Masato Komatsu

When feudal lord Itakura Katsuakira decides to prepare his samurai troops for the onslaught of modernization by having them compete in a marathon, his independent-minded daughter Yuki secretly joins the race.

Hajime Onuki (Ryuhei Maruyama) was a thief, but he now works as a welder and lives happily with his girlfriend. Hajime Onuki is threatened by a former partner in crime. He forces Hajime Onuki to break into the mansion of a picture book writer to steal. He is caught by others while in the act, but they keep mistaking him for someone else. Hajime desperately keeps up the ruse to not get caught.

After a 15-year hiatus, The Yellow Monkey, one of Japan's greatest rock bands, reunites in 2016 and goes on tour. They vow never to break up again. Director Daishi Matsunaga of Pieta in the Toilet and Pyuupiru captures them on and off stage examining what they did during their absence and where they are going.

A floresta Aokigahara, conhecida também como "Sea of Trees", localizada aos pés do Monte Fuji, é famosa por ter um alto índice de suicídios. Dois homens, o americano Arthur Brennan (Matthew McConaughey) e o japonês Takumi Nakamura (Ken Watanabe), vão até lá com este pensamento, mas acabam iniciando uma jornada de reflexão e sobrevivência mata adentro.

Since their parents died at an early age, Susumu and Yoriko have lived together. Susumu is now 33-years-old and Yoriko is 40-years-old. Both of them have yet to marry. They are like most siblings and they rely on each other. One day, Susumu and Yoriko receive a letter that is sent to the wrong address.

The emotional journey of a four-member family that fails to recognize that it is rapidly growing apart until the mother is diagnosed with terminal cancer.

Young Atsuko Kagami comes into possession of a magical mirror that lets her transform into anything she wishes. Atsuko Kagami then attempts to save a company which is about to be sold by using her transformation abilities. She also falls in love as a 22-year-old college student.

In 1944, the American military lands on the shores of Saipan. Refusing to commit suicide with his superiors or be forced into camps for prisoners of war, Captain Oba Sakae leads a group of his men and other similarly minded local residents into the mountains. Even after hearing reports of the Japanese military's surrender, Oba dismisses the reports as propaganda and continues to launch guerilla attacks against the American soldiers, earning him the nickname "The Fox". Soon, even the American commander who's charged with the task of capturing Oba comes to admire his persistent enemy.

A nostalgic human drama based on Dazai Osamu Prize winner Tsujiuchi Tomoki's novella. Set in a declining coal-mining town in 1950s Fukuoka, the story depicts a rambunctious but pure-hearted young boy in love with an older woman. Director Hirayama Hideyuki and writer Chong Wishing, both from Begging for Love (Ai o kou hito), join hands again to make this film. Michiyo (Koyuki) has left Tokyo for Fukuoka with her son Mamoru (Ikematsu Sosuke) after divorcing her husband. The story follows Mamoru's memories of his time spent with the notorious rebel Shinichi (Ishida Takuya), who stood up for him against bullies.

The movie revolves around Mitsuba, who studies traditional art of rakugo. Rakugo is a form of comical story telling, sometimes referred to as sit-down comedy. Even though Mitsuba is mediocre at best, he ends up teaching three students.

Uma atriz conhecida por suas atuações em famosos filmes de terror sofre um enexplicável acidente após ter uma visão arrepiante de uma criança - fantasma e perde o bebê que estava esperando. Quando ela é entrevistada para um programa de TV numa casa tida como mal assombrada, ela tem um mal súbito. A partir daí, todos os que tomaram parte nas filmagens encontraram um fim monstruoso nas mão da temível mulher - fantasma sedenta de vingança.

No Japão, dois fantasmas vingativos atormentam e matam qualquer um que entre na casa onde eles morreram: Kakayo, uma mulher assassinada pelo marido, e seu filho pequeno, Toshio.

Fugui and Jiazhen endure tumultuous events in China as their personal fortunes move from wealthy landownership to peasantry. Addicted to gambling, Fugui loses everything. In the years that follow he is pressed into both the nationalist and communist armies, while Jiazhen is forced into menial work.