Narrator (voice)
Katia e Maurice Krafft amavam duas coisas: um ao outro e vulcões. O casal percorreu o mundo caçando erupções vulcânicas e documentando suas descobertas. Eles morreram em 1991, mas deixaram um legado que enriqueceu nossa compreensão do mundo natural. Baseado em seus registros, o documentário conta a história de criação e destruição de dois cientistas que rumam ao desconhecido em nome do amor.
Thanks
Seja furtando lojas, saindo sem pagar uma refeição extravagante ou pesando os prós e contras da prostituição, a mãe e filha María e Leo fazem blefes e fraudes para manter o estilo de vida que acham que merecem. Elas se unem graças a uma tragédia comum e um despejo iminente na Espanha pós-crise.
Carrie Brownstein
A spoof weekly news and entertainment program. This week's guest is musical group, Sleater-Kinney.
Awkward Woman Talking
A Woman Watches People.
Eyes-on-the-road
A short film inspired by David Hockney’s painting Nichols Canyon (1980).
Director
A short film inspired by David Hockney’s painting Nichols Canyon (1980).
Writer
Old Dolio é uma jovem que pertence a uma família de criminosos. Quando seus pais envolvem um estranho no maior assalto que eles já planejaram, Dolio vê sua vida virando de cabeça para baixo.
Director
Old Dolio é uma jovem que pertence a uma família de criminosos. Quando seus pais envolvem um estranho no maior assalto que eles já planejaram, Dolio vê sua vida virando de cabeça para baixo.
Thanks
Shirley Jackson é uma escritora de contos de suspense casada com Stanley Hyman, um renomado professor da Bennington College. Os dois decidem abrigar em sua casa um casal de jovens estudantes por um período. Shirley encontra nessa rotina peculiar a inspiração que precisava para sua mais nova obra.
Herself
In this documentary, produced in 2019, director Miranda July and filmmaker Lena Dunham explore July’s beginnings, including her early work as a performer, the creation of her Joanie 4 Jackie project, and the development and production of her first feature film, ME AND YOU AND EVERYONE WE KNOW.
Director
Director Miranda July took a new video camera to the 2005 Deauville American Film Festival in France, which she was invited to attend with ME AND YOU AND EVERYONE WE KNOW. Criterion discovered the footage she shot there in July’s archives and edited it for this release. Presented here, it offers a glimpse into July’s capacity to turn any occasion into an opportunity for artistic expression.
Camera Operator
Director Miranda July took a new video camera to the 2005 Deauville American Film Festival in France, which she was invited to attend with ME AND YOU AND EVERYONE WE KNOW. Criterion discovered the footage she shot there in July’s archives and edited it for this release. Presented here, it offers a glimpse into July’s capacity to turn any occasion into an opportunity for artistic expression.
Herself
Director Miranda July took a new video camera to the 2005 Deauville American Film Festival in France, which she was invited to attend with ME AND YOU AND EVERYONE WE KNOW. Criterion discovered the footage she shot there in July’s archives and edited it for this release. Presented here, it offers a glimpse into July’s capacity to turn any occasion into an opportunity for artistic expression.
Director
Miranda July looks back at her Artangel project, an interfaith charity shop that opened up unannounced inside one of the world's most famous department stores in August 2017. Situated on the third floor of Selfridges, London, surrounded by designer boutiques, this shop was run and staffed jointly by four religious charities invited by July: Islamic Relief, Jewish charity Norwood, London Buddhist Centre and Spitalfields Crypt Trust.
Miranda July looks back at her Artangel project, an interfaith charity shop that opened up unannounced inside one of the world's most famous department stores in August 2017. Situated on the third floor of Selfridges, London, surrounded by designer boutiques, this shop was run and staffed jointly by four religious charities invited by July: Islamic Relief, Jewish charity Norwood, London Buddhist Centre and Spitalfields Crypt Trust.
Thanks
With her self-absorbed parents distracted by their recent divorce, 12-year-old Rain is left alone to navigate the complexities of love and adulthood—and learns to do it her own way.
