Writer
This unique cinematic experience dives deep into an artist’s work and reveals his life path, inspiration, and creative process. It explores his fascination with myth and history. Past and present are interwoven to diffuse the line between film and painting, allowing the audience to be completely immersed in the remarkable world of one of the greatest contemporary artists, Anselm Kiefer. Wim Wenders shot this unique portrait over the course of two years in stunning 3D.
Director
This unique cinematic experience dives deep into an artist’s work and reveals his life path, inspiration, and creative process. It explores his fascination with myth and history. Past and present are interwoven to diffuse the line between film and painting, allowing the audience to be completely immersed in the remarkable world of one of the greatest contemporary artists, Anselm Kiefer. Wim Wenders shot this unique portrait over the course of two years in stunning 3D.
Producer
The thrilling, debauched and frequently hilarious adventures of the legendary Melbourne post-punk band, in their own words.
Producer
Festival de Cannes – Prémio de Melhor Actor (Kōji Yakusho) e Prémio do Júri Ecuménico.
Neste delicado drama do quotidiano, Wim Wenders narra a história de Hirayama, um japonês que aparenta encontrar a felicidade numa vida simples enquanto empregado de limpeza de casas de banho em Tóquio. Para além da sua rotina meticulosa, Hirayama nutre uma paixão pela música, pelos livros e pela fotografia de árvores. Através de uma série de encontros inesperados, são revelados detalhes do seu passado que desencadeiam uma reflexão profundamente poética e comovente sobre a capacidade de encontrar beleza no mundo que nos rodeia.
Writer
Festival de Cannes – Prémio de Melhor Actor (Kōji Yakusho) e Prémio do Júri Ecuménico.
Neste delicado drama do quotidiano, Wim Wenders narra a história de Hirayama, um japonês que aparenta encontrar a felicidade numa vida simples enquanto empregado de limpeza de casas de banho em Tóquio. Para além da sua rotina meticulosa, Hirayama nutre uma paixão pela música, pelos livros e pela fotografia de árvores. Através de uma série de encontros inesperados, são revelados detalhes do seu passado que desencadeiam uma reflexão profundamente poética e comovente sobre a capacidade de encontrar beleza no mundo que nos rodeia.
Director
Festival de Cannes – Prémio de Melhor Actor (Kōji Yakusho) e Prémio do Júri Ecuménico.
Neste delicado drama do quotidiano, Wim Wenders narra a história de Hirayama, um japonês que aparenta encontrar a felicidade numa vida simples enquanto empregado de limpeza de casas de banho em Tóquio. Para além da sua rotina meticulosa, Hirayama nutre uma paixão pela música, pelos livros e pela fotografia de árvores. Através de uma série de encontros inesperados, são revelados detalhes do seu passado que desencadeiam uma reflexão profundamente poética e comovente sobre a capacidade de encontrar beleza no mundo que nos rodeia.
Self
“Nothing is typical for Werner, only the atypical is typical for him.” This is just one of many attempts to characterize Werner Herzog. Documentary filmmaker Thomas von Steinaecker spoke to actors, directors, directors of photography and producers who have worked with Herzog over his long career—including directors Chloé Zhao, Joshua Oppenheimer and Wim Wenders, singer Patti Smith and actors Nicole Kidman, Christian Bale and Robert Pattinson. We also hear from Herzog himself, with extraordinary anecdotes about film locations and shoots, his admiration for Lotte Eisner, and his eternal search for beauty. The interviews are carefully punctuated by archive footage of Herzog never seen before, iconic excerpts from his feature films and documentaries, and his cameos in cartoon series such as The Simpsons. Together they create a kaleidoscopic image of a radical visionary and dreamer, and of his very own “Werner World.”
Himself
In 1968, musician Irmin Schmidt and friends founded the avant-garde band "Can", which achieved worldwide fame. Schmidt also made a name for himself as a composer for films by Wim Wenders. In this documentary, the charismatic sound tinkerer looks back on his life and career.
Wim Wenders
From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.
History flows, the darkness wets our clothes.
Self
Por que ainda somos capazes, hoje, de assistir a imagens que foram capturadas há mais de 125 anos? À medida que entramos na era digital, o patrimônio audiovisual parece ser um fato seguro e óbvio. No entanto, muito do cinema e da nossa história filmada já se perdeu para sempre. Arquivistas, técnicos e cineastas de diferentes partes do mundo explicam o que é a preservação audiovisual e contam o porquê ela é necessária. O documentário é uma homenagem a todos esses profissionais e ao seu importante trabalho.
Executive Producer
A break-up leaves Sarah reeling and directionless, standing alone on her ex's doorstep in a ballgown. Following her impulses, she starts to drive through the desert and makes unexpected connections along the way.
Self
A documentary that shows how young activists from around the globe such as Felix Finkbeiner (Plant for the Planet), Luisa Neubauer, Greta Thunberg (Fridays for Future) and Vic Barrett (Youth v. Gov) are currently challenging the status quo and pushing for social and political change. The film focuses on these young protagonists, addressing the question of what it feels like and what is at stake when you engage in such a life. Experienced activists, as well as experts in a wide variety of topics, will provide background information and forecasts for future developments.
Executive Producer
Blues and folk singer Karen Dalton was a prominent figure in 1960s New York. Idolized by Bob Dylan and Nick Cave, Karen discarded the traditional trappings of success and led an unconventional life until her early death. Since most images of Karen have been lost or destroyed, the film uses Karen's dulcet melodies and interviews with loved ones to build a rich portrait of this singular woman and her hauntingly beautiful voice.
Director
An enchanting fashion film by Wim Winders follows the story of young love blossoming on the sets of a sci-fi drama, invigoratingly costumed in the futuristic #FerragamoAW21 collection. A stylish film director, Gaia Girace finds her professional focus getting distractingly entwined with the start of something new, when she bumps into her laconically handsome sound engineer Felix Sandman.
Executive Producer
A state of secrets and a ruthless hunt for whistleblowers – this is the story of 25-year-old Reality Winner who disclosed a document about Russian election interference to the media and became the number one leak target of the Trump administration.
Self
A fascinating journey through the life of Israeli artist Dani Karavan, an irreverent and charismatic creator, recognized worldwide for radically transforming public space with his monumental environmental installations.
Self
Self
Born in Berlin in 1896, Lotte Eisner became famous for her passionate involvement in the world of both German and French cinema. In 1936, together with Henri Langlois, she founded the Cinémathèque Française with the goal of saving from destruction films, costumes, sets, posters, and other treasures of the 7th Art. A Jew exiled in Paris, she became a pillar of the capital's cultural scene, where she promoted German cinema.
Self
Pioneiro do Novo Cinema Alemão, Wim Wenders é um dos mais importantes diretores do cinema contemporâneo. Marcando seu 75º aniversário, “Wim Wenders, Desperado” retrata o trabalho de um visionário que captou o zeitgeist de sua geração. O documentário aborda o processo artístico de um improvisador único, que vê cada filmagem como uma jornada rumo ao desconhecido. Com depoimentos inéditos de Francis Ford Coppola, Willem Dafoe, Patti Smith e Werner Herzog, o filme oferece um olhar exclusivo sobre a vida e a obra de um artista excepcional.
Writer
Wim Wenders ponders about the future of our society and film making amidst the Covid-19 pandemic.
Director
Wim Wenders ponders about the future of our society and film making amidst the Covid-19 pandemic.
Self
Wim Wenders ponders about the future of our society and film making amidst the Covid-19 pandemic.
Producer
TWO OR THREE THINGS I KNOW ABOUT EDWARD HOPPER is an immersive experience in 3D, that takes its viewers on a journey into the world of Hopper, sharpening their senses for some aspects of his unique work.
Director
TWO OR THREE THINGS I KNOW ABOUT EDWARD HOPPER is an immersive experience in 3D, that takes its viewers on a journey into the world of Hopper, sharpening their senses for some aspects of his unique work.
Larry
Um amante do cinema com grandes sonhos chega a Los Angeles e chama a atenção do Detetive de homicídios Slim. Com o tempo, conhece o Grande Viking que o apresenta ao intenso mundo do cinema e o lado negro do mundo do entretenimento.
Executive Producer
An aspiring trapeze artist discovers a cryptic letter, written once by her recently deceased father, that leads her to a gold mine in a remote California desert.
Self - Director
A walk by American writer Paul Auster’s world, his past —his family, his youth, his work—, and his present, which is the publication of his novel 4321 in January 2017, an exploration of human identity and a glimpse to the soul of New York, a city that Auster has depicted as nobody has ever done.
Self
Filmmaker Alyssa Bolsey stumbles on a treasure trove of vintage cameras, old film reels, fading photos, technical drawings and boxes of documents that belonged to her great-grandfather Jacques Bolsey. Among the many boxes, she spots an old movie camera with the word "Bolex" embossed on its side and a dangling tag with the date, "1927." Entranced, she embarks on a journey to reveal how Jacques aimed to disrupt the early film industry with a motion picture camera for the masses.
Self
For her extraordinary film essay, Living the Light, Director and Director of Photography Claire Pijman had access to the thousands of Hi8 video diaries, pictures and Polaroids that Müller photographed while he was at work on one of the more than 70 features he shot throughout his career; often with long term collaborators such as Wim Wenders, Jim Jarmusch and Lars von Trier. The film intertwines these images with excerpts of his oeuvre, thus creating a fluid and cinematic continuum. In his score for Living the Light Jim Jarmusch gives this wide raging scale of life and art an additional musical voice.
Executive Producer
A documentary about the legendary jazz label Blue Note Records and its German founders Alfred Lion and Francis Wolff. As jews they had to flee Germany and the Hitler regime in the late 1930s. In New York they wrote music history with their record label Blue Note Records.
Self - Narrator (voice) (uncredited)
Em uma era de profunda descrença dos políticos e pessoas no poder, Papa Francisco é representado pelas suas muitas visitas espirituais pelo mundo e suas respostas às questões globais atuais sobre morte, justiça social, imigração, ecologia, desigualdade econômica, materialismo e o papel da família.
