Miranda July

Катя Крафт и её муж Морис Поль Крафт — французские вулканологи, погибшие во время извержения вулкана Ундзэн на японском острове Кюсю. Известны как первопроходцы в съёмках, фотографировании и видеозаписи деятельности вулканов.

Amidst the devastation of post-crisis Spain, mother and daughter bluff and grift to keep up the lifestyle they think they deserve, bonding over common tragedy and an impending eviction.

A spoof weekly news and entertainment program. This week's guest is musical group, Sleater-Kinney.

A Woman Watches People.

A short film inspired by David Hockney’s painting Nichols Canyon (1980).

A short film inspired by David Hockney’s painting Nichols Canyon (1980).

Олд Долио 26 лет, и она выросла в семье хиппи-мошенников, которые видели в дочери прежде всего потенциальную подельницу и обучили её разным воровским премудростям. И вот девушка впервые самостоятельно придумывает мошенническую схему в надежде получить от родителей любовь и внимание. Но они внезапно подключают к делу новую сообщницу, заставляя Олд Долио почувствовать себя ненужной.

Олд Долио 26 лет, и она выросла в семье хиппи-мошенников, которые видели в дочери прежде всего потенциальную подельницу и обучили её разным воровским премудростям. И вот девушка впервые самостоятельно придумывает мошенническую схему в надежде получить от родителей любовь и внимание. Но они внезапно подключают к делу новую сообщницу, заставляя Олд Долио почувствовать себя ненужной.

Молодая пара — Роуз и Фред — принимают предложение автора готических романов Ширли Джексон погостить у неё в особняке. Сама писательница живёт вместе с мужем, профессором местного колледжа, и находится в поисках вдохновения. Вскоре отношения дружбы-вражды Ширли и юной Роуз, являющейся поклонницей её таланта, превратятся в опасную игру на грани жизни и смерти.

In this documentary, produced in 2019, director Miranda July and filmmaker Lena Dunham explore July’s beginnings, including her early work as a performer, the creation of her Joanie 4 Jackie project, and the development and production of her first feature film, ME AND YOU AND EVERYONE WE KNOW.

Director Miranda July took a new video camera to the 2005 Deauville American Film Festival in France, which she was invited to attend with ME AND YOU AND EVERYONE WE KNOW. Criterion discovered the footage she shot there in July’s archives and edited it for this release. Presented here, it offers a glimpse into July’s capacity to turn any occasion into an opportunity for artistic expression.

Director Miranda July took a new video camera to the 2005 Deauville American Film Festival in France, which she was invited to attend with ME AND YOU AND EVERYONE WE KNOW. Criterion discovered the footage she shot there in July’s archives and edited it for this release. Presented here, it offers a glimpse into July’s capacity to turn any occasion into an opportunity for artistic expression.

Director Miranda July took a new video camera to the 2005 Deauville American Film Festival in France, which she was invited to attend with ME AND YOU AND EVERYONE WE KNOW. Criterion discovered the footage she shot there in July’s archives and edited it for this release. Presented here, it offers a glimpse into July’s capacity to turn any occasion into an opportunity for artistic expression.

Miranda July looks back at her Artangel project, an interfaith charity shop that opened up unannounced inside one of the world's most famous department stores in August 2017. Situated on the third floor of Selfridges, London, surrounded by designer boutiques, this shop was run and staffed jointly by four religious charities invited by July: Islamic Relief, Jewish charity Norwood, London Buddhist Centre and Spitalfields Crypt Trust.

Miranda July looks back at her Artangel project, an interfaith charity shop that opened up unannounced inside one of the world's most famous department stores in August 2017. Situated on the third floor of Selfridges, London, surrounded by designer boutiques, this shop was run and staffed jointly by four religious charities invited by July: Islamic Relief, Jewish charity Norwood, London Buddhist Centre and Spitalfields Crypt Trust.

With her self-absorbed parents distracted by their recent divorce, 12-year-old Rain is left alone to navigate the complexities of love and adulthood—and learns to do it her own way.