Thanks
Tish está esperando um filho enquanto luta para livrar seu marido de uma acusação criminal injusta e de subtextos racistas, a tempo de tê-lo em casa para o nascimento de seu bebê.
Regina
Mesmo quando Madeline é ela mesma, é difícil dizer se está apenas interpretando o papel de Madeline. Aos olhos de sua ansiosa mãe, a garota é uma criatura vulnerável cujo óbvio distúrbio mental requer cuidado e tratamento médico. Mas no palco, na oficina teatral dirigida pela exigente e por vezes até mesmo imprudente.
Herself
At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally.
Herself
Turn It Around: The Story of East Bay Punk spans over 30 years of the California Bay Area’s punk music history with a central focus on the emergence of the inspiring 924 Gilman Street collective. This diverse group of artists, writers, organizers and musicians created a do-it-yourself petri dish that changed the punk scene... and the world at large.
Thanks
Adah and Aaron are recovering addicts who are struggling to stay sober. After meeting in their psychoanalyst’s waiting room, they fall in love, relapse on poppers, and become the biggest assholes in New York City.
Executive Producer
Grieving her mother’s death and her own failing marriage, Lexi boards a plane from London to Los Angeles in search of the estranged father who abandoned her when she was three years old. Based out of a seedy Hollywood motel, she follows a tenuous trail of breadcrumbs, collecting numbers and addresses in the hopes that one will lead to her father, while establishing unexpected connections along the way.
Thanks
Na Califórnia dos anos 70, uma mãe (Annette Bening) tenta cuidar de sua família da melhor forma possível enquanto também procura respostas para as vidas de suas duas jovens amigas - uma fotógrafa aficionada pela cultura punk (Greta Gerwig), e uma amiga de seu filho (Elle Fanning).
Victoria
Have you ever found it impossible to say something, face to face, to someone you know, someone you love? The words just won’t come out? New messaging service, Somebody, could help.
Writer
Have you ever found it impossible to say something, face to face, to someone you know, someone you love? The words just won’t come out? New messaging service, Somebody, could help.
Director
Have you ever found it impossible to say something, face to face, to someone you know, someone you love? The words just won’t come out? New messaging service, Somebody, could help.
Thanks
Em um futuro próximo, um escritor solitário desenvolve um relacionamento improvável com um sistema operacional projetado para atender todas as suas necessidades.
Executive Producer
After being haunted by a Night Giant in the streets of Echo Park, a young man contacts a Giant Hunter to help him destroy his problem. A suspenseful deadpan comedy set in a black and white twilight zone world.
Screenplay
When a couple decides to adopt a stray cat their perspective on life changes radically, literally altering the course of time and space and testing their faith in each other and themselves.
Sophie / Voice of Paw-Paw
When a couple decides to adopt a stray cat their perspective on life changes radically, literally altering the course of time and space and testing their faith in each other and themselves.
Director
When a couple decides to adopt a stray cat their perspective on life changes radically, literally altering the course of time and space and testing their faith in each other and themselves.
Story
Oliver Fields (Ewan McGregor) é um sujeito de vida pacata como artista gráfico que perdeu a mãe há cinco anos. Ele sofre um novo abalo ao receber duas notícias vindas de seu pai, Hal (Christopher Plummer), que anuncia ter câncer e ser homossexual. Oliver embarca em um relacionamento com a atriz francesa Anna (Mélanie Laurent) e espera que as experiências passadas em seu núcleo familiar, ainda que inusitadas, o auxiliem na construção de sua vida amorosa.
Thanks
Oliver Fields (Ewan McGregor) é um sujeito de vida pacata como artista gráfico que perdeu a mãe há cinco anos. Ele sofre um novo abalo ao receber duas notícias vindas de seu pai, Hal (Christopher Plummer), que anuncia ter câncer e ser homossexual. Oliver embarca em um relacionamento com a atriz francesa Anna (Mélanie Laurent) e espera que as experiências passadas em seu núcleo familiar, ainda que inusitadas, o auxiliem na construção de sua vida amorosa.