Writer
Em uma era de profunda descrença dos políticos e pessoas no poder, Papa Francisco é representado pelas suas muitas visitas espirituais pelo mundo e suas respostas às questões globais atuais sobre morte, justiça social, imigração, ecologia, desigualdade econômica, materialismo e o papel da família.
Producer
Em uma era de profunda descrença dos políticos e pessoas no poder, Papa Francisco é representado pelas suas muitas visitas espirituais pelo mundo e suas respostas às questões globais atuais sobre morte, justiça social, imigração, ecologia, desigualdade econômica, materialismo e o papel da família.
Director
Em uma era de profunda descrença dos políticos e pessoas no poder, Papa Francisco é representado pelas suas muitas visitas espirituais pelo mundo e suas respostas às questões globais atuais sobre morte, justiça social, imigração, ecologia, desigualdade econômica, materialismo e o papel da família.
Director
A short series comprised of five episodes to advertise the Jil Sanders collection of spring and summer 2018. 1. Anything 2. Restaurant 3. Photoshoot 4. Paternoster 5. The Lake
Self (archive footage)
A nostalgic look at the birth and death of arthouse film distribution in the early 2000s in Russia. The story of the "Cinema Without Borders" company and its two founders, Sam Klebanov and Anton Mazurov.
Writer
When Willie Nelson and album producer Daniel Lanois set out to create a cinematic-sounding album, "Teatro", they took over a disused movie theatre in Oxnard, California, and pictured its dusty glory on the cover art. Recorded as-live in situ amid the red velvet seats, Teatro sees Nelson working extensively with his frequent collaborator Emmylou Harris, who joins him for duets and on backing vocals. Recorded 1998. Wim Wenders filmed the event.
Director
When Willie Nelson and album producer Daniel Lanois set out to create a cinematic-sounding album, "Teatro", they took over a disused movie theatre in Oxnard, California, and pictured its dusty glory on the cover art. Recorded as-live in situ amid the red velvet seats, Teatro sees Nelson working extensively with his frequent collaborator Emmylou Harris, who joins him for duets and on backing vocals. Recorded 1998. Wim Wenders filmed the event.
Director
Danielle (Alicia Vikander) é uma exploradora do oceano que descobre um novo desafio: uma terrível, porém pioneira, descida ao abismo Ártico. James (James McAvoy) é um empreiteiro acusado de ser um espião e interrogado por jihadistas africanos que irá se unir à moça para ajudá-la em sua missão.
Executive Producer
Duas décadas após o sucesso do álbum de Buena Vista Social Club, e o documentário de mesmo nome, chega a extraordinária e indispensável sequência que homenageia a vida e a música de uma banda que mudou a musicalidade de Cuba.
Self
August 2015, a courtroom in Rostov-on-Don. A man is peering through the bars of his cage, his eyes reveal that his nerves are about to snap. Today he will be handed down a sentence to which he must submit: 20 years’ imprisonment in Siberia for terrorism. The man is Oleg Sentsov, a film director and Maidan activist born in Simferopol in the Ukraine. He is charged with leading an anti-Russian terrorist movement and having planned attacks on bridges, power lines and a monument of Lenin. Sentsov defends himself, courageously and without flinching. He responds to the verdict with an emphatic denial of his crimes and instead accuses the accusers themselves ...
Producer
No norte da França, um escritor (Jens Harzer) começa a escrever os esboços para o seu próximo livro e desenvolve, como ponto de partida, um diálogo entre um homem (Reda Kateb) e uma mulher (Sophie Semin), que se encontram em um jardim suspenso na cidade de Aranjuez, na Espanha, onde discutem, entre outras coisas, questões como sexualidade, amor, infância e também suas memórias e a vida em si.
Writer
No norte da França, um escritor (Jens Harzer) começa a escrever os esboços para o seu próximo livro e desenvolve, como ponto de partida, um diálogo entre um homem (Reda Kateb) e uma mulher (Sophie Semin), que se encontram em um jardim suspenso na cidade de Aranjuez, na Espanha, onde discutem, entre outras coisas, questões como sexualidade, amor, infância e também suas memórias e a vida em si.
Director
No norte da França, um escritor (Jens Harzer) começa a escrever os esboços para o seu próximo livro e desenvolve, como ponto de partida, um diálogo entre um homem (Reda Kateb) e uma mulher (Sophie Semin), que se encontram em um jardim suspenso na cidade de Aranjuez, na Espanha, onde discutem, entre outras coisas, questões como sexualidade, amor, infância e também suas memórias e a vida em si.
Self
A documentary chronicling the filmmaking career of Dennis Hopper.
Executive Producer
Sonia Kennebeck takes on the controversial tactic of drone warfare, and demands accountability through the personal accounts—recollections, traumas, and responses—of three American military veterans whose lives have been shaken by the roles they played in this controversial method of attack.
Self
An account of the life and work of the legendary cinematographer and director Carlo Di Palma (1925-2004) and an emotional journey into the greatest moments of cinema, from the Italian neorealism to the masterpieces of Woody Allen, commented by prestigious figures of world cinema.
Self
The life & times of Dennis Hopper, showbiz maestro and Hollywood eccentric.
Self
Interview with director Wim Wenders conducted and edited by filmmaker Michael Almereyda.
Executive Producer
Uma história de amor entre dois dançarinos famosos de tango da história e sua paixão pela dança. María Nieves e Juan Carlos Copes se conhecem quando tem 14 e 17 anos, respectivamente, e dançam juntos durante 50 anos. Durante todos esses anos eles se amaram e se odiaram, passando por dolorosas separações, mas sempre se reconciliaram. Uma jornada sobre o tango e a história de amor, em seus momentos dramáticos, que é transformada em uma linda homenagem da vida de Juan e Maria em incríveis coreografias.
Self
French Cinema Mon Amour is an ensemble film in which each contributor brings their own voice, their own particular approach, their culture, and their language to produce a portrait of French cinema.
Self
A documentary on the 1973 Sam Fuller film Dead Pigeon on Beethoven Street.
Self
From Martin Scorsese to Jane Campion, from Emir Kusturica to Quentin Tarantino, some of the greatest recipients of this trophy recall special moments relating to the award ceremony which closes the Cannes Film Festival. This film brings to light moving and personal stories, as surprising as they are varied, which all contribute to further enhancing the legend of the Palme d’Or.
Self
Documentary about German film critic Michael Althen.
Director
Certo dia o escritor Tomas (James Franco) briga com a sua namorada e decide dirigir sem rumo. Nervoso, perde o controle do carro, atropela e mata uma criança. Afetado pelo trágico acidente, ele não consegue mais ter uma vida tranquila.
Self
Documentary about the efforts to preserve and restore the films of German director Wim Wenders.
Still Photographer
Nos últimos 40 anos, o fotógrafo Sebastião Salgado tem viajado através dos continentes, aos passos de uma humanidade sempre em mutação. Ele testemunhou alguns dos principais eventos da nossa história recente; conflitos internacionais, a fome e o êxodo. Ele agora embarca na descoberta de territórios imaculados, da flora e da fauna selvagem e de paisagens grandiosas como parte de um enorme projeto fotográfico. Uma homenagem à beleza do planeta.
Writer
Nos últimos 40 anos, o fotógrafo Sebastião Salgado tem viajado através dos continentes, aos passos de uma humanidade sempre em mutação. Ele testemunhou alguns dos principais eventos da nossa história recente; conflitos internacionais, a fome e o êxodo. Ele agora embarca na descoberta de territórios imaculados, da flora e da fauna selvagem e de paisagens grandiosas como parte de um enorme projeto fotográfico. Uma homenagem à beleza do planeta.
Self
Nos últimos 40 anos, o fotógrafo Sebastião Salgado tem viajado através dos continentes, aos passos de uma humanidade sempre em mutação. Ele testemunhou alguns dos principais eventos da nossa história recente; conflitos internacionais, a fome e o êxodo. Ele agora embarca na descoberta de territórios imaculados, da flora e da fauna selvagem e de paisagens grandiosas como parte de um enorme projeto fotográfico. Uma homenagem à beleza do planeta.
Director
Nos últimos 40 anos, o fotógrafo Sebastião Salgado tem viajado através dos continentes, aos passos de uma humanidade sempre em mutação. Ele testemunhou alguns dos principais eventos da nossa história recente; conflitos internacionais, a fome e o êxodo. Ele agora embarca na descoberta de territórios imaculados, da flora e da fauna selvagem e de paisagens grandiosas como parte de um enorme projeto fotográfico. Uma homenagem à beleza do planeta.
Director
Complete recording of Pina Bausch's piece Vollmond (Full Moon) by Wim Wenders.
Director
In many ways, "Kontakthof" could be seen as the sum of Pina Bausch's choreographies: the performance takes place at a single location. The high room is completely empty and open to the public - like a showcase. The other three sides are furnished with long rows of chairs, like in a dance school. Men and women sit next to each other. Little by little they rise and all sorts of encounters ensue, some cautious and tentative, others wild and impetuous. Sometimes there is a single couple on the dance floor, sometimes the full cast of 30 dancers. Bausch created this piece with her ensemble in 1978. "Kontakthof" is one of four choreographies by Pina Bausch that the director Wim Wenders recorded in full for his film "Pina - Tanzt, tanzt, oder wir los sind" ("Pina - Dance, Dance, Otherwise We Are Lost").
Director
“Se os edifícios pudessem falar, o que diriam sobre nós?” Cathedrals of Culture oferece seis respostas para esta questão. O projeto, filmado inteiramente em 3D, permite que seis edifícios emblemáticos e muito diferentes falem por si, examinando a vida humana a partir da perspetiva de uma estrutura feita pelo homem. Os edifícios são manifestações materiais do pensamento e da ação humana: a Filarmónica de Berlim, um ícone da modernidade; a Biblioteca Nacional da Rússia, um reino de pensamentos; Halden Prison, a prisão mais humana do mundo; o Instituto Salk, um mosteiro científico na costa da Califórnia; a Oslo Opera House, uma simbiose futurista da arte e da vida; e o Centro Pompidou, uma máquina de cultura moderna. O filme explora a forma como cada um desses ícones reflete a nossa cultura e acolhe a nossa memória coletiva.