Фильм повествует о женщине, которая отчаянно пытается освободить из тюрьмы своего ошибочно осужденного мужа до рождения их ребенка.

История о девушке-подростке, которая бунтует против матери и теряет грань между реальностью и вымыслом, участвуя в независимой театральной постановке.

At a pivotal moment for gender equality in Hollywood, successful women directors tell the stories of their art, lives and careers. Having endured a long history of systemic discrimination, women filmmakers may be getting the first glimpse of a future that values their voices equally.

Turn It Around: The Story of East Bay Punk spans over 30 years of the California Bay Area’s punk music history with a central focus on the emergence of the inspiring 924 Gilman Street collective. This diverse group of artists, writers, organizers and musicians created a do-it-yourself petri dish that changed the punk scene... and the world at large.

Adah and Aaron are recovering addicts who are struggling to stay sober. After meeting in their psychoanalyst’s waiting room, they fall in love, relapse on poppers, and become the biggest assholes in New York City.

Grieving her mother’s death and her own failing marriage, Lexi boards a plane from London to Los Angeles in search of the estranged father who abandoned her when she was three years old. Based out of a seedy Hollywood motel, she follows a tenuous trail of breadcrumbs, collecting numbers and addresses in the hopes that one will lead to her father, while establishing unexpected connections along the way.

История о трех женщинах, которые познают любовь и свободу в Южной Калифорнии в конце 1970-х годов.

Have you ever found it impossible to say something, face to face, to someone you know, someone you love? The words just won’t come out? New messaging service, Somebody, could help.

Have you ever found it impossible to say something, face to face, to someone you know, someone you love? The words just won’t come out? New messaging service, Somebody, could help.

Have you ever found it impossible to say something, face to face, to someone you know, someone you love? The words just won’t come out? New messaging service, Somebody, could help.

Теодор - одинокий писатель, покупает новую техническую разработку - операционную систему, призванную исполнять любое желание пользователя. К удивлению Теодора, вскоре между ним и операционной системой возникает роман.

After being haunted by a Night Giant in the streets of Echo Park, a young man contacts a Giant Hunter to help him destroy his problem. A suspenseful deadpan comedy set in a black and white twilight zone world.

Когда пара решает взять бездомного кота, их жизненная перспектива меняется, буквально искажая пространство и время и проверяя их веру в себя и друг друга на прочность.

Когда пара решает взять бездомного кота, их жизненная перспектива меняется, буквально искажая пространство и время и проверяя их веру в себя и друг друга на прочность.

Когда пара решает взять бездомного кота, их жизненная перспектива меняется, буквально искажая пространство и время и проверяя их веру в себя и друг друга на прочность.

Молодой человек получает от своего отца два известия. Тот сообщает сыну о том, что он болен раком и что у него есть молодой любовник.

Молодой человек получает от своего отца два известия. Тот сообщает сыну о том, что он болен раком и что у него есть молодой любовник.

Когда послушная, хотя и бесплодная христианская хозяйка Линда обнаруживает, что ее благочестивый муж перенес инсульт, она идет в банк спермы, куда он тайно жертвовал своё семя на протяжении последних 25 лет. Линда покидает свой защищенный мир и отправляется в путешествие, чтобы найти своего старшего биологического сына — бывшего заключенного, с которым у неё развиваются странные, но значимые отношения.

What happens when a bartender on a mission to find her cheating boyfriend gets stuck driving a drunk high-schooler home? Trans Am, emergency room, strip club, showdown, vomit, sunrise. Yeah.

Through intimate interviews, provocative art, and rare, historical film and video footage, this feature documentary reveals how art addressing political consequences of discrimination and violence, the Feminist Art Revolution radically transformed the art and culture of our times.

Робот-библиотекарь Шелдон ведет скучную и одинокую жизнь в Лос-Анджелесе, пока не встречает необычную девушку-робота, меняющую все раз и навсегда…

A young woman forms a bond with three elderly shopkeepers when she teaches them how to swim - even though there are no bodies of water to be found.

