Snuff 102 (2007)
Genre : Thriller, Horror
Runtime : 1H 41M
Director : Mariano Peralta
Synopsis
A young Argentinian reporter is writing an article about snuff films - which depict real torture, rape and murder of people. But seeking the films and those behind them might backfire. She herself is in danger of becoming one of the suffering.
Milos, a retired porn star, leads a normal family life trying to make ends meet. Presented with the opportunity of a lifetime to financially support his family for the rest of their lives, Milos must participate in one last mysterious film. From then on, Milos is drawn into a maelstrom of unbelievable cruelty and mayhem.
In London, after investigating crack addicted junkies for an article in her newspaper, Amy Klein watches a bizarre videotape where an underground group of youngsters in Bucharest apparently become zombies. Amy finds Marla dead with a puzzle cube in her hands. She brings the object to her hotel room, and opens it, beginning her journey to hell.
When hundreds of videotapes showing torture, murder and dismemberment are found in an abandoned house, they reveal a serial killer's decade-long reign of terror and become the most disturbing collection of evidence homicide detectives have ever seen.
Three young people check into the Meadow View Inn for a night's rest, fully unaware of the inn's sick-minded employees and their nefarious intentions.
Special Agent Jennifer Marsh works in an elite division of the FBI dedicated to fighting cybercrime. She thinks she has seen it all, until a particularly sadistic criminal arises on the Internet. This tech-savvy killer posts live feeds of his crimes on his website; the more hits the site gets, the faster the victim dies. Marsh and her team must find the elusive killer before time runs out.
While doing a thesis about violence, Ángela finds a snuff video where a girl is tortured to death. Soon she discovers that the girl was a former student at her college...
Driving to a weekend getaway, a car breakdown strands young couple Don and Nancy (David James Elliot and Heather Marsden) while passing through a small, rural Louisiana town. Finding the couple on the roadside, the towns inhospitable Sheriff Taylor (Jeff Fahey) tells them therell be no one to repair their car before morning. He directs them to a nearby motel for the night run by Carter (Michael Madsen). Checking into the seedy, rundown establishment, Don and Nancy have no way of knowing how this place deals with outsiders. Badge aside, the Sherriff answers to Carter, as do a gang of twisted, masked kidnappers, torturers, and killers. By the time Don and Nancy realize whats happening, its too late to flee. They must fight to survive the night, or be the next victims of the Terror Trap...
Imagine walking down the street and finding an unmarked VHS tape. Curiosity piqued, you take it home and pop it in. What starts off as two men screwing around with a video camera quickly transforms into an ultra-realistic torture sequence where the unidentified psychopaths tape their exploits as they torment and violate a woman tied to a chair.
A group of guys capture a young girl with the intent of hurting her. They torture her in many ways, from beating her to putting a sharp piece of needle-like metal through her eye which pierces across her retina.
During an annual board of trustees meeting, one of the trustees dies. Miss Marple thinks he’s been poisoned after finding a chemical on him. She sets off to investigate at the ship where he had just come from. The fourth and final film from the Miss Marple series starring Margaret Rutherford as the quirky amateur detective.
Two victims are graphically tortured in this American reimagining of the popular underground Japanese film series.
Two deranged friends bring along another guy to go on a random murder rampage. They kidnap lesbian lovers and couples and torture them.
The mutilated body of a six year old girl is found in a water hole. The girl is identified as the missing daughter of Claudia. However, only two peices of evidence could be used to identify her; a bracelet with her name on it near the crime scene, and the fact that her right leg was three inches longer than her left. All other methods of identification were removed from her body. Five years later Claudia, now addicted to tranquilizers, receives a phone call from someone claiming to be her daughter, asking for her mother to come find her before 'they' kill her. Other mysterious clues show up, further indicating that Claudia's daughter is indeed still alive, and very much in danger. Claudia, a run-down ex-cop, and a parapsychology reporter put together the clues to discover Angela's whereabouts
Billy is mute, but it hasn't kept her from becoming a successful makeup artist. While in Russia, working on a film directed by her sister's boyfriend, Andy, Billy finds herself trapped in the studio one night and is horrified to see a snuff film being made. Billy escapes and, with the help of her sister, Kate, alerts authorities about what she saw. Unfortunately, in doing so, she makes an enemy of the Russian mafia, who funded the snuff film.
After being released from prison, a young gangster with a chip on his shoulder decides to punish society by making snuff films.
In 2009, the small town of Cohasset, Massachusetts was rocked with tragedy. A 17-year-old high school senior named Collin Mason murdered three classmates. All the murders were videotaped and uploaded to the Internet via bit torrent sites and for three days, the world viewed the murders of these three innocent teens. Through legal action, the parents of the victims were able to remove all footage from the Internet and the town tried to save face by pretending it never happened. Bootleg copies of this footage are still passed around and downloaded through illegal means. The impact of this video is still being felt in Cohasset today. The video has become infamous, and is now referred to as The Cohasset Snuff Film.
Two brothers, desperate to break into the world of television and film, decide to enter a horror movie contest. And what could be more horrifying than the elusive snuff film?
A lonely man's voyeuristic obsession with the private lives of his co-workers spirals into a desperate attempt for attention and a violent spectacle of horror.
Marko, an aspiring filmmaker, is unable to pursue a career in horror films. He ventures into the porn industry, but his unorthodox style fails to impress producers. Frustrated, he assembles a crew of junkies, homosexuals and transvestites and starts a traveling live porn show. Soon a shady producer appears, he will pay them real money if they are willing to start making snuff films for him.