Executive Producer
Part of a 3-D project on the soul of architecture initiated by Wim Wenders, Madsen’s film considers the impact of Norway’s Halden Prison, called “the world’s most humane prison.”
Director
A 3-D Wim Wenders film tours the futuristic, 50-year-old Berlin Philharmonic. Part of the anthology film Cathedrals of Culture
(2014).
Director
Thirteen filmmakers talk about Henri Langlois and their relationship with him.
Self
Thirteen filmmakers talk about Henri Langlois and their relationship with him.
Self - Reader (segment "A River of Tears")
Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller's only child, Samantha.
Director
Wim Wenders details a doctor's program to educate and assist children with eye disorders into gaining abilities to use their vision in the future. Part of the anthology film Invisible World (2012).
Director
An anthology film following different stories around the theme of invisibility in the modern world.
Thanks
Canadian actress and filmmaker Sarah Polley investigates certain secrets related to her mother, interviewing a group of family members and friends whose reliability varies depending of their implication in the events, which are remembered in different ways; so a trail of questions remains to be answered, because memory is always changing and the discovery of truth often depends on who is telling the tale.
Self
The many references in contemporary film to Edward Hopper's works, as well as the widespread reproduction of some of his paintings have made his universe familiar to many. His unclassifiable figurations weave a dialogue between appearances and light, between the unmistakeable and enigma. Focusing on the artist's personal life in the context of 20th century America, "Edward Hopper and the Blank Canvas" bears witness to a fiercely independent painter, who was aware of the issues of his era, and who was hostile to the imprisonment that a modern American art opposing realism and abstraction could lead him to. This film brings the artist to life, transposing his realist and metaphysical poetry. It is a subtile and passionate work, which at last unveils one of the most important painters of American modernity.
Self
An impressionistic portrait of the iconic actor Harry Dean Stanton comprised of intimate moments, film clips from some of his 250 films and his renditions of American folk songs.
Self
A captivating history of the nation's oldest performing arts center - which largely mirrors the evolution of experimental and progressive performing arts in 20th century America - BAM150 chronicles the vibrant past, present and future of the Brooklyn Academy of Music. Through footage of recent performances, intimate interviews, and an astonishing treasure trove of 150 years' worth of archival materials, BAM150 is a testament to the power and stamina of the institution that established Brooklyn as a cultural mecca-serving as a home to such greats as Enrico Caruso, Sarah Bernhardt, Edwin Booth, Merce Cunningham, Robert Wilson, Mark Morris, Laurie Anderson, and Pina Bausch.
Self
From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.
Self
This is a cinematic pilgrimage by two young Turkish directors to their biggest source of inspiration, Ingmar Bergman. Their desire to approach even further to Bergman and to his work leads them to make this journey from their hometown Istanbul to Sweden, the land of Bergman. Their journey passes through not only to Stockholm, Uppsala, Dalarna, Gotland and of course Faro, but will also be an inner journey to their own selves.
Self
Werner Schroeter was one of the most significant proponents of New German Cinema. Schroeter was diagnosed with cancer in 2006. In her film, Elfi Mikesch, who photographed a number of Schroeter’s films and who collaborated closely with him to create his vision, provides us with an intimate insight into Schroeter’s artistic output during the remaining four years of his life.
Producer
Desde o início da dança moderna em 1970, poucos coreógrafos tiveram tanta influência no meio como Pina Bausch. O documentário aborda a vida e a carreira da artista e mostra incríveis atuações de sua companhia.
Screenplay
Desde o início da dança moderna em 1970, poucos coreógrafos tiveram tanta influência no meio como Pina Bausch. O documentário aborda a vida e a carreira da artista e mostra incríveis atuações de sua companhia.
Director
Desde o início da dança moderna em 1970, poucos coreógrafos tiveram tanta influência no meio como Pina Bausch. O documentário aborda a vida e a carreira da artista e mostra incríveis atuações de sua companhia.
Fellow actors and musicians, film critics, and his Kentucky relatives tell the story of noted character actor Harry Dean Stanton. Kris Kristofferson, Billy Bob Thornton, critic Leonard Maltin are among those interviewed in this profile.
Gray Fox
Um pistoleiro solitário recebe um perdão de última hora do corredor da morte, com a missão de entregar uma mulher de poderes misteriosos a um governador mal. Contra o pano de fundo de uma terra inóspita congelados, Snowblind incêndios até o triângulo amoroso clássico com barris de fumo e uma tonelada de balas em brasa.
Executive Producer
Kai (Jack Yao), who works at his parent's noodle shop by day and spends his nights in a bookstore to learn French, decides to go to Paris after his girlfriend, who recently left for Paris, dumps him by phone. Then the local neighborhood mafia boss offers Kai a free plane ticket to Paris if he takes a mysterious package with him.
Director
Inspired by the experiences of some small southern Italian municipalities which chose to integrate a set of Kurdish refugees into the dwindling population of their own people giving new life to the dying villages.
Self
Until the 1970s, Italian cinema dominated the international scene, even competing with Hollywood. Then, in just a few years, came its rapid decline, the flight of our greatest producers, a crisis among the best writer-directors, the collapse of production. But what are the true causes and circumstances of this decline? In an attempt to provide an answer to this question, Di Me Cosa Ne Sai strives to depict this great cultural change. Begun as a loving examination of Italian cinema, the film transformed into a docu-drama that alternates between interviews with the great names of the past and fragments of cultural and political life of the last 30 years. It is a travel diary that shows Italy from north to south, through movie theatres; television-addicted kids; Berlusconi and Fellini; shopping centers; TV news editors; stories of impassioned film exhibitors and directors who fight for their films; and interviews with itinerant projectionists and great European directors.
Writer
Finn é um famoso fotógrafo atormentado por visões mórbidas. Depois de quase morrer devido ao seu estilo de vida desenfreado, ele decide fazer uma pausa e ir para Palermo, na Sicília, mas seu mundo vira de cabeça para baixo. Salvo por uma mulher bela e misteriosa, ele acaba por confrontar a Morte.
Producer
Finn é um famoso fotógrafo atormentado por visões mórbidas. Depois de quase morrer devido ao seu estilo de vida desenfreado, ele decide fazer uma pausa e ir para Palermo, na Sicília, mas seu mundo vira de cabeça para baixo. Salvo por uma mulher bela e misteriosa, ele acaba por confrontar a Morte.
Director
Finn é um famoso fotógrafo atormentado por visões mórbidas. Depois de quase morrer devido ao seu estilo de vida desenfreado, ele decide fazer uma pausa e ir para Palermo, na Sicília, mas seu mundo vira de cabeça para baixo. Salvo por uma mulher bela e misteriosa, ele acaba por confrontar a Morte.
Self
Director
Part of the film "8", Wim Wenders delivers a positive film on micro-financing, with Muhammad Yunus and Bono.
Director
8 shorts centered around 8 themes directed by 8 famous film directors involved and sharing their opinion on progress, on the set-backs and the challenges our planet faces today.
Executive Producer
Kohei Takahara, an astronaut who dies in the line of duty, is legally resurrected as a clone: however, contrary to the scientists’ expectations, he reverts to his childhood memories when his twin brother drowned sacrificing his life for Kohei. Kohei’s clone discovers the body of his former self mistakenly believing that it is his deceased twin. Reliving his tragic past, he sets off carrying his corpse body to the beautiful hometown where he lived with his now dead mother.
Self
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
Self
In intimate conversations Wim Wenders talks about his sheltered upbringing in post-war Germany. The film follows him on a journey into the past that takes him to Paris, where he lived as a young painter and made his decision to become a filmmaker.
Self
Self
What is the future of cinema? In 1982, in Cannes, Wim Wenders invited many movie makers to answer this question. 26 years later, the question remains, but Wenders is now on the other side of the camera.
Self
The early films of Wim Wenders are now regarded as landmarks of European film. Alice in the Cities, Wrong Move and Kings of the Road became foundations of the German New Wave and cemented the reputation of their director. In One Who Set Forth: Wim Wenders' Early Years Marcel Wehn explores the background to these films. Through personal recollection and rare home movie footage, it documents the director's early life, from experiments with his first camera, via his deviation from a career in medicine in favour of art and film, through to international recognition for the Road Trilogy. Central to these were themes that became cornerstones of all his work: national identity, the importance of personal relationships and the allure of the road. With contributions from the director and the many collaborators who helped define his vision, One Who Set Forth is a compelling account of Wim Wenders' life and work.
Director
A collective film of 33 shorts directed by different directors about their feeling about cinema.
Self
From its simple beginnings in 1939 in a sleepy beach town in the south of France, the prestigious Cannes Film Festival has become the must-attend red carpet event of the year. Filmmaker Richard Schickel's fascinating documentary captures the glitz and glamour of the festival's incredible 60-year run with archival footage and unforgettable moments. Hollywood's biggest names including Clint Eastwood, Martin Scorsese, Sharon Stone and Harvey Weinstein talk about the politics, madness, and thrills of competing for one of the industry's highest honors - the coveted Palme d'Or - and what it's like to be at the most fabulous festival by the sea.
Director
The inhabitants of a Congo village watch and discuss Black Hawk Down.
Director
A half-hour documentary shot in the town of Kabalo in the Democratic Republic of the Congo in 2006, on the subject of Violence Against Women, for Doctors Without Borders. Wim Wenders' short film as part of the anthology film Invisibles (2007)
Writer
A series of short films examining the world's overlooked problems and the people who suffer from them.
Director
A series of short films examining the world's overlooked problems and the people who suffer from them.
Executive Producer
Self
Funnyman John Cleese leads viewers through an exhaustive -- and hilarious -- tour of the world of soccer, complete with the sport's most memorable goals, kicks, saves, goofs and penalties. Also included are reflections on soccer's impact on culture, including the Monty Python sketch "Philosophy Football," and interviews with celebrities Dave Stewart, Dennis Hopper and Henry Kissinger, as well as soccer icons Pelé, Mia Hamm and Thierry Henry.
