Fred Walton
História
Fred Walton (1949– ) is an American writer-director. He is best known for his work in the horror genre, particularly for "When a Stranger Calls" (1979) and "April Fool's Day" (1986).
Fred Waltonspeaks about his upbringing, getting into filmmaking, shooting both The Sitter and When a Stranger Calls, his relationship with Frank Mancuso, Jr., and working with the April Fool’s Day cast and crew.
Author
Jill Johnson é uma jovem que está trabalhando como babá em uma remota casa, localizada no topo de uma colina. Com as crianças dormindo, ela tranca a porta e liga o alarme geral. É quando tem início uma série de telefonemas, em que uma pessoa estranha repetidamente insiste que ela cheque as crianças. Assustada, Jill consegue rastrear as ligações e descobre que as ligações são feitas dentro da própria casa.
Story
A popular and common urban legend. Jill is babysitting for Ms. McKenzie, who leaves Jill alone in the house late at night while the children sleep peacefully upstairs. While Jill does her homework, she receives a mysterious phone call. The caller doesn't say anything except: "Have you checked the children?" Jill is confused and believes it is Ms. McKenzie playing a particle joke. After several similar calls, Jill realizes the caller is not who she thinks it is. She becomes frightened and calls the police. Sargent Clifford comes to Jill's aid in solving the mystery of the phone calls. Together they find the origin of the phone calls and discover they are coming from inside the house!
Director
Something sinister is going on in the town of Stepford, and this time the men should watch their backs.
Director
Architect Jonathan moves into an LA courtyard apartment complex; then one of his neighbors is murdered ... by mistake ... Jonathan was the intended victim!
Director
A distraught disc jockey seeks out a mystery caller who may be the killer of his girlfriend.
Characters
Jovem babá recebe visita de estranho que alega que seu carro quebrou e pede para usar o telefone. Amedrontada, ela não abre a porta, mas se oferece para fazer a ligação. Mas o estranho volta... e desta vez quer entrar!
Writer
Jovem babá recebe visita de estranho que alega que seu carro quebrou e pede para usar o telefone. Amedrontada, ela não abre a porta, mas se oferece para fazer a ligação. Mas o estranho volta... e desta vez quer entrar!
Director
Jovem babá recebe visita de estranho que alega que seu carro quebrou e pede para usar o telefone. Amedrontada, ela não abre a porta, mas se oferece para fazer a ligação. Mas o estranho volta... e desta vez quer entrar!
Director
Twelve years ago, Lacey was raped and had a son as a result. Now her rapist is out on parole, and since he's the father of the child and has shown signs of rehabilitation, he's been granted visitation rights by a judge. Slowly but predictably, Lacey realizes things just aren't right with him, but thanks to her rapists manipulation, everybody she knows, from her boss to her friends, dismisses her feelings and thinks she's crazy. Meanwhile, her attacker is primed to finish what he started 12 years ago.
Writer
A computer scientist invents an experimental artificial intelligence that can manage and control all the functions for his vacation cabin in the woods. When he gives it a female personality, it becomes a little too managing and controlling, resulting in deαdly consequences.
Director
A computer scientist invents an experimental artificial intelligence that can manage and control all the functions for his vacation cabin in the woods. When he gives it a female personality, it becomes a little too managing and controlling, resulting in deαdly consequences.
Director
A stressed-out, big-city cop seeks refuge in Hawaii, only to become embroiled in a serial murder case that appears to be identical to his last case in New York City.
Writer
Kathleen Quinlan is a woman working late in her locked High-Rise office building who along with Bruce Abbot struggle to elude a killer (Ben Loggins) trying to kill them.
Director
Kathleen Quinlan is a woman working late in her locked High-Rise office building who along with Bruce Abbot struggle to elude a killer (Ben Loggins) trying to kill them.
Director
Two teens, Lisa and Kim, are playing games making prank calls on the phone. But when they call Adrian Lancer who has some mental problems, and say "I saw what you did", they ignite a human time bomb. Adrian has just killed someone and thinks they saw him do it. Now he is trying to find them.
Screenplay
A killer of Detroit clergy confesses to a priest, who turns sleuth because he cannot tell the police.
Director
A killer of Detroit clergy confesses to a priest, who turns sleuth because he cannot tell the police.
Director
Um grupo de estudantes vai passar o fim de semana do Dia da Mentira na casa de uma colega em uma ilha remota. Aos poucos, as pessoas vão morrendo uma a uma em circunstâncias cada vez mais estranhas.
Writer
After he transfers to a new school, Hadley is victimized and ostracized by his too-cool classmates. To prove his worth, our hero takes up wrestling, and before long he’s the school champ, thanks to the input of coach Ball, a washed-up alcoholic who finds redemption through Hadley’s example.
Director
After he transfers to a new school, Hadley is victimized and ostracized by his too-cool classmates. To prove his worth, our hero takes up wrestling, and before long he’s the school champ, thanks to the input of coach Ball, a washed-up alcoholic who finds redemption through Hadley’s example.
Writer
A jovem babá Jill Johnson é contratada pelo casal Mandrakis para cuidar de seus dois filhos pequenos. Mas o horror começa quando alguém telefona para a casa dos Mandrakis e diz, com voz tétrica: "Você já foi olhar as crianças?". Inicialmente, a baby-sitter pensar tratar-se do sr. Mandrakis, mas logo percebe que a coisa é mais grave quando o misterioso interlocutor passa a ligar diversas vezes seguidas, sempre pronunciando a misteriosa frase: "Você já foi olhar as crianças?".
Director
A jovem babá Jill Johnson é contratada pelo casal Mandrakis para cuidar de seus dois filhos pequenos. Mas o horror começa quando alguém telefona para a casa dos Mandrakis e diz, com voz tétrica: "Você já foi olhar as crianças?". Inicialmente, a baby-sitter pensar tratar-se do sr. Mandrakis, mas logo percebe que a coisa é mais grave quando o misterioso interlocutor passa a ligar diversas vezes seguidas, sempre pronunciando a misteriosa frase: "Você já foi olhar as crianças?".
Director
A babysitter is menaced by mysterious and frightening phone calls.