A young woman forms a bond with three elderly shopkeepers when she teaches them how to swim - even though there are no bodies of water to be found.

Мальчик убегает из дома ночью после ссоры с мамой и оказывается в близлежащем парке. На рассвете он находит водоем и лодку, садится в нее и к вечеру следующего дня его прибивает к маленькому острову, населенному необычайными существами.

A documentary about the origins of Miranda July's "Big Miss Moviola" project, later renamed "Joanie 4 Jackie."

Ричард Суирси, отец-одиночка, воспитывающий двоих сыновей, вполне готов к семейным переменам, но когда очаровательная и порывистая Кристин, самобытная художница и лихой водитель «Элдеркэба», врывается в его жизнь, Ричарда охватывает паника. В то же самое время его семилетний сын Робби завязывает свой первый, правда пока виртуальный роман с прекрасной незнакомкой, а 14-летний Питер вновь и вновь становится «подопытным кроликом» для соседских девочек, которые репетируют на парне свои будущие романтические отношения…

Ричард Суирси, отец-одиночка, воспитывающий двоих сыновей, вполне готов к семейным переменам, но когда очаровательная и порывистая Кристин, самобытная художница и лихой водитель «Элдеркэба», врывается в его жизнь, Ричарда охватывает паника. В то же самое время его семилетний сын Робби завязывает свой первый, правда пока виртуальный роман с прекрасной незнакомкой, а 14-летний Питер вновь и вновь становится «подопытным кроликом» для соседских девочек, которые репетируют на парне свои будущие романтические отношения…

Ричард Суирси, отец-одиночка, воспитывающий двоих сыновей, вполне готов к семейным переменам, но когда очаровательная и порывистая Кристин, самобытная художница и лихой водитель «Элдеркэба», врывается в его жизнь, Ричарда охватывает паника. В то же самое время его семилетний сын Робби завязывает свой первый, правда пока виртуальный роман с прекрасной незнакомкой, а 14-летний Питер вновь и вновь становится «подопытным кроликом» для соседских девочек, которые репетируют на парне свои будущие романтические отношения…

A man with a clipboard asks passersby a survey question: "Are you the favorite person of anybody?" He has a scale, from "very certain" on down. His manner is open. He offers oranges to one respondent. He talks, one at a time, to three people. Their answers, however brief, are revealing.

A man with a clipboard asks passersby a survey question: "Are you the favorite person of anybody?" He has a scale, from "very certain" on down. His manner is open. He offers oranges to one respondent. He talks, one at a time, to three people. Their answers, however brief, are revealing.

Three people negotiate space and energy in the Portland International Airport. "In Haysha Royko, three people sit nonchalantly in airport chairs, while their different-colored auras, or something much like auras, shape shift, overlap, and compete."

Graffiti removal: the act of removing tags and graffiti by painting over them. Subconscious art: a product of artistic merit that was created without conscious artistic intentions. It is no coincidence that funding for "anti-graffiti" campaigns often outweighs funding for the arts. Graffiti removal has subverted the common obstacles blocking creative expression and become one of the more intriguing and important art movements of our time.

Молодой компьютерный гений из Сан-Франциско, Ричард Лонгмен, зарабатывающий кучу денег, но лишенный нормального общения, однажды знакомится с Флоренс — красивой стриптизершей. Очарованный, Ричард предлагает ей провести с ним три дня в Лас-Вегасе. Там, в столице человеческой алчности они предаются любви, исследуя пределы собственной сексуальности…

"There are two movies I saw on TV about boys who were taken from their families and then returned to them years later. One boy was on a fun spaceship for years and the other boy was kidnapped and molested. These boys were never the same again and they just couldn't re-integrate into the family. I saw these movies when I was little. I've often described them to people, always paired together. They are sort of the comedy and tragedy version of the same story and it is a mundanely spiritual story. Getting Stronger Every Day includes these boys' tales, but they are like mystical objects placed on the living reality of the man storyteller. In other parts of the movie actual mystical objects hover in peoples lives without a myth or story attached. I like to think about how these dimensions interact simply and can be enacted: real life / story / worldly / spirit / video / flat drawing."

