Waru (2006)

Банды японских байкеров оказываются под сильным прессингом полиции и вынуждены объединиться, прекращая беспредел. Однако Фантомы во главе с безумцем-наркоманом Дзином не собираются соблюдать договор, лупят попавшихся под руку, чем вызывают ненависть остальных. Фантомы малочисленны, но они называют себя «камикадзе», ведут себя дико и дерзко. Неудивительно, что по прошествии некоторого времени байкеры решают проучить Дзина. Ультраправые против байкеров, байкеры против друг друга и Дзин — против всех. Все попытки цивилизовать главного героя оказываются бесполезными. Ни служба в армии ультраправых, ни неминуемая смерть его не останавливают. После того, как ему ампутируют руку, герой добирается до склада оружия и решает наказать каждого в этом городе.

At a high school in Tokyo, several of the female students have been moon-lighting as prostitutes. A teacher catches onto this fact and goes about putting an end to it. Things go awry when he discovers he turns into a sex demon with tentacles whenever he gets aroused (huh?). He turns from savior to vilifier, poor prostitute school girls.

One day, Naoto receives a package. Inside he finds a book, ‘LIVE’. At the same time, he receives an image on mobile phone of his mother being kidnapped and a call from a mysterious man. “If you don’ t want us to inject the killer virus in your mother, find the hints hidden in the novel and head for the goal in the death race!” Naoto starts running to save his mother with the book in his hand.

When Hsiang Ming's wife is murdered, he takes up the hunt for her killer. The killer turns out to not be at all like he imagined, and suddenly he has unsuspected enemies who are after him.

Рин — обычная студентка, но внезапно ее тело начинает меняться, и как раз на ее день рождения врываются странные спецназовцы с пулеметами вместо носов и убивают гостей пулями из козявок. Оказывается, что Рин — из породы вымирающих мутантов, называемых Хируко. Она сбегает и обнаруживает других выживших. Они опасны и вооружены: руки растут из голов, лезвия выстреливают из сосков, и этим оружием они собираются мстить обществу, которое их отвергает.

Minoru Kawasaki directs this comedic psychological thriller that follows a large koala as he looks for help from several of his closest friends, which include a giant rabbit and frog. A hardworking executive at a pickle company, Mr. Tamura stands out from other employees because he's a koala bear who stands six feet tall. When his human girlfriend is found murdered, the blackout-prone Tamura goes on the run and tries to solve the mystery.

Трое авантюристов получают от сумасшедшего доктора Лу прототип экспериментального андроида и прячут его на заброшенном складе. Здесь кажущийся безжизненным андроид неожиданно приходит в себя и выдыхает в лицо одному из новых владельцев какой-то порошок, после чего тот начинает сходить с ума от кошмарных галлюцинаций, заодно увлекая в пучину безумия и своих бедолаг-компаньонов.

Rather than telling his parents, who have another girl picked out for him, Bob brings home his new wife disguised as his friend "Steve."

Марио выходит из тюрьмы и принимает предложение своего друга Боба поставлять девушек для Чарли, который отправляет их для работы в Танжер. Так он знакомится с Мишель, певицей кабаре «Фемина». Девушка видит, что он влюблён в неё, и пытается откупиться. Марио освобождает из неволи Даниель, сестру Мишель, убедившись в искренности чувств последней.

On Christmas Eve, a West suburb of Paris. Stéphane, Joëlle, Xavier and Sonia (25 years old) decide to take a stroll down the big park overhanging the city of their youth, musing on pop music, their work, sex and their disappointed ambitions.

A short film by Hollis Frampton.

No information available regarding the film's director. Just under 10 minutes of over an hour's footage survive.

A send-up of Griffith's THE LONELY VILLA and other movies of that sort, such as THE GIRLS AND DADDY, THE LONEDALE OPERATOR and many others, as the heroine, thinking that burglars are trying to break into her home phones her husband at the office, who rushes home.... well, who tries to rush home in his chauffeur-driven automobile.

Based on the true story of the enduring but troubled love between Lois Wilson, co-founder of Al-Anon, and her alcoholic husband Bill Wilson, co-founder of Alcoholics Anonymous.

The story is about a company president Zenzo Shinozaki who is successful in his business but has no friends or family to speak of. He ends up hiring hostess turned thief Saori Yamane to drive him to Tokyo to visit his daughter that he has not seen in 30 years. While both have their own reasons to isolate themselves from the rest of the world, they find a connection which helps bring them in touch with each other and themselves.

After suffering an emotional breakdown in a public place, a young man vows to quit the chaotic city life and never leave his apartment. He quickly discovers that in todays world all his needs can be easily met: sexual satisfaction via the internet, food by telephone delivery and entertainment by television.Four years later, his idyllic existence comes under attack when Daniella, a free spirited girl comes into his life while Grumps, the buildings real estate agent , informs him that the apartment is about to be sold.Both Grumps, an elderly holocaust survivor with a troubled past and Daniella a cheerful young woman with a disastrous love history, are the first people in a long while to care about our hero. Both think the only way out is OUT.However, our hero refuses to leave his kingdom and decides to fight till the bitter end.

The final Duplicity film does seem at resolve with the term. All previous visual manifestations have been extended to their limits, through four-roll superimpositions. Obvious costumes and masks. Drama as an ultimate bid for truth, and totemic recognition of human and animal life-on-earth dominate all the evasions a duplicity otherwise affords.

This film by Stan Brakhage investigates the process of memory and thought by melting a series of images and a field of color. The positive-negative flickering graphs a sort of shutter-window all over the matter of the vision. Jittery flocks of space are interweaving as pieces of language in a scant illumination, whereas the process of thought is sheared in fuzzy transience.