Snuff 102 (2007)

Milos (Srdjan Todorovic), um ator pornô aposentado, é convidado a participar de um filme erótico de arte. Como enfrenta problemas financeiros ele aceita a oferta, sem imaginar que está entrando num snuff movie da sua própria vida.

Amy Klein (Kari Wuhrer) trabalha como repórter em um jornal de Londres e está atualmente investigando um culto underground que prega o suicídio. Atraída para o mundo místico do culto, Amy descobre que os artefatos utilizados nas cerimônias podem abrir as portas para o inferno.

Centenas de fitas cassetes com torturas e assassinatos são encontradas em uma casa abandonada. E tudo isso acaba revelando uma década inteira do terror de um serial killer, se tornando uma perturbadora coleção de provas criminais que jamais foi vistas.

Jessica, seu noivo Caleb e o amigo Tanner se hospedam no hotel Meadow View, no meio do nada. Porém, o que eles não sabem é que o gerente e seus dois funcionários são assassinos que ganham dinheiro vendendo snuff movies com seus crimes no mercado negro.

Jennifer Marsh (Diane Lane) e Griffin Dowd (Colin Hanks) são dois agentes do FBI que trabalham num setor responsável por investigar bandidos que agem na internet. A dupla está empenhada em rastrear um assassino em série que usa seu site para alimentar seu sadismo: quanto mais acessos o endereço eletrônico consegue, mais rápido a vítima morre. Jennifer irá se motiva ainda mais para achá-lo quando descobre que uma pessoa que ela conhece corre perigo.

Uma estudante de comunicação decide fazer uma tese sobre filmes "snuff", nos quais são exibidas imagens de pessoas sendo mortas na vida real. Em uma fita descobre a morte violenta de uma estudante da faculdade e busca investigar os assassinos.

O jovem casal Don e Nancy tem um problema no seu carro próximo a uma pequena cidade de Louisiana. O estranho xerife Taylor diz a eles que não terá ninguém para reparar o carro até o amanhecer e os direciona para um pequeno motel. Quando o casal vê uma gangue de mascarados, percebe o que está acontecendo, mas é tarde demais, eles terão que lutar para sobreviver à armadilha do terror.

Imagine walking down the street and finding an unmarked VHS tape. Curiosity piqued, you take it home and pop it in. What starts off as two men screwing around with a video camera quickly transforms into an ultra-realistic torture sequence where the unidentified psychopaths tape their exploits as they torment and violate a woman tied to a chair.

Guinea Pig é uma série de seis filmes japoneses do estilo "gore" (filmes que apresentam depravações visuais) confundido várias vezes com o estilo "snuff" (filmes onde pessoas são mortas de verdade). A confusão se deu pelo fato de o filme ser um esforço de estudantes de cinema do Japão que pesquisavam efeitos especiais, e eram realmente bons no que faziam, tanto que quando o primeiro filme foi lançado os realizadores foram presos e tiveram que provar que ninguém foi machucado de verdade para as filmagens. Guinea Pig é assustador, mas pode ser entendido como um exemplo da qualidade de efeitos especiais numa era onde a computação gráfica substituiu a criatividade.

Depois que Miss Jane Marple (Dame Margaret Rutherford) é nomeada curadora de uma embarcação de treinamento da marinha mercante, uma curadora é envenenada e os oficiais do navio são assassinados depois que ela embarca.

Two victims are graphically tortured in this American reimagining of the popular underground Japanese film series.

Two deranged friends bring along another guy to go on a random murder rampage. They kidnap lesbian lovers and couples and torture them.

Cinco anos após o assassinato da filha, um casal recebe um telefonema misterioso que pode guiá-los até os responsáveis pelo crime.

Billy is mute, but it hasn't kept her from becoming a successful makeup artist. While in Russia, working on a film directed by her sister's boyfriend, Andy, Billy finds herself trapped in the studio one night and is horrified to see a snuff film being made. Billy escapes and, with the help of her sister, Kate, alerts authorities about what she saw. Unfortunately, in doing so, she makes an enemy of the Russian mafia, who funded the snuff film.

After being released from prison, a young gangster with a chip on his shoulder decides to punish society by making snuff films.

In 2009, the small town of Cohasset, Massachusetts was rocked with tragedy. A 17-year-old high school senior named Collin Mason murdered three classmates. All the murders were videotaped and uploaded to the Internet via bit torrent sites and for three days, the world viewed the murders of these three innocent teens. Through legal action, the parents of the victims were able to remove all footage from the Internet and the town tried to save face by pretending it never happened. Bootleg copies of this footage are still passed around and downloaded through illegal means. The impact of this video is still being felt in Cohasset today. The video has become infamous, and is now referred to as The Cohasset Snuff Film.

Two brothers, desperate to break into the world of television and film, decide to enter a horror movie contest. And what could be more horrifying than the elusive snuff film?

A lonely man's voyeuristic obsession with the private lives of his co-workers spirals into a desperate attempt for attention and a violent spectacle of horror.

O jovem diretor Marko, depois de várias tentativas frustradas de filmar seu primeiro longa-metragem, conhece o diretor pornô Cane e começa a fazer filmes com ele, mostrando sua raiva pela sociedade em que vive. Após o conflito com Cane, ele começa seu próprio pornô clube de cabaré em que os shows sociopolíticos são freqüentemente realizados. Ele reúne estrelas pornô ao seu redor. O casal gay Johnny e Max, um travesti Ceca, drogados Rade e Darinka e outros. No entanto, o irmão de Cane, que é policial, interrompe uma estréia, a imprensa os destrói também, e Marko decide que ele deve deixar Belgrado e fazer um passeio pela Sérvia com sua equipe. Logo depois, uma série de conflitos acontece com os telespectadores das aldeias que eles visitaram. No caminho, eles encontram um jornalista alemão Franc, que é fascinado pelos Balcãs. Franc sugere que Marko faça filmes com as cenas autênticas de sexo e violência para ele…

An aspiring filmmaker goes to shocking extremes to convince Hollywood actress Anne Hathaway to star in his film. First entry in Adrian Țofei's trilogy which includes We Put the World to Sleep and Pure.