An aspiring filmmaker goes to shocking extremes to convince Hollywood actress Anne Hathaway to star in his film. First entry in Adrian Țofei's trilogy which includes We Put the World to Sleep and Pure.
The mummy of long dormant, but powerful Caribbean voodoo priest Gatanebo gets revived on a luxury South Seas ocean liner as a big buff bald guy and proceeds to terrorize the passengers. Gatanebo beheads several folks, occasionally reverts back to his prune-faced mummified state, and falls for the ravishing Sylvia, who reminds him of his old flame Kenya.
Based on the Japanese novel 'Loving the Dead' from acclaimed author Kei Oishi, the film centres on a damaged young man who, after shutting himself away for ten years, is forced to venture out into a world that he no longer understands.
This meditation takes its visual imperatives from the occasion of Mesa Verde.
Flares of color break into streams of light, leaves, wood grain and prism-etched vegetation. A moon lifts out of this dark weave to be replaced by autumn leaves against a grainy sky, a fiery sky. A gray cat licks itself. A black cat sits quickly down on a green lawn. A "night" of showering dark, a "dawn" of pinks and yellows of plant growth in close-up. A gentle yellow "high noon" prevails into which the orange worm appears and reappears, twisting, arching, turning. A phosphorescent orange of leaves explodes midst greens and black holes appropriate to the image of the worm. The forms of many varieties of leafage mix with a veritable rain or clash of overall tones, a fire of forms, a glowing color photo-negative of worm, and the final canopies of autumn tone and sky tone permeated by sun, sun streaks and octagonal prism shapes ad infinitum.
The final Duplicity film does seem at resolve with the term. All previous visual manifestations have been extended to their limits, through four-roll superimpositions. Obvious costumes and masks. Drama as an ultimate bid for truth, and totemic recognition of human and animal life-on-earth dominate all the evasions a duplicity otherwise affords.
When Mario, a bad boy, is released from prison, he plans to live honestly with his wife Geneviève. But the latter has not waited for him and Mario, out of spite, accepts to work as a tout for Mr. Charlie, the boss of a white slave trade gang. His first assignment consists in seducing Michèle, a Montmartre nightclub singer and hostess, into signing a contract for Tangier. The young woman, however, who does this job only to support her young sister Danièle, falls for him and he for her. From then on Mario, without betraying himself, does his utmost to save Michèle -and Danièle for that matter - from the clutches of the gang...
A short documentary based on Sergio Leone's life and career, and the making of the film "Once Upon a Time in America."
A traveling salesman is lured by a precocious teenage girl to her shack in the desert for some sexual escapades. However, a scuzzy biker comes along and they both find themselves dominated and tormented by him.
Zbigniew Rybczinski's video experiments set to classical music pieces.
Based on a novel by Mordecai Richler, allegedly his autobiography, it tells the story of a Jewish writer, from his life as a young boy in Montreal to his more complicated grown-up life.
Some things can be seen more clearly at night.. . A film poem about a continent at night, a culture on which the sun’s going down, though it’s hyper alert at the same time, an “Abendland” that, often somewhat self-obsessively, sees itself as the crown of human civilization, while its service economy is undergoing rapid growth in a thoroughly pragmatic way. Nikolaus Geyrhalter takes a look at a paradise with a quite diverse understanding of protection. Night work juxtaposed with oblivious evening digression, birth and death, questions that await answers in the semi-darkness, a Babel of languages, the routine of the daily news, and political negotiation: All this has been captured in images with a wealth of details that make us look at things in a new way. The longer you consider a word, the more distant is its return gaze: ABENDLAND.
The Behind-the-Scenes documentary of the dramatic comedy Do the Right Thing.
Continues the story of the characters from the movie On Top (1982), now 22 years older.
A man serving a sentence in a minimum-security prison. Life in the jail is rigid and organized, eventually leading all of the cell-mates to abandon their individuality.
A science fiction story about a young boy who discovers and befriends a small robot at a shopping arcade. The robot is hungry and he grows in size as he devours a number of machines of increasing size.
Our hero is Umbi (an acronym for emissary of the bishop), sent by him to undertake an important investigation at Snæfell-glacier. In particular he is to look into the conduct and behavior of Jón Prímus, the old pastor at Snæfell. Fantastic rumors are rife: amongst other things it is said that a corpse is lodged in the glacier! Armed with his tape recorder and notebook, Umbi embarks upon his mission. He tries to question the weird locals, a weird lot, but gets evasive answers. Slowly he is dragged into a quagmire of strange happenings and his efforts to understand only make him confused. If at the beginning he is a chipper, a mere device, by the end of the story he is inextricably involved, a committed participant in the bizarre events.
Goran just wants to drive his taxi and take care of his blind wife Lina. But people close to him have their own agendas and dreams which threaten his carefree existence. In the idyllic surroundings of snow-covered Gorski Kotar, the fiery personalities of the highlanders surface and collide.
In this film, Paul Tomkowicz, Polish-born Canadian, talks about his job and his life in Canada. He compares his new life in the city of Winnipeg to the life he knew in Poland, marvelling at the freedom Canadians enjoy. In winter the rail-switches on streetcar tracks in Winnipeg froze and jammed with freezing mud and snow. Keeping them clean, whatever the weather, was the job of the switchman.
A short film by Hollis Frampton.