Maurizio Braucci

In northern France, Juliette grows up alone with her father, Raphaël, a veteran of the First World War. Passionate about singing and music, one summer the lonely young girl meets a magician who promises that scarlet sails will one day take her away from her village.

It is the end of World War I and the young Italian soldiers are making their way back to San Giovanni Rotondo, a land of poverty, with a tradition of violence and submission to the iron-clad rule of the church and its wealthy landowners. Families are desperate, the men are broken, albeit victorious. Padre Pio also arrives, at a remote Capuchin monastery, to begin his ministry, evoking an aura of charisma, saintliness and epic visions of Jesus, Mary and the Devil himself. The eve of the first free elections in Italy sets the stage for a massacre with a metaphorical dimension: an apocalyptic event that changes the course of history.

O escritor Martin Eden entra em conflito com a burguesia. Encarando o novo, ele se apaixona e descobre como autores são vistos na sociedade aristocrática, enquanto se questiona sobre sua própria natureza como criador.

No auge de seus 15 anos, um grupo de amigos vivenciam a juventude na Nápoles contemporânea. Eles ambicionam alcançar um estilo de vida mais próspero, que os permita comprar roupas de grife e novas scooters. Eles passam o dia portando suas armas e andando de moto, na intenção de afirmar seu poder no Distrito da Saúde. Ingenuamente, eles acreditam que utilizando a violência e a intimidação poderão trazer justiça ao bairro.

No auge de seus 15 anos, um grupo de amigos vivenciam a juventude na Nápoles contemporânea. Eles ambicionam alcançar um estilo de vida mais próspero, que os permita comprar roupas de grife e novas scooters. Eles passam o dia portando suas armas e andando de moto, na intenção de afirmar seu poder no Distrito da Saúde. Ingenuamente, eles acreditam que utilizando a violência e a intimidação poderão trazer justiça ao bairro.

Shot in the juvenile prison of Nisida, in Naples, the short film is the result of a screenwriting workshop held with some inmates of the juvenile prison of Airola, in the province of Benevento, between February and December 2018 and which led to the collective writing of the script.

In the late 1980s, Amedeo Letizia, a young 20 something Italian, leaves his hometown of Casal di Principe to pursue a career in acting in Rome. While he's making his debut, his younger brother Paolo is kidnapped by armed men. Amedeo comes back, this return being an infernal descent into his past and his region's contradictions.

Naples. Present day. Giovanna, a combative 60-year-old social worker on the frontline of the daily war against pervasive criminality, is confronted, like a modern Antigone, with a moral dilemma that threatens to destroy her work and her life. Giovanna runs an after-school centre that takes care of underprivileged children; a grassroots alternative to the mafia dominance of the city. But one day, young Maria, wife of a ruthless Camorra criminal on the run, and her two children take refuge at the centre, and ask Giovanna for protection.

Pulcinella, a foolish servant, is sent to present-day Campania to grant the last wish of Tommaso, a simple shepherd.

Um olhar caleidoscópico sobre o último dia do cineasta italiano Pier Paolo Pasolini, em 1975.

Um antigo narcotraficante, que agora vive em paz nas colinas da Calábria, é arrastado de volta para a dinastia do tráfico de drogas da sua família pelo seu impetuoso filho adolescente.

A boy and a girl are locked in an enormous abandoned building in a rundown area. She is a prisoner and the local clan leader has forced him to be her warder. Despite their youth, both of them have grown up too fast. Veronica acts like a mature and open-minded woman whilst Salvatore is like a man who wants to hold on to his job and lead a quiet life. Thus, when faced with the violence of this incarceration, the two young people have different reactions: Veronica is restless and rebellious; Salvatore is more remissive and accommodating, either out of fear or realism. They are both victims but it is almost as though each blames the other for their reclusion. However, as the hours go by, their mutual hostility is transformed into an inevitable intimacy, consisting of reciprocal discoveries and confessions. Between the walls of that isolated and frightening place, Veronica and Salvatore fi nd a way to rekindle those adolescent dreams and ideas put aside too soon.

Luciano é o dono de uma peixaria que faz vários bicos para manter sua família. Um dia, sua família passeia em um shopping center e descobre que lá estão fazendo testes para o Grande Fratello, a versão italiana do programa de TV Big Brother. Chamado via celular, Luciano vai ao local fazer um teste. Os produtores gostam dele e o chamam para um segundo teste.

Clemente Russo portrays himself in the story of a promising boxer who grew up in the Neapolitan mob heartland.

Um retrato cru de Nápoles, onde os trabalhadores sociais e políticos não conseguem lidar com o lado negro da sociedade urbana — o que torna o trabalho da Camorra ainda mais fácil.

Painel brutal e perturbador da máfia napolitana, uma das mais sangrentas e lucrativas da Itália atual.

“Madame Luna” chronicles the true story of an Eritrean refugee girl, washed ashore in Libya, who becomes one of the most notorious of human trafickers with deep ties to the Italian Mafia.

In a luxurious hotel in Naples, there is something magical and mysterious about room 52. The only person aware of this is Serena, an eccentric fifty-year-old chambermaid who still has a smile on her face despite a difficult life. As she cleans, Serena asks the room about the fate of her deceased husband in the afterlife and the room appears, somewhat confusedly, to answer her. A surreal dialogue ensues, during which Serena talks about her own and other people’s sins, and frankly tackles a fundamental theme of Christian morality.