The mummy of long dormant, but powerful Caribbean voodoo priest Gatanebo gets revived on a luxury South Seas ocean liner as a big buff bald guy and proceeds to terrorize the passengers. Gatanebo beheads several folks, occasionally reverts back to his prune-faced mummified state, and falls for the ravishing Sylvia, who reminds him of his old flame Kenya.

Based on the Japanese novel 'Loving the Dead' from acclaimed author Kei Oishi, the film centres on a damaged young man who, after shutting himself away for ten years, is forced to venture out into a world that he no longer understands.

This meditation takes its visual imperatives from the occasion of Mesa Verde.

Flares of color break into streams of light, leaves, wood grain and prism-etched vegetation. A moon lifts out of this dark weave to be replaced by autumn leaves against a grainy sky, a fiery sky. A gray cat licks itself. A black cat sits quickly down on a green lawn. A "night" of showering dark, a "dawn" of pinks and yellows of plant growth in close-up. A gentle yellow "high noon" prevails into which the orange worm appears and reappears, twisting, arching, turning. A phosphorescent orange of leaves explodes midst greens and black holes appropriate to the image of the worm. The forms of many varieties of leafage mix with a veritable rain or clash of overall tones, a fire of forms, a glowing color photo-negative of worm, and the final canopies of autumn tone and sky tone permeated by sun, sun streaks and octagonal prism shapes ad infinitum.

The final Duplicity film does seem at resolve with the term. All previous visual manifestations have been extended to their limits, through four-roll superimpositions. Obvious costumes and masks. Drama as an ultimate bid for truth, and totemic recognition of human and animal life-on-earth dominate all the evasions a duplicity otherwise affords.

When Mario, a bad boy, is released from prison, he plans to live honestly with his wife Geneviève. But the latter has not waited for him and Mario, out of spite, accepts to work as a tout for Mr. Charlie, the boss of a white slave trade gang. His first assignment consists in seducing Michèle, a Montmartre nightclub singer and hostess, into signing a contract for Tangier. The young woman, however, who does this job only to support her young sister Danièle, falls for him and he for her. From then on Mario, without betraying himself, does his utmost to save Michèle -and Danièle for that matter - from the clutches of the gang...

A short documentary based on Sergio Leone's life and career, and the making of the film "Once Upon a Time in America."

A traveling salesman is lured by a precocious teenage girl to her shack in the desert for some sexual escapades. However, a scuzzy biker comes along and they both find themselves dominated and tormented by him.

Zbigniew Rybczinski's video experiments set to classical music pieces.

Based on a novel by Mordecai Richler, allegedly his autobiography, it tells the story of a Jewish writer, from his life as a young boy in Montreal to his more complicated grown-up life.

Some things can be seen more clearly at night.. . A film poem about a continent at night, a culture on which the sun’s going down, though it’s hyper alert at the same time, an “Abendland” that, often somewhat self-obsessively, sees itself as the crown of human civilization, while its service economy is undergoing rapid growth in a thoroughly pragmatic way. Nikolaus Geyrhalter takes a look at a paradise with a quite diverse understanding of protection. Night work juxtaposed with oblivious evening digression, birth and death, questions that await answers in the semi-darkness, a Babel of languages, the routine of the daily news, and political negotiation: All this has been captured in images with a wealth of details that make us look at things in a new way. The longer you consider a word, the more distant is its return gaze: ABENDLAND.

The Behind-the-Scenes documentary of the dramatic comedy Do the Right Thing.

Continues the story of the characters from the movie On Top (1982), now 22 years older.

A man serving a sentence in a minimum-security prison. Life in the jail is rigid and organized, eventually leading all of the cell-mates to abandon their individuality.

A science fiction story about a young boy who discovers and befriends a small robot at a shopping arcade. The robot is hungry and he grows in size as he devours a number of machines of increasing size.

Our hero is Umbi (an acronym for emissary of the bishop), sent by him to undertake an important investigation at Snæfell-glacier. In particular he is to look into the conduct and behavior of Jón Prímus, the old pastor at Snæfell. Fantastic rumors are rife: amongst other things it is said that a corpse is lodged in the glacier! Armed with his tape recorder and notebook, Umbi embarks upon his mission. He tries to question the weird locals, a weird lot, but gets evasive answers. Slowly he is dragged into a quagmire of strange happenings and his efforts to understand only make him confused. If at the beginning he is a chipper, a mere device, by the end of the story he is inextricably involved, a committed participant in the bizarre events.

Goran just wants to drive his taxi and take care of his blind wife Lina. But people close to him have their own agendas and dreams which threaten his carefree existence. In the idyllic surroundings of snow-covered Gorski Kotar, the fiery personalities of the highlanders surface and collide.

In this film, Paul Tomkowicz, Polish-born Canadian, talks about his job and his life in Canada. He compares his new life in the city of Winnipeg to the life he knew in Poland, marvelling at the freedom Canadians enjoy. In winter the rail-switches on streetcar tracks in Winnipeg froze and jammed with freezing mud and snow. Keeping them clean, whatever the weather, was the job of the switchman.

A short film by Hollis Frampton.