Executive Producer
Howard Spence já teve dias melhores. Antes uma grande estrela do cinema, ele agora sobrevive com o remorso de uma vida egoísta, desperdiçada em álcool, drogas e jovens mulheres. Se ele morresse, ninguém derramaria uma lágrima, esta é a triste realidade. Até que, um dia, ele descobre que pode ter se tornado pai de alguma criança em algum lugar...
Writer
Howard Spence já teve dias melhores. Antes uma grande estrela do cinema, ele agora sobrevive com o remorso de uma vida egoísta, desperdiçada em álcool, drogas e jovens mulheres. Se ele morresse, ninguém derramaria uma lágrima, esta é a triste realidade. Até que, um dia, ele descobre que pode ter se tornado pai de alguma criança em algum lugar...
Director
Howard Spence já teve dias melhores. Antes uma grande estrela do cinema, ele agora sobrevive com o remorso de uma vida egoísta, desperdiçada em álcool, drogas e jovens mulheres. Se ele morresse, ninguém derramaria uma lágrima, esta é a triste realidade. Até que, um dia, ele descobre que pode ter se tornado pai de alguma criança em algum lugar...
Self
Maria Zmarz-Koczanowicz directed this insightful TV documentary (2005) tracing the Polish filmmaker's career. Former classmates reminisce about Kieslowski's happy beginnings at the Lodz film school and how his dissatisfaction with some of his early documentaries prompted the dramatic work and stylistic experimentation that led to his monumental series of films The Decalogue (1989). Wim Wenders, Agnieszka Holland, and Juliette Binoche are among the many admirers weighing in on his hard-driving work methods and preoccupation with the ephemeral. In Polish, French, and German with subtitles.
Producer
Screenplay
Paul é um veterano da Guerra do Vietnã. Mentalmente perturbado, ele passa o tempo circulando por Los Angeles, investigando pessoas que lhe pareçam suspeitas. Sem confiar no Governo, ele procura, desesperadamente, o novo terrorista que poderá causar uma tragédia igual à de 11 de setembro. Para isso, ele conta somente com a ajuda do mendigo Jimmy.
Director
Paul é um veterano da Guerra do Vietnã. Mentalmente perturbado, ele passa o tempo circulando por Los Angeles, investigando pessoas que lhe pareçam suspeitas. Sem confiar no Governo, ele procura, desesperadamente, o novo terrorista que poderá causar uma tragédia igual à de 11 de setembro. Para isso, ele conta somente com a ajuda do mendigo Jimmy.
Self
Documentary on the life and work of B-movie filmmaker Edgar G. Ulmer, spanning from his early life to his last film.
Self
The inevitable fat cigar between his fingers, the American actor, director and fine artist Dennis Hopper (1936) self-mockingly looks back on his chequered life and career, at the request of Dutch director, photographer and fine artist Thom Hoffman. The latter sifted through the turbulent life story of Hopper, who is primarily known from the cult film Easy Rider (1969). Hopper went through as many high as low points. In conveniently arranged chapters, Hoffman shows the decisive moments in Hopper's life and asks colleagues like Wim Wenders, David Lynch, Sean Penn and Julian Schnabel to comment on them. The documentary is richly illustrated with film excerpts, photos, newspaper articles and anecdotes. The main reason for this film was the retrospective of Dennis Hopper's art work in the Amsterdam Stedelijk Museum in 2001.
Producer
Producer
Self
This is a documentary about the making of "Wings of Desire" (1987). The director, writer, actors, composer and other contributors speak at length and in detail about how the award-winning film was devised, cast, filmed, scored and edited.
Writer
In "The Soul of A Man," director Wim Wenders looks at the dramatic tension in the blues between the sacred and the profane by exploring the music and lives of three of his favorite blues artists: Skip James, Blind Willie Johnson and J. B. Lenoir. Part history, part personal pilgrimage, the film tells the story of these lives in music through an extended fictional film sequence (recreations of '20s and '30s events - shot in silent-film, hand-crank style), rare archival footage, present-day documentary scenes and covers of their songs by contemporary musicians such as Shemekia Copeland, Alvin Youngblood Hart, Garland Jeffreys, Chris Thomas King, Cassandra Wilson, Nick Cave, Los Lobos, Eagle Eye Cherry, Vernon Reid, James "Blood" Ulmer, Lou Reed, Bonnie Raitt, Marc Ribot, The Jon Spencer Blues Explosion, Lucinda Williams and T-Bone Burnett.
Director
In "The Soul of A Man," director Wim Wenders looks at the dramatic tension in the blues between the sacred and the profane by exploring the music and lives of three of his favorite blues artists: Skip James, Blind Willie Johnson and J. B. Lenoir. Part history, part personal pilgrimage, the film tells the story of these lives in music through an extended fictional film sequence (recreations of '20s and '30s events - shot in silent-film, hand-crank style), rare archival footage, present-day documentary scenes and covers of their songs by contemporary musicians such as Shemekia Copeland, Alvin Youngblood Hart, Garland Jeffreys, Chris Thomas King, Cassandra Wilson, Nick Cave, Los Lobos, Eagle Eye Cherry, Vernon Reid, James "Blood" Ulmer, Lou Reed, Bonnie Raitt, Marc Ribot, The Jon Spencer Blues Explosion, Lucinda Williams and T-Bone Burnett.
Self
We are taken though the principal milestones of Hopper's biography, including his debut start in Hollywood, the meeting with James Dean and the influence he played upon him, his insubordination on sets and conflicts with the Hollywood directors which led to his black-listing, the years in New, the making of 'Easy Rider' (with an interesting connection of the ultimate road movie with the French new wave directors), 'Apocalypse Now', 'Blue Velvet', 'Colors', his fight with dependency on drugs and alcohol. We come to know Hopper as a complex artist, a valuable photographer who had always a camera on him and whose portraits or American life shots figure among the best in the genre, but also a rebel painter (who may still be rediscovered and become famous in posterity) and exquisite art collector.
Director
Wim Wenders has directed a The Other Side of the Road, a 6-minute filmmercial for the introduction of the Audi A3. Some grungy couple, a sleek couple, a lot of desert driving, cleverly placed signs with the ad agency’s slogans: admire me, push me, love me, etc.
Producer
JUNIMOND tells the tragic-romantic story of Paul and Nele, two loners who rediscover a lost faith in the power of love. The two of them have nothing to lose and risk everything...
Self
Though he never actually worked in Hollywood, Rainer Werner Fassbinder, who died in 1982 at the age of 36, was influenced greatly by Amercian studio films of the 1950s and the convention of melodrama (the link most often mentioned is Douglas Sirk).
Writer
Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. Fifteen celebrated film-makers were invited to create their own vision of what time means in ten minutes of film.
Director
Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. Fifteen celebrated film-makers were invited to create their own vision of what time means in ten minutes of film.
Writer
Documentary about the rock group BAP from Cologne in Germany.
Director
Documentary about the rock group BAP from Cologne in Germany.
Doctor #1
"Twelve Miles to Trona” finds Wim Wenders back in his early road movie mode with a visually revved-up story about a young man who has unwittingly overdosed on drug-laced cookies and is trying to get to a hospital before they take their full, heart-racing effect. Included in the omnibus movie "Ten MInutes Older: The Trumpet"
Writer
"Twelve Miles to Trona” finds Wim Wenders back in his early road movie mode with a visually revved-up story about a young man who has unwittingly overdosed on drug-laced cookies and is trying to get to a hospital before they take their full, heart-racing effect. Included in the omnibus movie "Ten MInutes Older: The Trumpet"
Director
"Twelve Miles to Trona” finds Wim Wenders back in his early road movie mode with a visually revved-up story about a young man who has unwittingly overdosed on drug-laced cookies and is trying to get to a hospital before they take their full, heart-racing effect. Included in the omnibus movie "Ten MInutes Older: The Trumpet"
Self
Dezenove pessoas com diferentes graus de deficiência visual, da miopia discreta à cegueira total, falam como se veem, como veem os outros e como percebem o mundo. O escritor José Saramago, o músico Hermeto Paschoal, o cineasta Wim Wenders, entre outros, fazem revelações pessoais e inesperadas sobre vários aspectos relativos à visão.
Producer
O filho de um bilionário morre num hotel decadente e um agente federal (Mel Gibson) chega para virar do avesso as vidas dos hóspedes, no intuito de descobrir se a morte foi suicídio ou assassinato.
Director
O filho de um bilionário morre num hotel decadente e um agente federal (Mel Gibson) chega para virar do avesso as vidas dos hóspedes, no intuito de descobrir se a morte foi suicídio ou assassinato.
himself
Marie Berthelius and Roger Narbonne conference call Lars von Trier, Win Wenders, Lone Scherfig, and Jean-Marc Barr and are also linked by digital video. The discussion is about the Dogme 95 film movement and how technological transformations affect cinematic practice.
Screenplay
Ry Cooder viaja até Havana para reunir e tirar da aposentadoria músicos cubanos idosos, que tiveram seu talento esquecido após a tomada de poder de Castro. Isso resultou em apresentações triunfantes de músicas extraordinárias, revivendo as carreiras dos músicos.
Director
Ry Cooder viaja até Havana para reunir e tirar da aposentadoria músicos cubanos idosos, que tiveram seu talento esquecido após a tomada de poder de Castro. Isso resultou em apresentações triunfantes de músicas extraordinárias, revivendo as carreiras dos músicos.
Self
Screenplay
Seth é um anjo que vaga pela Terra consolando aqueles que estão com problemas. Maggie é uma cirurgiã prática e racional que se abala ao perder um paciente, aparentemente, sem motivo algum. No fundo de seu coração, ela sente a presença de algo divino, mas se recusa a acreditar em qualquer coisa que não pode explicar logicamente. Até que a força do destino une Maggie e Seth em um amor poderoso e irresistível. Um amor tão forte que faz com que Seth abra mão da sua imortalidade, enquanto Maggie abre seu coração aos mistérios da vida.
