Mercedes Gaviria

After my grandmother’s death I begin to question our gender roles between her generation and mine. Reflections, voice notes and 8mm files of women from different times try to define what they were in their time and what we long for in ours.

In his second feature film, Leandro Listorti establishes a parallel between two worlds he seems to know well: that of plants and that of cinema. This delicate cinematographic work, full of beautiful images—both archival and current—gives an account of the immense work of classification and preservation, and generously invites us to think about forms of representation and memory.

It is no coincidence that the second feature by Argentinian Melisa Liebenthal begins with a quote from “Duino Elegies” by Rilke, who was concerned with existential angst. And, more prosaically, Marina, the film’s young protagonist, is faced with similar anxiety. In fact, her problem is her face. One morning, she discovers her face has changed, and she can no longer recognise herself. Not even her mother can, who bumps into her on the street and says hello to her like she would to any stranger (deadpan, surreal humor is part of the film’s recipe). Marina is thus forced to confront her identity: who is she? Is she determined by her parent’s DNA or by her ID card? Can she be identified by a family portrait, by biometrics or the love of those around her, including her Colombian boyfriend? Is she prettier now?

Эмилия приезжает к своей тёте в отель, расположенный на границе Аргентины и Бразилии, в поисках пропавшего брата. В этих пышных джунглях, кажется, бродит опасный зверь, который принимает облик разных животных.

Everyone is locked up, but Clementina and the man she's quarantined with won't stop working. We know little about him, and even less about her: we just see over and over again her mysterious face, which seems to defy everything.

Agatha and Leonidas have a somewhat absorbing mother-child relationship: Agatha never fell in love again, and Leonidas doesn't know what love is. From one day to the next, Agatha wakes up in the body of a seven-year-old girl.

After studying abroad, Mercedes returns to Colombia to work on the next film by her father, the famous Víctor Gaviria. Fluctuating between admiration and reproach, Mercedes constructs a private diary that goes beyond familial conflicts to question the place of women in the film world, which is still strongly ingrained with a patriarchal mindset.

Flowers have decided to hear the noises of an unknown girl.

After studying abroad, Mercedes returns to Colombia to work on the next film by her father, the famous Víctor Gaviria. Fluctuating between admiration and reproach, Mercedes constructs a private diary that goes beyond familial conflicts to question the place of women in the film world, which is still strongly ingrained with a patriarchal mindset.

After studying abroad, Mercedes returns to Colombia to work on the next film by her father, the famous Víctor Gaviria. Fluctuating between admiration and reproach, Mercedes constructs a private diary that goes beyond familial conflicts to question the place of women in the film world, which is still strongly ingrained with a patriarchal mindset.

Кто такой Норберто Отеро? Арменголь Торрес, организатор Всемирной недели космоса, предлагает Лукасу начать расследование параллельной передачи о высадке на Луну в 1969 году, полученной радиолюбителем в его доме в Авельянеде, провинции Буэнос-Айреса. Из-за навязчивых теорий заговора Арменголя Лукас начинает расследовать саму природу изображений и снова и снова сталкивается с постоянно ускользающей от него мрачной фигурой человека по имени Норберто Отеро.

Юная Ирис любит баскетбол и своих двоюродных братьев Дарио и Але. Подростки живут в одном из рабочих кварталов Корриентеса – города, расположенного на севере Аргентины. Их район трудно назвать благополучным. Школа не играет в жизни детей особой роли, их матери вечно заняты на работе, а отцов вообще нет на горизонте. Скрывать свою сексуальность тут тоже не принято. Дарио – открытый гей, Але – скорее бисексуален. К Ирис постоянно подкатывают местные парни, но ей нравится Рената – девушка с тёмным прошлым, которая совсем недавно вернулась в город после долгого отсутствия.

Маркос — опытный и трудолюбивый медбрат, проработавший в больнице 20 лет. У него есть маленький секрет: порой он прибегает к эвтаназии, когда у пациента нет шансов на выздоровление. Вскоре в больнице появляется новый медбрат Габриэль, который всех очаровывает красотой, молодостью и умом. В попытке завладеть жизнью Маркоса он узнает его секрет, который тот старательно пытался скрыть.

Argentina, late 19th century. Sergeant Cruz is wounded and walks lost through a forest in Patagonia. After a long walk, he finally reaches the shores of a lake where he sits waiting for the inevitable. However, the encounter with a mysterious character will confront him with his past and his true destiny

Официальный синопсис фильма гласит: «Бог воплотился в Электростанции. Одной туманной ночью пропадают коровы, ребенок оказывается избранным, подросток ищет свободы». Всего за десять минут Агустина Сан Мартин разворачивает религиозную мистерию, принципы которой остаются неясными, но именно поэтому, как в жанре хоррора, особенно убедительными.

Пума преследует Пуэбло Насьона Ранкеля, коренную общину на севере Аргентины. Охота - это обряд, и старшие мальчики хотят убить пуму. Но Уриэль выбирает другой путь.

Группа женщин случайно встретилась на краю света в аргентинской Патагонии, и отправляется в путешествие по полиамурному пути, в поисках новых ощущений, далеких от одержимости и боли. Они становятся «Дочерьми Огня» - группой, призванной помогать тем женщинам, которые ищут свой собственный путь к эротике.

By chance, Martin and Laura travel to Villa Gesell at the same time. They are not together anymore but 18 years ago they conceived their son, Pablo, there. Soon, situations as absurd as they are touching will arise from their encounter. Juan Villegas ventures into comedy and is back at Bafici with a nostalgic, intimate film.

The sad story of Andersen's little match girl; the fate of Balthazar, Bresson's donkey; the impossible love affair between a militant of the Red Army Faction and an Argentinean pianist; the adventures in Buenos Aires of Helmut Lachenmann, who is trying to stage an insane opera; the problems of Marie, Walter and their daughter, who are trying to survive on very little money…

For more than 30 years, 9 friends have religiously gathered in a roasted corner every month. When they find out that Javier, who makes the roasts, is going to live in another country, mixed feelings, betrayals and jealousy begin to emerge. Deep down, they try to mask something that none of them dares to say: for them, if the roasts are finished, their friendship ends forever.

Wake up in the morning. He feels bad. He brushes his teeth after vomiting. Record the house reviewing drawings, a model and a written photo that makes him smile. He returns it to the cork of old familiar images. Make breakfast for two. Waits.