Masaaki Tezuka

Masaaki Tezuka

出生 : 1955-01-24, Tochigi, Japan

略歴

Masaaki Tezuka (手塚昌明, Tedzuka Masāki) is a Japanese director. He became interested in filmmaking after seeing King Kong vs. Godzilla in a sold-out theater. After graduating Nihon University, he directed made-for-TV films for Hori Productions. His work with Toho began in 1978, when he served as an assistant director and producer for Oyome ni Yukimasu. Toho hired him as an in-house assistant director following the production of 47 Ronin (1994). His first directorial assignment for them was Godzilla vs. Megaguirus, and he went on to helm Godzilla Against Mechagodzilla and Godzilla: Tokyo S.O.S.

プロフィール写真

Masaaki Tezuka

参加作品

The Dawn of Kaiju Eiga
Himself - Filmmaker
Japan, 1954. A legend emerges from the ashes of Hiroshima and Nagasaki, devastated by atomic bombs in 1945. The creature's name is Godzilla. The film that tells its story is the first of kaiju eiga, the giant monster movies.
空へ ―救いの翼 RESCUE WINGS―
Writer
Masaki Tezuka‘s live-action adaptation of “Rescue Wings” deviates from the original by centering around a female rookie pilot played by 16-year-old actress (only 15 at the time of filming) Yuko Takayama. After her mother is saved, Haruka Kawashima joins an elite air rescue team and decides she wants to become the first female pilot of a UH-60J (Japanese version of the Black Hawk) rescue helicopter. She goes through harsh, rigorous training and must overcome her emotions for the serious job of saving lives. After several mistakes she’s bluntly told she’s not good enough to be a rescue pilot, but the conflict only makes her more determined. One day, an F-15J fighter plane goes missing from radar and Kawashima receives the distress call. On reserve fuel and the struggling against all odds, she must accomplish her mission at any cost.
空へ ―救いの翼 RESCUE WINGS―
Director
Masaki Tezuka‘s live-action adaptation of “Rescue Wings” deviates from the original by centering around a female rookie pilot played by 16-year-old actress (only 15 at the time of filming) Yuko Takayama. After her mother is saved, Haruka Kawashima joins an elite air rescue team and decides she wants to become the first female pilot of a UH-60J (Japanese version of the Black Hawk) rescue helicopter. She goes through harsh, rigorous training and must overcome her emotions for the serious job of saving lives. After several mistakes she’s bluntly told she’s not good enough to be a rescue pilot, but the conflict only makes her more determined. One day, an F-15J fighter plane goes missing from radar and Kawashima receives the distress call. On reserve fuel and the struggling against all odds, she must accomplish her mission at any cost.
行け!ゴッドマン
Director
Godman and Greenman join forces to take down a myriad of monstrous foes in an abandoned town.
戦国自衛隊1549
Director
陸上自衛隊の人工磁場発生器の実験中に事故が発生、的場一佐率いる精鋭部隊が460年前の戦国時代にタイムスリップしてしまった。仲間を救いだし、歴史を修正するために的場の元部下で元自衛隊の鹿島と事故を引き起こしてしまった神崎はロメオ隊とともにタイムスリップを敢行する。
Making of Godzilla: Tokyo S.O.S.
Self
Documentary about the production of the film. Directed by Yoshikazu Ishii.
ゴジラ×モスラ×メカゴジラ/東京SOS
Screenplay
ゴジラシリーズ第27作。「ミレニアムシリーズ」第5作で、同シリーズ唯一の前作からの続編。ゴジラと機龍機龍=メカゴジラの死闘から1年。機龍の整備士・中條義人とその叔父・中條信一の元にインファント島の小美人が現れる。彼女らはゴジラの骨から造られた機龍の存在を否定。このままでは、命をもてあそぶ人類に対してモスラが脅威となる可能性を警告する。そこにゴジラが出現。特生自衛隊はゴジラを品川へと誘導し機龍を出動させ、迎撃を試みるが・・・。
ゴジラ×モスラ×メカゴジラ/東京SOS
Director
ゴジラシリーズ第27作。「ミレニアムシリーズ」第5作で、同シリーズ唯一の前作からの続編。ゴジラと機龍機龍=メカゴジラの死闘から1年。機龍の整備士・中條義人とその叔父・中條信一の元にインファント島の小美人が現れる。彼女らはゴジラの骨から造られた機龍の存在を否定。このままでは、命をもてあそぶ人類に対してモスラが脅威となる可能性を警告する。そこにゴジラが出現。特生自衛隊はゴジラを品川へと誘導し機龍を出動させ、迎撃を試みるが・・・。
ゴジラ×メカゴジラ
Director
ゴジラシリーズ第26作。「ミレニアムシリーズ」第4作。1954年、ゴジラ日本上陸。絶体絶命の中、芹沢博士が開発した特殊兵器オキシジェン・デストロイヤーでゴジラを撃退。だが、博士はこの兵器に脅威を感じ、自らの命と共に消滅させる。この年、政府は対特殊生物防衛専門の“特生自衛隊”を組織。99年、再びゴジラ出現。特生自衛隊は迎撃するも苦戦を強いられる。政府は人工生物学者・湯原徳光を中心とする科学者チームへ対G兵器・機龍“メカゴジラ”開発を要請。2003年、ついにメカゴジラが完成する。そして、機龍の操縦士として、99年の戦いで仲間を失った特生自衛隊員・家城茜が任命された…。
ゴジラ×メガギラス G消滅作戦
Director
ゴジラシリーズ第24作、「ミレニアムシリーズ」第2作。1954年のゴジラ襲来により、大阪に首都を遷都した日本は度重なるゴジラ襲来により原子力発電を永久放棄していた。2001年、ゴジラ襲来に備え開発されたブラックホール砲“ディメンション・タイド”。だがその実験後、時空の歪みから現れた古代の巨大昆虫は卵を産み落とし、それは少年の手によって東京・渋谷に運び込まれた。卵から孵化した無数のメガヌロンは渋谷を水没させると、成虫のメガニューラに変態、日本に迫りつつあったゴジラと激突した。
誘拐
Assistant Director
The film opens with kidnappers of a corporate executive making an unusual ransom demand: that a wizened executive from another company haul large bags of money through downtown Tokyo as the media documents his every move. When the first old man almost dies from exhaustion, a second, and eventually a third elderly corporate fat cat is ordered to do the same. The police detective assigned to the case (Tetsuya Watari) and his younger partner (Masatoshi Nagase) are livid with indignation at this sorry spectacle. They learn that these four men were involved in a massive industrial spill that poisoned an entire rural hamlet 20 years previous. Suddenly, the detective -- who studied in the States and apparently absorbed some John Wayne-like mannerisms in the process -- isn't sure who are the victims and who are the villains.
ホワイト・ラブ
Assistant Director
Kobasashi was learning Spanish so that she could go to Spain to look for her father who had left the family. She fell in love with her language teacher Ken. Finally she found her father in Madrid and she also met Ken's ex-girl friend Taeko there. Ken came to Madrid and learned of their meeting. He wanted her to help to look for Taeko. Ken was caught in between the past and the present.