Producer
Mike Max is a Hollywood producer who became powerful and rich thanks to brutal and bloody action films. His ignored wife Paige is close to leaving him. Suddenly Mike is kidnapped by two bandits, but escapes and hides out with his Mexican gardener's family for a while. At the same time, surveillance expert Ray Bering is looking for what happens in the city, but it is not clear what he wants. The police investigation for Max's disappearance is led by detective Doc Block, who falls in love with actress Cat who is playing in ongoing Max's production.
Story
Mike Max is a Hollywood producer who became powerful and rich thanks to brutal and bloody action films. His ignored wife Paige is close to leaving him. Suddenly Mike is kidnapped by two bandits, but escapes and hides out with his Mexican gardener's family for a while. At the same time, surveillance expert Ray Bering is looking for what happens in the city, but it is not clear what he wants. The police investigation for Max's disappearance is led by detective Doc Block, who falls in love with actress Cat who is playing in ongoing Max's production.
Director
Mike Max is a Hollywood producer who became powerful and rich thanks to brutal and bloody action films. His ignored wife Paige is close to leaving him. Suddenly Mike is kidnapped by two bandits, but escapes and hides out with his Mexican gardener's family for a while. At the same time, surveillance expert Ray Bering is looking for what happens in the city, but it is not clear what he wants. The police investigation for Max's disappearance is led by detective Doc Block, who falls in love with actress Cat who is playing in ongoing Max's production.
Self
Various Hollywood people talk about love.
Director
40 international directors were asked to make a short film using the original Cinematographe invented by the Lumière Brothers, working under conditions similar to those of 1895. There were three rules: (1) The film could be no longer than 52 seconds, (2) no synchronized sound was permitted, and (3) no more than three takes.
Producer
Essa é a história de Gertrud, a menina que foi testemunha do nascimento do cinema, já que era filha de um dos irmãos Skladanowsky, inventores do bioscópio, a primeira versão do projetor de filmes.
Com bom-humor e paixão, Wim Wenders resgata de forma carinhosa as muitas experiências com as imagens de Max e Emil, que se dedicaram de corpo e alma àquela forma de arte até então desconhecida.
Regisseur / Milchmann
Essa é a história de Gertrud, a menina que foi testemunha do nascimento do cinema, já que era filha de um dos irmãos Skladanowsky, inventores do bioscópio, a primeira versão do projetor de filmes.
Com bom-humor e paixão, Wim Wenders resgata de forma carinhosa as muitas experiências com as imagens de Max e Emil, que se dedicaram de corpo e alma àquela forma de arte até então desconhecida.
Writer
Essa é a história de Gertrud, a menina que foi testemunha do nascimento do cinema, já que era filha de um dos irmãos Skladanowsky, inventores do bioscópio, a primeira versão do projetor de filmes.
Com bom-humor e paixão, Wim Wenders resgata de forma carinhosa as muitas experiências com as imagens de Max e Emil, que se dedicaram de corpo e alma àquela forma de arte até então desconhecida.
Director
Essa é a história de Gertrud, a menina que foi testemunha do nascimento do cinema, já que era filha de um dos irmãos Skladanowsky, inventores do bioscópio, a primeira versão do projetor de filmes.
Com bom-humor e paixão, Wim Wenders resgata de forma carinhosa as muitas experiências com as imagens de Max e Emil, que se dedicaram de corpo e alma àquela forma de arte até então desconhecida.
Writer
Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, invites to an inner travel, as Antonioni says "towards the true image of that absolute and mysterious reality that nobody will ever see".
Director
Made of four short tales, linked by a story filmed by Wim Wenders. Taking place in Ferrara, Portofino, Aix en Provence and Paris, each story, which always a woman as the crux of the story, invites to an inner travel, as Antonioni says "towards the true image of that absolute and mysterious reality that nobody will ever see".
Self
A meditation on the first 100 years of German cinema, featuring some of its greatest directors.
Producer
Debaixo de um monte de cartas está um lacónico, porém imperativo, telegrama: o engenheiro de som Philip Winter tem que viajar até Lisboa para ajudar o seu amigo Friedrich Monroe, que está a rodar um filme naquela cidade. Com um pé engessado, Winter atravessa a Europa de norte a sul até chegar à capital portuguesa, só que já é um pouco tarde demais: Friedrich desapareceu. Na grande casa onde vivia, o realizador não deixou mais do que uma película inacabada, imagens sem som recolhidas nas ruas de Lisboa com uma velha câmera de filmar, como a de Buster Keaton em "The Cameraman". Pacientemente, Winter decide pôr o som nas imagens: encantado com a cidade, deambula pelas ruas de microfone na mão, atrás das filmagens do amigo.
Screenplay
Debaixo de um monte de cartas está um lacónico, porém imperativo, telegrama: o engenheiro de som Philip Winter tem que viajar até Lisboa para ajudar o seu amigo Friedrich Monroe, que está a rodar um filme naquela cidade. Com um pé engessado, Winter atravessa a Europa de norte a sul até chegar à capital portuguesa, só que já é um pouco tarde demais: Friedrich desapareceu. Na grande casa onde vivia, o realizador não deixou mais do que uma película inacabada, imagens sem som recolhidas nas ruas de Lisboa com uma velha câmera de filmar, como a de Buster Keaton em "The Cameraman". Pacientemente, Winter decide pôr o som nas imagens: encantado com a cidade, deambula pelas ruas de microfone na mão, atrás das filmagens do amigo.
Director
Debaixo de um monte de cartas está um lacónico, porém imperativo, telegrama: o engenheiro de som Philip Winter tem que viajar até Lisboa para ajudar o seu amigo Friedrich Monroe, que está a rodar um filme naquela cidade. Com um pé engessado, Winter atravessa a Europa de norte a sul até chegar à capital portuguesa, só que já é um pouco tarde demais: Friedrich desapareceu. Na grande casa onde vivia, o realizador não deixou mais do que uma película inacabada, imagens sem som recolhidas nas ruas de Lisboa com uma velha câmera de filmar, como a de Buster Keaton em "The Cameraman". Pacientemente, Winter decide pôr o som nas imagens: encantado com a cidade, deambula pelas ruas de microfone na mão, atrás das filmagens do amigo.
Documentary feature about German actor Heinz Rühmann made shortly before his death in 1994.
Self
A 1993 portrait of rock singer and poet Nick Cave, a versatile artist who gained importance over the years. Jacobson also wrote the scenario that was built around a long conversation with the singer. From Australia and his work with the Birthday Party to his current city, Berlin, with The Bad Seeds.
Writer
“The bear leaves Berlin. It is fed up with its city. On the way two Russian ladies, Anna and her daughter Arisha, hire him as a driver. They are joined by a Santa Claus who despises Christmas and a Vietnamese family who are on their way to the sea. They sing a song together, The Weeping Song by Nick Cave. And they are out to find a stone ring that is buried on the beach.
The film was commissioned by a Japanese car museum. There you could see the film with six smells (!), sitting on car seats that would tilt in corners and shake on cobble stone pavement.
This small film saved a big one’s life: FARAWAY, SO CLOSE! could not have been finished for financial reasons if this opportunity to make a short film with the same team had not arisen. That is how we financed the last week of shooting FARAWAY, SO CLOSE!.”
Santa Claus
“The bear leaves Berlin. It is fed up with its city. On the way two Russian ladies, Anna and her daughter Arisha, hire him as a driver. They are joined by a Santa Claus who despises Christmas and a Vietnamese family who are on their way to the sea. They sing a song together, The Weeping Song by Nick Cave. And they are out to find a stone ring that is buried on the beach.
The film was commissioned by a Japanese car museum. There you could see the film with six smells (!), sitting on car seats that would tilt in corners and shake on cobble stone pavement.
This small film saved a big one’s life: FARAWAY, SO CLOSE! could not have been finished for financial reasons if this opportunity to make a short film with the same team had not arisen. That is how we financed the last week of shooting FARAWAY, SO CLOSE!.”
Director
“The bear leaves Berlin. It is fed up with its city. On the way two Russian ladies, Anna and her daughter Arisha, hire him as a driver. They are joined by a Santa Claus who despises Christmas and a Vietnamese family who are on their way to the sea. They sing a song together, The Weeping Song by Nick Cave. And they are out to find a stone ring that is buried on the beach.
The film was commissioned by a Japanese car museum. There you could see the film with six smells (!), sitting on car seats that would tilt in corners and shake on cobble stone pavement.
This small film saved a big one’s life: FARAWAY, SO CLOSE! could not have been finished for financial reasons if this opportunity to make a short film with the same team had not arisen. That is how we financed the last week of shooting FARAWAY, SO CLOSE!.”
Self
A tribute to the legendary Japanese film director featuring the reflections of filmmakers Lindsay Anderson, Claire Denis, Hou Hsiao-hsien, Aki Kaurismäki, Stanley Kwan, Paul Schrader, and Wim Wenders
Producer
Esta sequência de Asas do Desejo de Wenders acompanha novamente um grupo de anjos que observam saudosamente a vida humana. Feito seis anos mais tarde, Berlim é um lugar muito diferente do filme anterior: unificada no papel, mas governada pelo crime, pela corrupção e pelos americanos.
Screenplay
Esta sequência de Asas do Desejo de Wenders acompanha novamente um grupo de anjos que observam saudosamente a vida humana. Feito seis anos mais tarde, Berlim é um lugar muito diferente do filme anterior: unificada no papel, mas governada pelo crime, pela corrupção e pelos americanos.
Director
Esta sequência de Asas do Desejo de Wenders acompanha novamente um grupo de anjos que observam saudosamente a vida humana. Feito seis anos mais tarde, Berlim é um lugar muito diferente do filme anterior: unificada no papel, mas governada pelo crime, pela corrupção e pelos americanos.
Co-Producer
Até o fim do mundo é uma odisséia para a era moderna. Como na Odisséia de Homero, o objetivo da jornada é restaurar a visão - uma reconciliação espiritual entre um pai obcecado e um filho. Farber, ao tentar encontrar uma cura para a cegueira de sua esposa, criou um dispositivo que permite ao usuário enviar imagens diretamente para o cérebro, permitindo que os cegos vejam.