Thanks
O mundo da dona de casa cristã Linda White (Rachael Harris) vira de cabeça para baixo quando ela descobre que seu marido Abe (John Diehl), que está morrendo, tem um filho ilegítimo de 23 anos chamado Raymond (Matt O'Leary) vivendo na Flórida. No limite entre culpa e solidão, Linda aceita o último desejo de Abe e sai numa jornada a fim de buscar Raymond e trazê-lo para casa antes que seu marido morra.
Executive Producer
What happens when a bartender on a mission to find her cheating boyfriend gets stuck driving a drunk high-schooler home? Trans Am, emergency room, strip club, showdown, vomit, sunrise. Yeah.
Self
Through intimate interviews, provocative art, and rare, historical film and video footage, this feature documentary reveals how art addressing political consequences of discrimination and violence, the Feminist Art Revolution radically transformed the art and culture of our times.
Thanks
A library assistant plods through an ordinary life in LA until a chance meeting opens his eyes to the power of creativity and ultimately, love. When this new life and love begin to fall apart, he discovers he has a lot to give. This short film proves that ordinary is no place to be.
Thanks
A young woman forms a bond with three elderly shopkeepers when she teaches them how to swim - even though there are no bodies of water to be found.
Story
A young woman forms a bond with three elderly shopkeepers when she teaches them how to swim - even though there are no bodies of water to be found.
Thanks
Max (Max Records), fantasiado de lobo, faz malcriações com sua mãe (Catherine Keener) por ciúmes de um amigo dela (Mark Ruffalo). Como castigo, é mandado para o quarto sem jantar. Max resolve fugir de casa e usa a imaginação para criar uma misteriosa ilha. Lá ele encontra vários monstros, que vivem em bando. Max afirma possuir poderes e acaba nomeado rei do grupo. Responsável por evitar que a tristeza tome conta do lugar, ele passa a criar uma série de jogos para mantê-los em constante diversão.
A documentary about the origins of Miranda July's "Big Miss Moviola" project, later renamed "Joanie 4 Jackie."
Director
Pai de três filhos passa a criá-los sozinho depois de se separar da esposa. Ele conhece uma artista que usa seu talento para aproximar as pessoas e sua vida então se transforma.
Christine Jesperson
Pai de três filhos passa a criá-los sozinho depois de se separar da esposa. Ele conhece uma artista que usa seu talento para aproximar as pessoas e sua vida então se transforma.
Screenplay
Pai de três filhos passa a criá-los sozinho depois de se separar da esposa. Ele conhece uma artista que usa seu talento para aproximar as pessoas e sua vida então se transforma.
Writer
A man with a clipboard asks passersby a survey question: "Are you the favorite person of anybody?" He has a scale, from "very certain" on down. His manner is open. He offers oranges to one respondent. He talks, one at a time, to three people. Their answers, however brief, are revealing.
A man with a clipboard asks passersby a survey question: "Are you the favorite person of anybody?" He has a scale, from "very certain" on down. His manner is open. He offers oranges to one respondent. He talks, one at a time, to three people. Their answers, however brief, are revealing.
Director
Three people negotiate space and energy in the Portland International Airport. "In Haysha Royko, three people sit nonchalantly in airport chairs, while their different-colored auras, or something much like auras, shape shift, overlap, and compete."
Narrator
Graffiti removal: the act of removing tags and graffiti by painting over them. Subconscious art: a product of artistic merit that was created without conscious artistic intentions. It is no coincidence that funding for "anti-graffiti" campaigns often outweighs funding for the arts. Graffiti removal has subverted the common obstacles blocking creative expression and become one of the more intriguing and important art movements of our time.
Story
Um gênio da computação residente em San Francisco e que ganhou milhões trabalhando no mercado digital conhece uma bela stripper em um clube. Imediatamente eles se sentem atraídos um pelo outro e partem rumo a Las Vegas onde, por três dias, irão explorar os limites de suas sexualidades e a natureza da paixão e do prazer.
Editor
"There are two movies I saw on TV about boys who were taken from their families and then returned to them years later. One boy was on a fun spaceship for years and the other boy was kidnapped and molested. These boys were never the same again and they just couldn't re-integrate into the family. I saw these movies when I was little. I've often described them to people, always paired together. They are sort of the comedy and tragedy version of the same story and it is a mundanely spiritual story. Getting Stronger Every Day includes these boys' tales, but they are like mystical objects placed on the living reality of the man storyteller. In other parts of the movie actual mystical objects hover in peoples lives without a myth or story attached. I like to think about how these dimensions interact simply and can be enacted: real life / story / worldly / spirit / video / flat drawing."
Writer
"There are two movies I saw on TV about boys who were taken from their families and then returned to them years later. One boy was on a fun spaceship for years and the other boy was kidnapped and molested. These boys were never the same again and they just couldn't re-integrate into the family. I saw these movies when I was little. I've often described them to people, always paired together. They are sort of the comedy and tragedy version of the same story and it is a mundanely spiritual story. Getting Stronger Every Day includes these boys' tales, but they are like mystical objects placed on the living reality of the man storyteller. In other parts of the movie actual mystical objects hover in peoples lives without a myth or story attached. I like to think about how these dimensions interact simply and can be enacted: real life / story / worldly / spirit / video / flat drawing."
Director
"There are two movies I saw on TV about boys who were taken from their families and then returned to them years later. One boy was on a fun spaceship for years and the other boy was kidnapped and molested. These boys were never the same again and they just couldn't re-integrate into the family. I saw these movies when I was little. I've often described them to people, always paired together. They are sort of the comedy and tragedy version of the same story and it is a mundanely spiritual story. Getting Stronger Every Day includes these boys' tales, but they are like mystical objects placed on the living reality of the man storyteller. In other parts of the movie actual mystical objects hover in peoples lives without a myth or story attached. I like to think about how these dimensions interact simply and can be enacted: real life / story / worldly / spirit / video / flat drawing."
Writer
Four alternating stories about mundane, personal methods of control. Children and a developmentally disabled adult operate control panels made out of paper, lists, monsters and their own bodies.
Woman in Airport
Four alternating stories about mundane, personal methods of control. Children and a developmentally disabled adult operate control panels made out of paper, lists, monsters and their own bodies.
Director
Four alternating stories about mundane, personal methods of control. Children and a developmentally disabled adult operate control panels made out of paper, lists, monsters and their own bodies.
Black-Eyed Nurse
A young man turns from drug addiction and petty crime to a life redeemed by a discovery of compassion.
Camera Operator
A woman observes another woman on a surveillance camera and describes her actions, with no other interaction between them.
Editor
A woman observes another woman on a surveillance camera and describes her actions, with no other interaction between them.
Director
A woman observes another woman on a surveillance camera and describes her actions, with no other interaction between them.
A woman observes another woman on a surveillance camera and describes her actions, with no other interaction between them.
Camera Operator
A 12 year-old Olympic swimmer and her mother (both played by July) speak to the public about “going for the gold”.
Editor
A 12 year-old Olympic swimmer and her mother (both played by July) speak to the public about “going for the gold”.
A 12 year-old Olympic swimmer and her mother (both played by July) speak to the public about “going for the gold”.
Director
A 12 year-old Olympic swimmer and her mother (both played by July) speak to the public about “going for the gold”.
Assistant Editor
What happens when a dedicated husband and father quits his job, adopts the persona of a Western-Movie Singing Cowboy, takes on the entire art establishment (including Christo and Andy Warhol), and refuses to accept money for his art ? Meet Gerry Gaxiola, AKA The Maestro, an ex-wage slave who gave up everything to make art for art's sake. The Maestro's story could inspire a whole new generation of Van Goghs.
Director
In The Swan Tool, video artist Miranda July combines video, performance, music and helium in a 'live film' about a woman who works for an insurance company. The story unites the earthly and bizarre with a surprising humour and unusual clarity. Lisa (played by July) cannot decide whether she wants to live or die. She digs a hole in her garden and buries herself. Then she tries to carry on with her life, but the thing she left behind in the garden just won't die and she can't forget it either. July finds herself literally in the film; she amalgamates with the medium when she stands between the two screens and, for instance, 'moves' a chair with her hand. The video images vary from photo-realism to abstract amorphous colour combinations. The live accompaniment by DJ Zac Love adds a third dimension to this complex story.