Masaaki Tezuka

Japan, 1954. A legend emerges from the ashes of Hiroshima and Nagasaki, devastated by atomic bombs in 1945. The creature's name is Godzilla. The film that tells its story is the first of kaiju eiga, the giant monster movies.

Masaki Tezuka‘s live-action adaptation of “Rescue Wings” deviates from the original by centering around a female rookie pilot played by 16-year-old actress (only 15 at the time of filming) Yuko Takayama. After her mother is saved, Haruka Kawashima joins an elite air rescue team and decides she wants to become the first female pilot of a UH－60J (Japanese version of the Black Hawk) rescue helicopter. She goes through harsh, rigorous training and must overcome her emotions for the serious job of saving lives. After several mistakes she’s bluntly told she’s not good enough to be a rescue pilot, but the conflict only makes her more determined. One day, an F-15J fighter plane goes missing from radar and Kawashima receives the distress call. On reserve fuel and the struggling against all odds, she must accomplish her mission at any cost.

Masaki Tezuka‘s live-action adaptation of “Rescue Wings” deviates from the original by centering around a female rookie pilot played by 16-year-old actress (only 15 at the time of filming) Yuko Takayama. After her mother is saved, Haruka Kawashima joins an elite air rescue team and decides she wants to become the first female pilot of a UH－60J (Japanese version of the Black Hawk) rescue helicopter. She goes through harsh, rigorous training and must overcome her emotions for the serious job of saving lives. After several mistakes she’s bluntly told she’s not good enough to be a rescue pilot, but the conflict only makes her more determined. One day, an F-15J fighter plane goes missing from radar and Kawashima receives the distress call. On reserve fuel and the struggling against all odds, she must accomplish her mission at any cost.

Godman and Greenman join forces to take down a myriad of monstrous foes in an abandoned town.

An accident during tests of an anti-plasma artificial magnetic shield at Japan's Ground Self Defense Force East Fuji practice range sends the 3rd Special Experimental Company, under Colonel Matoba on a time-slip 460 years into the past, into 'the Age of civil War'. At the same time an imaginary-number anomaly thought to be caused by interference from the past begins eroding the present.

Documentary about the production of the film. Directed by Yoshikazu Ishii.

Mothra and her fairies return to Japan to warn mankind that they must return Kiryu to the sea, for the dead must not be disturbed. However Godzilla has survived to menace Japan leaving Kiryu as the nation's only defense.

Mothra and her fairies return to Japan to warn mankind that they must return Kiryu to the sea, for the dead must not be disturbed. However Godzilla has survived to menace Japan leaving Kiryu as the nation's only defense.

JSDF pilot Akane has a fateful encounter when a new Godzilla emerges in Tateyama. As a countermeasure, a cyborg named Kiryu is constructed from the remains of the original. The machine is discovered to harbor the restless soul of the original monster as Akane must learn to find value in her own life as well.

In an alternate timeline the original Godzilla is never defeated and repeatedly reemerges to feed on Japan's energy sources. A new inter-dimensional weapon called the Dimension Tide is created with the intent of eliminating Godzilla. However, the new weapon might also serve as a gateway to something far more sinister.

The film opens with kidnappers of a corporate executive making an unusual ransom demand: that a wizened executive from another company haul large bags of money through downtown Tokyo as the media documents his every move. When the first old man almost dies from exhaustion, a second, and eventually a third elderly corporate fat cat is ordered to do the same. The police detective assigned to the case (Tetsuya Watari) and his younger partner (Masatoshi Nagase) are livid with indignation at this sorry spectacle. They learn that these four men were involved in a massive industrial spill that poisoned an entire rural hamlet 20 years previous. Suddenly, the detective -- who studied in the States and apparently absorbed some John Wayne-like mannerisms in the process -- isn't sure who are the victims and who are the villains.

Kobasashi was learning Spanish so that she could go to Spain to look for her father who had left the family. She fell in love with her language teacher Ken. Finally she found her father in Madrid and she also met Ken's ex-girl friend Taeko there. Ken came to Madrid and learned of their meeting. He wanted her to help to look for Taeko. Ken was caught in between the past and the present.