Story
Até o fim do mundo é uma odisséia para a era moderna. Como na Odisséia de Homero, o objetivo da jornada é restaurar a visão - uma reconciliação espiritual entre um pai obcecado e um filho. Farber, ao tentar encontrar uma cura para a cegueira de sua esposa, criou um dispositivo que permite ao usuário enviar imagens diretamente para o cérebro, permitindo que os cegos vejam.
Screenplay
Até o fim do mundo é uma odisséia para a era moderna. Como na Odisséia de Homero, o objetivo da jornada é restaurar a visão - uma reconciliação espiritual entre um pai obcecado e um filho. Farber, ao tentar encontrar uma cura para a cegueira de sua esposa, criou um dispositivo que permite ao usuário enviar imagens diretamente para o cérebro, permitindo que os cegos vejam.
Director
Até o fim do mundo é uma odisséia para a era moderna. Como na Odisséia de Homero, o objetivo da jornada é restaurar a visão - uma reconciliação espiritual entre um pai obcecado e um filho. Farber, ao tentar encontrar uma cura para a cegueira de sua esposa, criou um dispositivo que permite ao usuário enviar imagens diretamente para o cérebro, permitindo que os cegos vejam.
Self
A documentary which follows director Wim Wenders and Sean Naughton, the high-definition-video designer on UNTIL THE END OF THE WORLD, in Tokyo, and details the creation of the film’s groundbreaking high-definition sequences.
Director
This music special is dedicated to dispelling the prejudices associated with the HIV infection and raising money for AIDS research and relief. Some of today's most celebrated recording artists performing their interpretations of the classic songs of Cole Porter.
Self
Though very polite and British, this feature-length documentary about German filmmaker Wim Wenders offers the most penetrating insights and the best overall critique of his work that I have encountered anywhere. Paul Joyce, who directed it, has also made documentaries about Nicolas Roeg, David Cronenberg, Nagisa Oshima, and Dennis Hopper, and he knows the conventional format well enough to get the most out of it. There are good clips and interesting commentaries from the interviewed subjects, who include Wenders himself, cinematographer Robby Muller, filmmaker Sam Fuller, novelist Patricia Highsmith, musician Ry Cooder, actors Harry Dean Stanton, Peter Falk, and Hanns Zischler, and critic Kraft Wetzel, who is especially provocative. A must-see for Wenders fans, highly recommended for everyone else. –Jonathan Rosenbaum, 1989
Self
Documentary about the making of Wim Wenders' 1984 film, with interviews conducted in 1989.
Director of Photography
Encomendado pelo Centro Georges Pompidou para fazer um filme sobre a relação entre moda e cinema, Wenders escolheu o designer japonês Yohji Yamamoto como seu tema. O filme é uma investigação sobre a linguagem mutável do cinema de Wenders e a linguagem mutável da moda de Yamamoto.
Producer
Encomendado pelo Centro Georges Pompidou para fazer um filme sobre a relação entre moda e cinema, Wenders escolheu o designer japonês Yohji Yamamoto como seu tema. O filme é uma investigação sobre a linguagem mutável do cinema de Wenders e a linguagem mutável da moda de Yamamoto.
Writer
Encomendado pelo Centro Georges Pompidou para fazer um filme sobre a relação entre moda e cinema, Wenders escolheu o designer japonês Yohji Yamamoto como seu tema. O filme é uma investigação sobre a linguagem mutável do cinema de Wenders e a linguagem mutável da moda de Yamamoto.
Self
Encomendado pelo Centro Georges Pompidou para fazer um filme sobre a relação entre moda e cinema, Wenders escolheu o designer japonês Yohji Yamamoto como seu tema. O filme é uma investigação sobre a linguagem mutável do cinema de Wenders e a linguagem mutável da moda de Yamamoto.
Director
Encomendado pelo Centro Georges Pompidou para fazer um filme sobre a relação entre moda e cinema, Wenders escolheu o designer japonês Yohji Yamamoto como seu tema. O filme é uma investigação sobre a linguagem mutável do cinema de Wenders e a linguagem mutável da moda de Yamamoto.
Self
An episode of the show "Océaniques " about the craft and lighting techniques of the legendary French cinematographer Henri Alekan
Gas Station Attendant
Alex is a Finnish taxi driver in Berlin. One evening pits two men feel comfortable in his taxi with a briefcase full of money, but unfortunately for Alex's money stolen and a group of gangsters are at the nape of the two. Soon it comes to shooting, and when the two men being killed, is good advice costly for the beleaguered driver. "Helsinki Napoli All Night Long" is Mika Kaurismäki's first major European production. The film features a host of famous names in the cast: The legendary film director Samuel Fuller (The Big Red One), actor Eddie Constantine (Alphaville, Europe), cult directors Wim Wenders (Paris, Texas) and Jim Jarmusch (Dead Man).
Screenplay
Um anjo que observa a cidade dividida de Berlim deseja se tornar um humano mortal quando se apaixona por uma bela trapezista francesa.
Producer
Um anjo que observa a cidade dividida de Berlim deseja se tornar um humano mortal quando se apaixona por uma bela trapezista francesa.
Director
Um anjo que observa a cidade dividida de Berlim deseja se tornar um humano mortal quando se apaixona por uma bela trapezista francesa.
Regisseur
Berlin Film Fest 1984. The best place for every cinema fan. Everyone wants to be in on the festival, but that may be really difficult, if one has no accreditation. Also Journalist Matthies gets to know the rules of being in or out when he wants to see a screening and is not welcome. Thus he watches an old German silent flick which he is barely interested in. The next day the newspapers are full of reports about a newly discovered German masterpiece from the silent era. It seems that Matthies had luck. He just saw *the* film everybody is talking about now. Also everybody is speculating about its director, who remains unknown. When Matthies talks to Ackrewa, an old befriended projectionist, about the film, the latter seems to recall the name of the director. Matthies decides to research the case. An odyssey into film-history begins and if it is successful Matthies will come up with a top story.
Editor
O diretor alemão Wim Wenders viaja até o Japão para explorar o mundo de um de seus “mestres” do cinema, o célebre diretor japonês Yasujiro Ozu. Ele nos apresenta suas próprias visões sobre o país, alternando com encontros e entrevistas a colegas de trabalho e ao elenco dos filmes de Ozu.
Producer
O diretor alemão Wim Wenders viaja até o Japão para explorar o mundo de um de seus “mestres” do cinema, o célebre diretor japonês Yasujiro Ozu. Ele nos apresenta suas próprias visões sobre o país, alternando com encontros e entrevistas a colegas de trabalho e ao elenco dos filmes de Ozu.
Writer
O diretor alemão Wim Wenders viaja até o Japão para explorar o mundo de um de seus “mestres” do cinema, o célebre diretor japonês Yasujiro Ozu. Ele nos apresenta suas próprias visões sobre o país, alternando com encontros e entrevistas a colegas de trabalho e ao elenco dos filmes de Ozu.
Director
O diretor alemão Wim Wenders viaja até o Japão para explorar o mundo de um de seus “mestres” do cinema, o célebre diretor japonês Yasujiro Ozu. Ele nos apresenta suas próprias visões sobre o país, alternando com encontros e entrevistas a colegas de trabalho e ao elenco dos filmes de Ozu.
“It may be worse than Portugal,” observes cinematographer Henri Alekan about a Los Angeles film lab while on the set of Wim Wenders’ The State of Things (1984). A legendary production and a transitional work for the New German Cinema director as his work became increasingly international, Wenders set out to make a film about filmmaking as funding stalled on the American production of Hammett. The State of Things deals with American and European sensibilities about cinema, and he enlisted Lachman to film and document the film being made in Los Angeles. Made for German television, completed in 1985 and unseen outside of Germany, Lachman’s portrait of Wenders at work features striking filmmaking and location photography of Los Angeles in the 1980s, and serves as a candid glimpse into European encounters with American culture at the time.
Producer
Travis Henderson, um vagabundo sem objetivo que está desaparecido há quatro anos, vagueia pelo deserto fora e tem de voltar a estabelecer laços com a sociedade, ele mesmo, a sua vida e a sua família.
Director
Travis Henderson, um vagabundo sem objetivo que está desaparecido há quatro anos, vagueia pelo deserto fora e tem de voltar a estabelecer laços com a sociedade, ele mesmo, a sua vida e a sua família.
Dieb im Videoladen
Producer
A short by and about Wim Wenders -- his life, work, thoughts, America, cinema.
Writer
A short by and about Wim Wenders -- his life, work, thoughts, America, cinema.
Self
A short by and about Wim Wenders -- his life, work, thoughts, America, cinema.
Director
A short by and about Wim Wenders -- his life, work, thoughts, America, cinema.
Director
O ex-detetive Dashiell Hammett é procurado por um antigo colega de trabalho para investigar o desaparecimento de uma garota chinesa. De volta às ruas, ele descobre uma perigosa rede de corrupção.
N°212
Reel 22 of Gérard Courant’s on-going Cinematon series.
Producer
Durante o 35º Festival de Cannes em 1982, Wim Wenders pediu a vários diretores de cinema para entrar em um quarto de hotel, um de cada vez. Uma vez lá dentro, eles deveriam responder a uma única pergunta na frente da câmera: “Qual é o futuro do cinema?”
Self
Durante o 35º Festival de Cannes em 1982, Wim Wenders pediu a vários diretores de cinema para entrar em um quarto de hotel, um de cada vez. Uma vez lá dentro, eles deveriam responder a uma única pergunta na frente da câmera: “Qual é o futuro do cinema?”
Writer
Durante o 35º Festival de Cannes em 1982, Wim Wenders pediu a vários diretores de cinema para entrar em um quarto de hotel, um de cada vez. Uma vez lá dentro, eles deveriam responder a uma única pergunta na frente da câmera: “Qual é o futuro do cinema?”
Director
Durante o 35º Festival de Cannes em 1982, Wim Wenders pediu a vários diretores de cinema para entrar em um quarto de hotel, um de cada vez. Uma vez lá dentro, eles deveriam responder a uma única pergunta na frente da câmera: “Qual é o futuro do cinema?”
