Mercedes Gaviria

After my grandmother’s death I begin to question our gender roles between her generation and mine. Reflections, voice notes and 8mm files of women from different times try to define what they were in their time and what we long for in ours.

In his second feature film, Leandro Listorti establishes a parallel between two worlds he seems to know well: that of plants and that of cinema. This delicate cinematographic work, full of beautiful images—both archival and current—gives an account of the immense work of classification and preservation, and generously invites us to think about forms of representation and memory.

It is no coincidence that the second feature by Argentinian Melisa Liebenthal begins with a quote from “Duino Elegies” by Rilke, who was concerned with existential angst. And, more prosaically, Marina, the film’s young protagonist, is faced with similar anxiety. In fact, her problem is her face. One morning, she discovers her face has changed, and she can no longer recognise herself. Not even her mother can, who bumps into her on the street and says hello to her like she would to any stranger (deadpan, surreal humor is part of the film’s recipe). Marina is thus forced to confront her identity: who is she? Is she determined by her parent’s DNA or by her ID card? Can she be identified by a family portrait, by biometrics or the love of those around her, including her Colombian boyfriend? Is she prettier now?

Emilia chega a uma cidade religiosa na fronteira entre Argentina e Brasil em busca do irmão desaparecido. Ela se hospeda na casa de sua estranha tia Inés, próxima a floresta onde uma perigosa besta apareceu uma semana antes. Entre realidade e mitologia, Emilia terá de confrontar seu passado.

Everyone is locked up, but Clementina and the man she's quarantined with won't stop working. We know little about him, and even less about her: we just see over and over again her mysterious face, which seems to defy everything.

Agatha and Leonidas have a somewhat absorbing mother-child relationship: Agatha never fell in love again, and Leonidas doesn't know what love is. From one day to the next, Agatha wakes up in the body of a seven-year-old girl.

After studying abroad, Mercedes returns to Colombia to work on the next film by her father, the famous Víctor Gaviria. Fluctuating between admiration and reproach, Mercedes constructs a private diary that goes beyond familial conflicts to question the place of women in the film world, which is still strongly ingrained with a patriarchal mindset.

Flowers have decided to hear the noises of an unknown girl.

After studying abroad, Mercedes returns to Colombia to work on the next film by her father, the famous Víctor Gaviria. Fluctuating between admiration and reproach, Mercedes constructs a private diary that goes beyond familial conflicts to question the place of women in the film world, which is still strongly ingrained with a patriarchal mindset.

After studying abroad, Mercedes returns to Colombia to work on the next film by her father, the famous Víctor Gaviria. Fluctuating between admiration and reproach, Mercedes constructs a private diary that goes beyond familial conflicts to question the place of women in the film world, which is still strongly ingrained with a patriarchal mindset.

An investigation about a transmission parallel to that of man’s arrival to the Moon, captured by a radio ham from Avellaneda, confronts the director of Channel 54 with a series of conspiracy theories and mysterious figures. Doing so also means questioning the nature of the images.

Iris conhece Renata em um conjunto habitacional na Argentina e imediatamente se sente atraída por ela. Juntas elas enfrentam hostilidade e o preconceito

Marcos is an experienced nurse. He works in the night shift of a provincial private clinic. He is applied and professional but has a secret: in some extreme cases he applies euthanasia. He'll soon meet someone that knows what he's doing.

Argentina, late 19th century. Sergeant Cruz is wounded and walks lost through a forest in Patagonia. After a long walk, he finally reaches the shores of a lake where he sits waiting for the inevitable. However, the encounter with a mysterious character will confront him with his past and his true destiny

Deus é agora uma usina de energia. Em uma noite enevoada, vacas fogem, uma criança é escolhida, e uma garota tenta achar sua liberdade.

A puma stalks Pueblo Nación Ranquel, an indigenous community in the North of Argentina. Hunting is a rite of passage, and the older boys want to kill the puma. But Uriel chooses a different path.

Duas amantes se reúnem após um longo período. Uma quer rodar um filme pornô, a outra quer visitar sua família. Ao conhecerem uma mulher durante uma briga de bar com homofóbicos, elas decidem cair na estrada, embarcando numa viagem poliamorosa pela Patagônia, encontrando mulheres ao longo do caminho.

By chance, Martin and Laura travel to Villa Gesell at the same time. They are not together anymore but 18 years ago they conceived their son, Pablo, there. Soon, situations as absurd as they are touching will arise from their encounter. Juan Villegas ventures into comedy and is back at Bafici with a nostalgic, intimate film.

The sad story of Andersen's little match girl; the fate of Balthazar, Bresson's donkey; the impossible love affair between a militant of the Red Army Faction and an Argentinean pianist; the adventures in Buenos Aires of Helmut Lachenmann, who is trying to stage an insane opera; the problems of Marie, Walter and their daughter, who are trying to survive on very little money…

For more than 30 years, 9 friends have religiously gathered in a roasted corner every month. When they find out that Javier, who makes the roasts, is going to live in another country, mixed feelings, betrayals and jealousy begin to emerge. Deep down, they try to mask something that none of them dares to say: for them, if the roasts are finished, their friendship ends forever.

Wake up in the morning. He feels bad. He brushes his teeth after vomiting. Record the house reviewing drawings, a model and a written photo that makes him smile. He returns it to the cork of old familiar images. Make breakfast for two. Waits.