“FUN AND GAMES (FOR EVERYONE): a pitch black and milky white film shot during one of Olivier Mosset's exhibition openings. A psychedelic game of improvisation joins the Zanzibar group with Salvador Dalí, Barbet Schroeder and Jean Mascolo... the solarized image reminiscent of thick strokes of a paintbrush.” - Philippe Azoury
30 year old child enters the new city, riding on a donkey. He says he is the Savior. He has spent no time among men. He is trembling with cold. His clothes are soaked. His mother was overprotective ; his father conspicuously absent. He knows that he must face the mockery, refusal, ignorance and blindness of the men around him. They travel in gangs, in large numbers : soldiers, mercenaries or the like, on majestic, imposing horses. Everything is out of proportion to his thin, bewildered, innocent body ; he is the madman of the new city...
Himself
An experimental and poetic portrait of a woman.
Man in the Car (uncredited)
No primeiro filme a cores de Rohmer, um pretensioso comerciante de arte mulherengo e seu amigo pintor vão para uma vila na Riviera para relaxar durante o verão. Porém, seu idílio é perturbado pela presença da boêmia Haydée, acusada de ser uma “colecionadora” de homens.
Assistant Production Coordinator
Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.
Assistant Director
Instalada na cidade universitária, a jovem Nadja frequenta Sorbonne. Enquanto prepara uma tese sobre o escritor Marcel Proust, ela caminha pela cidade e apresenta suas impressões.