Tram Passenger
Leão de Ouro em Veneza/1983, "O Estado das Coisas" foi dirigido por Wender durante um hiato na produção de "Hammett", que ele estava filmando nos EUA. Uma equipe cinematográfica está em Portugal para realizar um remake de um clássico de sci-fi americano, "The Most Dangerous Man Alive". A produção é paralisada quando o produtor Gordon vai a Los Angeles apresentar o copião das primeiras cenas e solicitar mais verba aos seus investidores. Como Gordon não retorna, Fritz, o diretor, decide ir procurá-lo nos EUA. Mas o produtor é agora um homem mudado: vive escondido, temendo a chegada de um suposto assassino. Fritz, a princípio, pensa que aquilo não passa de um delírio paranoico de Gordon, mas muda de ideia quando a vida de ambos se transforma numa absurda trama de filme B.
Writer
Leão de Ouro em Veneza/1983, "O Estado das Coisas" foi dirigido por Wender durante um hiato na produção de "Hammett", que ele estava filmando nos EUA. Uma equipe cinematográfica está em Portugal para realizar um remake de um clássico de sci-fi americano, "The Most Dangerous Man Alive". A produção é paralisada quando o produtor Gordon vai a Los Angeles apresentar o copião das primeiras cenas e solicitar mais verba aos seus investidores. Como Gordon não retorna, Fritz, o diretor, decide ir procurá-lo nos EUA. Mas o produtor é agora um homem mudado: vive escondido, temendo a chegada de um suposto assassino. Fritz, a princípio, pensa que aquilo não passa de um delírio paranoico de Gordon, mas muda de ideia quando a vida de ambos se transforma numa absurda trama de filme B.
Director
Leão de Ouro em Veneza/1983, "O Estado das Coisas" foi dirigido por Wender durante um hiato na produção de "Hammett", que ele estava filmando nos EUA. Uma equipe cinematográfica está em Portugal para realizar um remake de um clássico de sci-fi americano, "The Most Dangerous Man Alive". A produção é paralisada quando o produtor Gordon vai a Los Angeles apresentar o copião das primeiras cenas e solicitar mais verba aos seus investidores. Como Gordon não retorna, Fritz, o diretor, decide ir procurá-lo nos EUA. Mas o produtor é agora um homem mudado: vive escondido, temendo a chegada de um suposto assassino. Fritz, a princípio, pensa que aquilo não passa de um delírio paranoico de Gordon, mas muda de ideia quando a vida de ambos se transforma numa absurda trama de filme B.
Editor
Director 'Nicholas Ray' is eager to complete a final film before his imminent death from cancer. Wim Wenders is working on his own film Hammett (1983) in Hollywood, but flies to New York to help Ray realize his final wish. Ray's original intent is to make a fiction film about a dying painter who sails to China to find a cure for his disease. He and Wenders discuss this idea, but it is obviously unrealistic given Ray's state of health.
Producer
Director 'Nicholas Ray' is eager to complete a final film before his imminent death from cancer. Wim Wenders is working on his own film Hammett (1983) in Hollywood, but flies to New York to help Ray realize his final wish. Ray's original intent is to make a fiction film about a dying painter who sails to China to find a cure for his disease. He and Wenders discuss this idea, but it is obviously unrealistic given Ray's state of health.
Self
Director 'Nicholas Ray' is eager to complete a final film before his imminent death from cancer. Wim Wenders is working on his own film Hammett (1983) in Hollywood, but flies to New York to help Ray realize his final wish. Ray's original intent is to make a fiction film about a dying painter who sails to China to find a cure for his disease. He and Wenders discuss this idea, but it is obviously unrealistic given Ray's state of health.
Writer
Director 'Nicholas Ray' is eager to complete a final film before his imminent death from cancer. Wim Wenders is working on his own film Hammett (1983) in Hollywood, but flies to New York to help Ray realize his final wish. Ray's original intent is to make a fiction film about a dying painter who sails to China to find a cure for his disease. He and Wenders discuss this idea, but it is obviously unrealistic given Ray's state of health.
Director
Director 'Nicholas Ray' is eager to complete a final film before his imminent death from cancer. Wim Wenders is working on his own film Hammett (1983) in Hollywood, but flies to New York to help Ray realize his final wish. Ray's original intent is to make a fiction film about a dying painter who sails to China to find a cure for his disease. He and Wenders discuss this idea, but it is obviously unrealistic given Ray's state of health.
Associate Producer
Set in 1970s Britain, a man drives from London to Bristol to investigate his brother's death. The purpose of his trip is offset by his encounters with a series of odd people.
N°212
Cinématon is a 156-hour long experimental film by French director Gérard Courant. It was the longest film ever released until 2011. Composed over 36 years from 1978 until 2006, it consists of a series of over 2,821 silent vignettes (cinématons), each 3 minutes and 25 seconds long, of various celebrities, artists, journalists and friends of the director, each doing whatever they want for the allotted time. Subjects of the film include directors Barbet Schroeder, Nagisa Oshima, Volker Schlöndorff, Ken Loach, Benjamin Cuq, Youssef Chahine, Wim Wenders, Joseph Losey, Jean-Luc Godard, Samuel Fuller and Terry Gilliam, chess grandmaster Joël Lautier, and actors Roberto Benigni, Stéphane Audran, Julie Delpy and Lesley Chatterley. Gilliam is featured eating a 100-franc note, while Fuller smokes a cigar. Courant's favourite subject was a 7-month-old baby. The film was screened in its then-entirety in Avignon in November 2009 and was screened in Redondo Beach, CA on April 9, 2010.
Another Director
A budding Scottish film producer tries to get his ambitious Aberdeen-set western financed, and while he attracts some major stars and directors to the film he finds that with their support come more and more script changes... Filmed around the 1977 Edinburgh Film Festival, Long Shot is a deadpan satire about the trials and tribulations of British independent filmmaking, with terrific cameos from Wim Wenders, Susannah York, Stephen Frears, Alan Bennett and John Boorman.
Producer
A viagem solitária de uma mulher após decidir separar-se do marido, ficando sozinha em casa com o seu pequeno filho. O filme descreve a sua redescoberta do mundo, entre o silêncio da solidão e a liberdade de uma nova independência.
Figure Wrapped in Plaster Bandages in Ambulance (uncredited)
O moldurista Jonathan Zimmerman sofre de uma doença fatal. Ao cruzar o caminho de Tom Ripley, traficante de obras de arte falsificadas, ele é arrastado para o mundo do crime. Zimmerman recebe a oferta de matar em troca de dinheiro, o que asseguraria o bem-estar de sua família após a sua morte.
Producer
O moldurista Jonathan Zimmerman sofre de uma doença fatal. Ao cruzar o caminho de Tom Ripley, traficante de obras de arte falsificadas, ele é arrastado para o mundo do crime. Zimmerman recebe a oferta de matar em troca de dinheiro, o que asseguraria o bem-estar de sua família após a sua morte.
Screenplay
O moldurista Jonathan Zimmerman sofre de uma doença fatal. Ao cruzar o caminho de Tom Ripley, traficante de obras de arte falsificadas, ele é arrastado para o mundo do crime. Zimmerman recebe a oferta de matar em troca de dinheiro, o que asseguraria o bem-estar de sua família após a sua morte.
Director
O moldurista Jonathan Zimmerman sofre de uma doença fatal. Ao cruzar o caminho de Tom Ripley, traficante de obras de arte falsificadas, ele é arrastado para o mundo do crime. Zimmerman recebe a oferta de matar em troca de dinheiro, o que asseguraria o bem-estar de sua família após a sua morte.
Self
BBC documentary about the rise of the New German Cinema and several of its most important figures.
Screenplay
Um reparador itinerante de projetores de filmes salva a vida de um psicólogo deprimido que tentou se matar. Eles acabam viajando juntos de um cinema rural alemão para outro. Os dois se unem na sua solidão compartilhada, cada um fugindo do seu passado.
Producer
Um reparador itinerante de projetores de filmes salva a vida de um psicólogo deprimido que tentou se matar. Eles acabam viajando juntos de um cinema rural alemão para outro. Os dois se unem na sua solidão compartilhada, cada um fugindo do seu passado.
Director
Um reparador itinerante de projetores de filmes salva a vida de um psicólogo deprimido que tentou se matar. Eles acabam viajando juntos de um cinema rural alemão para outro. Os dois se unem na sua solidão compartilhada, cada um fugindo do seu passado.
Spectator at Pauline's Theater (uncredited)
Um reparador itinerante de projetores de filmes salva a vida de um psicólogo deprimido que tentou se matar. Eles acabam viajando juntos de um cinema rural alemão para outro. Os dois se unem na sua solidão compartilhada, cada um fugindo do seu passado.
Producer
O guarda-redes Josef Bloch é expulso de um jogo após cometer uma falta, num jogo fora de casa. Depois disso, vagueia pela cidade desconhecida, passa a noite com a funcionária de um cinema e estrangula-a na manhã seguinte. Em vez de fugir ou entregar-se à polícia, Bloch refugia-se na casa da ex-namorada, e espera que a polícia venha prendê-lo.
Writer
O guarda-redes Josef Bloch é expulso de um jogo após cometer uma falta, num jogo fora de casa. Depois disso, vagueia pela cidade desconhecida, passa a noite com a funcionária de um cinema e estrangula-a na manhã seguinte. Em vez de fugir ou entregar-se à polícia, Bloch refugia-se na casa da ex-namorada, e espera que a polícia venha prendê-lo.
Man Walking through Vienna Bus Station (uncredited)
O guarda-redes Josef Bloch é expulso de um jogo após cometer uma falta, num jogo fora de casa. Depois disso, vagueia pela cidade desconhecida, passa a noite com a funcionária de um cinema e estrangula-a na manhã seguinte. Em vez de fugir ou entregar-se à polícia, Bloch refugia-se na casa da ex-namorada, e espera que a polícia venha prendê-lo.
