Masaaki Tezuka
Nacimiento : 1955-01-24, Tochigi, Japan
Historia
Masaaki Tezuka (手塚昌明, Tedzuka Masāki) is a Japanese director. He became interested in filmmaking after seeing King Kong vs. Godzilla in a sold-out theater. After graduating Nihon University, he directed made-for-TV films for Hori Productions. His work with Toho began in 1978, when he served as an assistant director and producer for Oyome ni Yukimasu. Toho hired him as an in-house assistant director following the production of 47 Ronin (1994). His first directorial assignment for them was Godzilla vs. Megaguirus, and he went on to helm Godzilla Against Mechagodzilla and Godzilla: Tokyo S.O.S.
Himself - Filmmaker
Japón, 1954. Una leyenda surge de las cenizas de Hiroshima y Nagasaki, devastadas por bombas atómicas en 1945. El nombre de la criatura es Godzilla. La película que cuenta su historia es la primera de las kaiju eiga, las películas de monstruos gigantes.
Writer
Masaki Tezuka‘s live-action adaptation of “Rescue Wings” deviates from the original by centering around a female rookie pilot played by 16-year-old actress (only 15 at the time of filming) Yuko Takayama. After her mother is saved, Haruka Kawashima joins an elite air rescue team and decides she wants to become the first female pilot of a UH－60J (Japanese version of the Black Hawk) rescue helicopter. She goes through harsh, rigorous training and must overcome her emotions for the serious job of saving lives. After several mistakes she’s bluntly told she’s not good enough to be a rescue pilot, but the conflict only makes her more determined. One day, an F-15J fighter plane goes missing from radar and Kawashima receives the distress call. On reserve fuel and the struggling against all odds, she must accomplish her mission at any cost.
Director
Masaki Tezuka‘s live-action adaptation of “Rescue Wings” deviates from the original by centering around a female rookie pilot played by 16-year-old actress (only 15 at the time of filming) Yuko Takayama. After her mother is saved, Haruka Kawashima joins an elite air rescue team and decides she wants to become the first female pilot of a UH－60J (Japanese version of the Black Hawk) rescue helicopter. She goes through harsh, rigorous training and must overcome her emotions for the serious job of saving lives. After several mistakes she’s bluntly told she’s not good enough to be a rescue pilot, but the conflict only makes her more determined. One day, an F-15J fighter plane goes missing from radar and Kawashima receives the distress call. On reserve fuel and the struggling against all odds, she must accomplish her mission at any cost.
Director
Godman and Greenman join forces to take down a myriad of monstrous foes in an abandoned town.
Director
Un accidente durante las pruebas de un escudo magnético artificial antiplasma en el campo de prácticas de la Fuerza de Autodefensa Terrestre de Japón en el este de Fuji envía a la 3.ª Compañía Experimental Especial, bajo el mando del Coronel Matoba, en un viaje temporal de 460 años hacia el pasado, a la "Era de la Guerra civil". '. Al mismo tiempo, una anomalía de número imaginario que se cree que es causada por una interferencia del pasado comienza a erosionar el presente.
Self
Documentary about the production of the film. