삶의 어떤 순간에도 음악 창작을 멈추지 않으며, 아이 같은 상상력으로 모든 소리의 변형 가능성을 찾는 인물이다. 마리 로지에 감독은 전작들에서 젠더를 바꾸고 싶어 하는 음악가, 게이 레슬러 등 평범하지 않은 인물들의 다큐멘터리를 만들어 왔다. 이번 신작은 펠릭스라는 독특한 인물이 가진 끝없는 창작열을 통해 전자음악에서부터 라디오, 팝, 오페라, 콘크리트 음악, 마이크 실험까지 관객을 순수한 음악 세계로 안내한다.
Producer
카산드로는 멕시코에서 가장 별난 루차 리브레 스타이다. 그는 성 고정관념을 파괴하는 의상으로 등장하는 엑소티코 멤버의 수장 레슬러로, 남성 우월적인 스포츠계에서 편견과 맞서 싸운다. 수차례 세계 챔피언 타이틀을 거머쥔 그는 언제나 자신을 극한으로 몰아붙여 왔다. 하지만 26년간 이어진 이 생활 끝에, 그의 몸은 산산조각이 났고 자신감은 곤두박질쳤다. 그럼에도 그는 스포트라이트로부터 떨어진 생활을 견딜 수는 없다.
Co-Writer
카산드로는 멕시코에서 가장 별난 루차 리브레 스타이다. 그는 성 고정관념을 파괴하는 의상으로 등장하는 엑소티코 멤버의 수장 레슬러로, 남성 우월적인 스포츠계에서 편견과 맞서 싸운다. 수차례 세계 챔피언 타이틀을 거머쥔 그는 언제나 자신을 극한으로 몰아붙여 왔다. 하지만 26년간 이어진 이 생활 끝에, 그의 몸은 산산조각이 났고 자신감은 곤두박질쳤다. 그럼에도 그는 스포트라이트로부터 떨어진 생활을 견딜 수는 없다.
Co-Producer
페르난도는 포르투갈 북부에서 희귀 조류를 찾아 트레킹을 하던 중 급류에 휩쓸리고 만다. 다행히 중국인 순례자들의 도움으로 목숨을 구한 뒤, 어둡고 음산한 숲에서 집으로 돌아가는 여정에 오른다. 이제 그는 완전히 다른 사람이 되어, 영감을 얻고 아마도 깨우침까지 얻은 것으로 보이는데...
Producer
A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.
Screenplay
A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.
Director
A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.
Mysterious portrait of Fernando, aka Deborah Krystal, the glittering and poetic performer of the Lisbon club Finalmente, where he has been performing every night over thirty years in golden dresses. Under the layers of his colorful fabrics, the many skins of Fernando are revealed, letting Lisbon’s legends come to life. Alternately woman mermaid, female birds, woman lion, we are taken into the desires and dreams of metamorphosis and myths.
영화제 때문에 방문한 리스본에서 평범한 듯 예외적인 시간을 보내는 배우, 두 명의 리스본 관광 가이드들 사이에 벌어진 일, 타인의 꿈에 들어갈 수 있는 이상한 기계, 인어와 가면을 쓴 남자들이 벌이는 비현실적 모험 이야기가 차례로 펼쳐진다.
Producer
A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters. But what he doesn't show to anyone, not even his wife, is the mark on his back that keeps getting bigger. This red mark worries him, upsets him, and seems to want to tell him something...
Screenplay
A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters. But what he doesn't show to anyone, not even his wife, is the mark on his back that keeps getting bigger. This red mark worries him, upsets him, and seems to want to tell him something...
Director
A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters. But what he doesn't show to anyone, not even his wife, is the mark on his back that keeps getting bigger. This red mark worries him, upsets him, and seems to want to tell him something...
Writer
유럽에서 북극, 그리고 아프리카까지! 소심한 꼬마새 옐로우버드의 글로벌한 모험이 시작된다! 태어나서 한번도 집 근처를 벗어나 본 적 없는 꼬마새 옐로우버드. 철새들의 위대한 대장 `다리우스`가 불의의 사고로 세상을 뜨자 나머지 철새들은 큰 혼란에 빠지고 만다. 수다쟁이 무당벌레 아줌마 때문에 얼떨결에 이들의 리더가 되어버린 소심한 꼬마새 옐로우버드는 겨울이 오기 전 따뜻한 아프리카로 떠나야만 하는 철새들을 이끌고 비행을 떠나는데... 온갖 어려움을 이겨내고 겨우 도착한 곳은 아프리카 초원이 아닌... 온통 눈과 얼음으로 뒤덮인 북극?!! 위기에 처한 옐로우버드와 철새 일행은 과연, 무사히 아프리카에 도착할 수 있을 것인가!?
Producer
In Madeleine Among the Dead, Bonello wanted to tell Hitchcock’s Vertigo from the perspective of Madeleine (played by Kim Novak), not Scottie (James Stewart). He only filmed a scene of this project as part of another film by Antoine Barraud, Le Dos Rouge, in which Bonello plays the role of a director by the same name; a director whose films are all either invented or his “ghost-movies.”
Stephen Dwoskin’s final film is a meditation on the subjective experience and cultural concepts of ageing. The film is an ode to the texture, the beauty, the singularity of aging faces and silhouettes, a hypnotic poem in the Dwoskin meaning of the term which is long observations of very tiny details. A gesture, a pause, a look, a moment. Throughout his films intimacy has always played a leading role and this is also true for Age is..., all the faces being close friends, or close friends relatives and sometimes even Stephen himself.
Maurice
Five gigantic sinkholes have recently been discovered on a remote plateau on the other side of the world. A team of experts has made the trip to descend into the depths. Among them is professor Georges Lebrun, who has come with his wife.
Writer
Five gigantic sinkholes have recently been discovered on a remote plateau on the other side of the world. A team of experts has made the trip to descend into the depths. Among them is professor Georges Lebrun, who has come with his wife.
A historical saga, based on personal stories and the history of Brda (a region near the border in the west of Slovenia), depicts a bloody history of Europe, full of wars, nationalisms and at the same time cohabitation, which is always personal and common to everyone.
Director
Five gigantic sinkholes have recently been discovered on a remote plateau on the other side of the world. A team of experts has made the trip to descend into the depths. Among them is professor Georges Lebrun, who has come with his wife.
Writer
Short Film
Director
Short Film
Executive Producer
Free interpretation of the myth. Tsai Ming-liang propels a woman neglected by her lover in the mob of the bus station of Kuala Lumpur.
Writer
Antoine Barraud Short Film
Director
Antoine Barraud Short Film
Antoine Barraud Short Film
Writer
I am there. I say nothing. In the lounge, the boxes still opened from our moving in. My father. My mother. Come to comfort me. Her father. Her mother. Incapable to say the words. To put into words what has happened. And outside, the rain. Diluvian. Improbable.
Director
I am there. I say nothing. In the lounge, the boxes still opened from our moving in. My father. My mother. Come to comfort me. Her father. Her mother. Incapable to say the words. To put into words what has happened. And outside, the rain. Diluvian. Improbable.
Moi
I am there. I say nothing. In the lounge, the boxes still opened from our moving in. My father. My mother. Come to comfort me. Her father. Her mother. Incapable to say the words. To put into words what has happened. And outside, the rain. Diluvian. Improbable.