Director
O guarda-redes Josef Bloch é expulso de um jogo após cometer uma falta, num jogo fora de casa. Depois disso, vagueia pela cidade desconhecida, passa a noite com a funcionária de um cinema e estrangula-a na manhã seguinte. Em vez de fugir ou entregar-se à polícia, Bloch refugia-se na casa da ex-namorada, e espera que a polícia venha prendê-lo.
Man in Dining Car (uncredited)
Baseado em Goethe, o filme descreve seis dias na vida de Wilhelm. No vagão de um trem ele encontra desde um atleta que participou das Olimpíadas de 1936, uma atriz, até interromper o suicídio de um passageiro. Estréia no cinema de Nastassja Kinski.
Producer
Baseado em Goethe, o filme descreve seis dias na vida de Wilhelm. No vagão de um trem ele encontra desde um atleta que participou das Olimpíadas de 1936, uma atriz, até interromper o suicídio de um passageiro. Estréia no cinema de Nastassja Kinski.
Director
Baseado em Goethe, o filme descreve seis dias na vida de Wilhelm. No vagão de um trem ele encontra desde um atleta que participou das Olimpíadas de 1936, uma atriz, até interromper o suicídio de um passageiro. Estréia no cinema de Nastassja Kinski.
Director
A commissioned work for a television series on WDR, A House for Us. FROM THE FAMILY OF REPTILES and THE ISLAND are a complete program in two episodes.
Monika manages to convince Mr. and Mrs. Hagedorn that their daughter is not mischievous or insidious but that her parents should consult a Psychotherapist with her. But as usual all the therapists are booked out and have a long waiting list for patients. So Ute is left alone once more with her helpless parents and she is more and more drawn to the zoo and her beloved crocodiles. Thanks to Monika’s sense of responsibility and her commitment, Ute manages to break free from her isolation.
Director
A commissioned work for a television series on WDR, A House for Us. FROM THE FAMILY OF REPTILES and THE ISLAND are a complete program in two episodes. After all with Michael Ballhaus as the cinematographer.
Ute (Katja Wulff), an 8 year old girl, constantly runs away from home and the youth center to escape into her own world. She spends many hours at the zoo and especially in front of the crocodil compound. Monika Brehm (Lisa Kreuzer), the kindergarten teacher, tries to find an entrance into Ute’s world. She realizes that her escapes are a form of withdrawal from her parents and the grown up world.
Man by Jukebox in American Cafe (uncredited)
Depois de conhecer uma misteriosa americana, o correspondente alemão Phillip aceita com relutância a custódia temporária da pequena Alice. A amizade dos dois cresce enquanto viajam por várias cidades europeias em busca da avó da criança.
Producer
Depois de conhecer uma misteriosa americana, o correspondente alemão Phillip aceita com relutância a custódia temporária da pequena Alice. A amizade dos dois cresce enquanto viajam por várias cidades europeias em busca da avó da criança.
Screenplay
Depois de conhecer uma misteriosa americana, o correspondente alemão Phillip aceita com relutância a custódia temporária da pequena Alice. A amizade dos dois cresce enquanto viajam por várias cidades europeias em busca da avó da criança.
Director
Depois de conhecer uma misteriosa americana, o correspondente alemão Phillip aceita com relutância a custódia temporária da pequena Alice. A amizade dos dois cresce enquanto viajam por várias cidades europeias em busca da avó da criança.
Producer
Na pequena cidade de Salem, no século XVII, Hester Prynne acaba de ter um bebê. A criança é fruto de um relacionamento fora de seu casamento. Castigada pelas autoridades locais, Hester é obrigada a usar, costurada em suas vestes, a letra A em tom escarlate para que todos vejam a sua vergonha.
Writer
Na pequena cidade de Salem, no século XVII, Hester Prynne acaba de ter um bebê. A criança é fruto de um relacionamento fora de seu casamento. Castigada pelas autoridades locais, Hester é obrigada a usar, costurada em suas vestes, a letra A em tom escarlate para que todos vejam a sua vergonha.
Director
Na pequena cidade de Salem, no século XVII, Hester Prynne acaba de ter um bebê. A criança é fruto de um relacionamento fora de seu casamento. Castigada pelas autoridades locais, Hester é obrigada a usar, costurada em suas vestes, a letra A em tom escarlate para que todos vejam a sua vergonha.
Billardspieler (uncredited)
Libertado da prisão, um homem vaga por uma nova realidade.
Producer
Libertado da prisão, um homem vaga por uma nova realidade.
Writer
Libertado da prisão, um homem vaga por uma nova realidade.
Director
Libertado da prisão, um homem vaga por uma nova realidade.
Editor
Another short was 3 American LPs, which was the first film I did with Peter Handke. It was a film about American music, about three pieces of three LPs. There was a song by Van Morrison, another by Harvey Mandel, and one of Credence Clearwater Revival. It was mainly the music and some shots out of a car, landscapes out of the car window. And it had a little bit of commentary – dialogue between Peter and me about American music and about how American rock music was about emotion and images instead of sounds. That is to say, about a kind of phenomenon, that it was in a way a kind of film music, but without a moving picture. It was a 12-minute film and it was never shown. – Wim Wenders
Another short was 3 American LPs, which was the first film I did with Peter Handke. It was a film about American music, about three pieces of three LPs. There was a song by Van Morrison, another by Harvey Mandel, and one of Credence Clearwater Revival. It was mainly the music and some shots out of a car, landscapes out of the car window. And it had a little bit of commentary – dialogue between Peter and me about American music and about how American rock music was about emotion and images instead of sounds. That is to say, about a kind of phenomenon, that it was in a way a kind of film music, but without a moving picture. It was a 12-minute film and it was never shown. – Wim Wenders
Director
Another short was 3 American LPs, which was the first film I did with Peter Handke. It was a film about American music, about three pieces of three LPs. There was a song by Van Morrison, another by Harvey Mandel, and one of Credence Clearwater Revival. It was mainly the music and some shots out of a car, landscapes out of the car window. And it had a little bit of commentary – dialogue between Peter and me about American music and about how American rock music was about emotion and images instead of sounds. That is to say, about a kind of phenomenon, that it was in a way a kind of film music, but without a moving picture. It was a 12-minute film and it was never shown. – Wim Wenders
Editor
New times have come for the way demonstrations are handled by the police. No more crude repression... "Policemen come from the people, just as demonstrators". Therefore, if you're a cop, now it's a matter of "convincing" your "comrade" who's demonstrating to forget about it.
Cinematography
New times have come for the way demonstrations are handled by the police. No more crude repression... "Policemen come from the people, just as demonstrators". Therefore, if you're a cop, now it's a matter of "convincing" your "comrade" who's demonstrating to forget about it.
Writer
New times have come for the way demonstrations are handled by the police. No more crude repression... "Policemen come from the people, just as demonstrators". Therefore, if you're a cop, now it's a matter of "convincing" your "comrade" who's demonstrating to forget about it.
Director
New times have come for the way demonstrations are handled by the police. No more crude repression... "Policemen come from the people, just as demonstrators". Therefore, if you're a cop, now it's a matter of "convincing" your "comrade" who's demonstrating to forget about it.
Producer
A series of street views filmed in Munich throughout 1968.
Editor
A series of street views filmed in Munich throughout 1968.
Cinematography
A series of street views filmed in Munich throughout 1968.
Writer
A series of street views filmed in Munich throughout 1968.
Director
A series of street views filmed in Munich throughout 1968.
Editor
"The film starts with a shot of a cassette recorder, and it has a juke box in it. There’s always music in it. When I was asked by some critics at a festival press conference what the film was all about, I said 'it’s about the song All Along The Watchtower, and the film is about what happens and what changes depending on whether the song is sung by Bob Dylan or by Jimi Hendrix.'" Well, both versions of the song appear in the film, and everybody thought I was pretty arrogant to explain the story this way. But the film really is about the difference between the Dylan version of All Along the Watchtower, and the Jimi Hendrix Version. One is at the beginning and one is at the end." – Wim Wenders
Writer
"The film starts with a shot of a cassette recorder, and it has a juke box in it. There’s always music in it. When I was asked by some critics at a festival press conference what the film was all about, I said 'it’s about the song All Along The Watchtower, and the film is about what happens and what changes depending on whether the song is sung by Bob Dylan or by Jimi Hendrix.'" Well, both versions of the song appear in the film, and everybody thought I was pretty arrogant to explain the story this way. But the film really is about the difference between the Dylan version of All Along the Watchtower, and the Jimi Hendrix Version. One is at the beginning and one is at the end." – Wim Wenders
Director
"The film starts with a shot of a cassette recorder, and it has a juke box in it. There’s always music in it. When I was asked by some critics at a festival press conference what the film was all about, I said 'it’s about the song All Along The Watchtower, and the film is about what happens and what changes depending on whether the song is sung by Bob Dylan or by Jimi Hendrix.'" Well, both versions of the song appear in the film, and everybody thought I was pretty arrogant to explain the story this way. But the film really is about the difference between the Dylan version of All Along the Watchtower, and the Jimi Hendrix Version. One is at the beginning and one is at the end." – Wim Wenders
Editor
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?
Director of Photography
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?
Producer
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?
Writer
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?
Director
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?
Student
Munich, 1968: a period of liberation, student revolts, state repression. Amidst the restlessness, chemistry student Robbie meets the Irish cello player Nancy. They feel compelled to pursue a passion in spite of their careers. But does romantic love have a place in such convoluted, contesting times?
Writer
Wim Wenders' first work. According to Wenders official website, "the film got lost. There was no print of it, just the original material, which was shot on reversal film stock."
Director
Wim Wenders' first work. According to Wenders official website, "the film got lost. There was no print of it, just the original material, which was shot on reversal film stock."
Self
The heart of the legs.
Writer
Wim Wender's The Road Trilogy consists of the films Alice in the Cities (1974), Wrong Move (1975) and Kings of the Road (1976).
Director
Wim Wender's The Road Trilogy consists of the films Alice in the Cities (1974), Wrong Move (1975) and Kings of the Road (1976).
Executive Producer
Follows musician Terje Isungset's artistic and environmental quest to produce and play musical instruments crafted from each of the world’s most endangered glaciers.
