Любовь моя... (2004)
«Любовь моя - это волшебная фраза»
Жанр : криминал, драма, триллер, ужасы
Время выполнения : 38М
Директор : Sergey Potapov
Краткое содержание
Сюжет строится вокруг двух братьев. Один из них душевнобольной, а второго трудно назвать «нормальным». Оба брата мечтают об одном. Ограбить банк и уехать из города. Один выбрал Мексику, а второй - Голливуд. Он мечтает стать актером. Но планам их не суждено сбыться. Финал фильма заставит содрогнуться даже самых стойких почитателей триллеров.
A grizzled, hard-of-hearing cowboy, Slim, and his two friends, Dusty and Pete, capture a mysterious, well-dressed Frenchman.
A study of human anxieties about beauty, youth and objectification.
A meditation on eating people and quiet waitresses.
A man breaks into a large, seemingly abandoned old house to plunder the gold received. But the house is really abandoned?
Maya Deren’s shortest, two-minute A Study in Choreography for Camera seems like an exercise piece to capture a dancer’s movement on celluloid, which later on developed into her masterpieces such as Ritual in Transfigured Time and Meditation on Violence.
An obese woman recently released from an insane asylum kills anyone who attempts to get her to stop eating.
Short film made in 1997 while David Gordon Green was attending the North Carolina School of Arts that formed the genesis of his feature film debut, "George Washington".
A young agoraphobic woman is tormented by malevolent visions that begin to bleed into reality.
Two creatures wonder, 'What is a hole?' They have different points of view. Their debate leads to an idea, an idea that changes the world. This is a story of practical magic. This film was made as part of the 5th edition of the NFB's Hothouse apprenticeship.
A kitten who is being tormented by a bulldog finds a savior in a black cat (from the "Black Cat Bad Luck Company") who merely has to cross the dog's path for something very unlucky to happen to the bully.
Чтобы доказать, что он настоящий храбрый индеец, «Большая Пятка-Вата» решает поймать белку - но разве вы не знаете? Червячок белка - первый, кого он видит...
The story of Joe and Paddy, whose childhood friendship is shattered by the troubles in Northern Ireland. Twenty five years later they are reunited.
Сборник короткометражных фильмов по новеллам О`Генри: «Дороги, которые мы выбираем», «Родственные души», «Вождь краснокожих». Наибольшая популярность выпала на долю последней новеллы - столь уморительны оказались злоключения незадачливых похитителей юного сорванца.
Werner Krauss, who had played the deranged Dr. Caligari six years earlier, stars as a scientist who is tormented by an irrational fear of knives and the irresistible compulsion to murder his wife. Driven to the brink of madness by fantastic nightmares (designed by Ernö Metzner and photographed by Guido Seeber in a brilliant mix of expressionism and surrealism), he encounters a psychoanalyst who offers to treat the perplexing malady.
Suffering from double vision, a single mother tries to take care of her baby in the grip of terrifying hallucinations. Experiencing a nervous breakdown, she is deemed unfit to take care of her child and has it taken away from her. The only respite the mother has from her visions is when she sings. An award-winning novelist overhears her singing whilst riding the bus and the pair subsequently develop a volatile relationship.
Arnold's source material is a piece of footage from the 1950s, eighteen seconds long and very typical for the period. A quiet take: A living room, a woman in an armchair. Her husband opens the door, kisses her, then moves out of the picture accompanied by a camera pan, his wife follows after him. In Arnold's film the sequence takes 16 minutes. Cadre by cadre, it becomes an exciting tango of movements. But Pièce Touchée is more than just a matter of forms; The reflections, distortions and delays it displays challenge cinema's stable system of space and time.
A short segment of film is played with musical backing at various speeds for a jarring effect.
Pierre Clémenti's Soleil presents a psychedelic meditation on his life and his detention in an Italian Prison in 1972.
Two people stand on a road, out of focus. Seen distorted through a glass, they retire upstairs to a bedroom where she undresses. He says, "Adieu." Images: the beautiful girl, a starfish in a jar, city scenes, newspapers, tugboats. More images: starfish, the girl. "How beautiful she is." Repeatedly. He advances up the stair, knife in hand, starfish on the step. Three people stand on a road, out of focus. "How beautiful she was." "How beautiful she is." "Beautiful."
A tilted figure, consisting largely of right angles at the beginning, grows by accretion, with the addition of short straight lines and curves which sprout from the existing design. The figure vanishes and the process begins again with a new pattern, each cycle lasting one or two seconds. The complete figures are drawn in a vaguely Art Deco style and could be said to resemble any number of things, an ear, a harp, panpipes, a grand piano with trombones, and so on, only highly stylized. The tone is playful and hypnotic.