"There are two movies I saw on TV about boys who were taken from their families and then returned to them years later. One boy was on a fun spaceship for years and the other boy was kidnapped and molested. These boys were never the same again and they just couldn't re-integrate into the family. I saw these movies when I was little. I've often described them to people, always paired together. They are sort of the comedy and tragedy version of the same story and it is a mundanely spiritual story. Getting Stronger Every Day includes these boys' tales, but they are like mystical objects placed on the living reality of the man storyteller. In other parts of the movie actual mystical objects hover in peoples lives without a myth or story attached. I like to think about how these dimensions interact simply and can be enacted: real life / story / worldly / spirit / video / flat drawing."

"There are two movies I saw on TV about boys who were taken from their families and then returned to them years later. One boy was on a fun spaceship for years and the other boy was kidnapped and molested. These boys were never the same again and they just couldn't re-integrate into the family. I saw these movies when I was little. I've often described them to people, always paired together. They are sort of the comedy and tragedy version of the same story and it is a mundanely spiritual story. Getting Stronger Every Day includes these boys' tales, but they are like mystical objects placed on the living reality of the man storyteller. In other parts of the movie actual mystical objects hover in peoples lives without a myth or story attached. I like to think about how these dimensions interact simply and can be enacted: real life / story / worldly / spirit / video / flat drawing."

Four alternating stories about mundane, personal methods of control. Children and a developmentally disabled adult operate control panels made out of paper, lists, monsters and their own bodies.

Four alternating stories about mundane, personal methods of control. Children and a developmentally disabled adult operate control panels made out of paper, lists, monsters and their own bodies.

Four alternating stories about mundane, personal methods of control. Children and a developmentally disabled adult operate control panels made out of paper, lists, monsters and their own bodies.

Блуждающий в своей хаотической жизни от одной неудачи к другой, FH горит сердечным желанием помочь всем вокруг себя, но постоянно терпит фиаско. И вот, путешествуя от полей Айовы через быстроменяющийся Чикаго к солнечному Фениксу, он обнаруживает, что маленькие радости от случайных встреч и есть то, к чему он бессознательно стремился и искал.

A woman observes another woman on a surveillance camera and describes her actions, with no other interaction between them.

A woman observes another woman on a surveillance camera and describes her actions, with no other interaction between them.

A woman observes another woman on a surveillance camera and describes her actions, with no other interaction between them.

A woman observes another woman on a surveillance camera and describes her actions, with no other interaction between them.

A 12 year-old Olympic swimmer and her mother (both played by July) speak to the public about “going for the gold”.

A 12 year-old Olympic swimmer and her mother (both played by July) speak to the public about “going for the gold”.

A 12 year-old Olympic swimmer and her mother (both played by July) speak to the public about “going for the gold”.

A 12 year-old Olympic swimmer and her mother (both played by July) speak to the public about “going for the gold”.

What happens when a dedicated husband and father quits his job, adopts the persona of a Western-Movie Singing Cowboy, takes on the entire art establishment (including Christo and Andy Warhol), and refuses to accept money for his art ? Meet Gerry Gaxiola, AKA The Maestro, an ex-wage slave who gave up everything to make art for art's sake. The Maestro's story could inspire a whole new generation of Van Goghs.

In The Swan Tool, video artist Miranda July combines video, performance, music and helium in a 'live film' about a woman who works for an insurance company. The story unites the earthly and bizarre with a surprising humour and unusual clarity. Lisa (played by July) cannot decide whether she wants to live or die. She digs a hole in her garden and buries herself. Then she tries to carry on with her life, but the thing she left behind in the garden just won't die and she can't forget it either. July finds herself literally in the film; she amalgamates with the medium when she stands between the two screens and, for instance, 'moves' a chair with her hand. The video images vary from photo-realism to abstract amorphous colour combinations. The live accompaniment by DJ Zac Love adds a third dimension to this complex story.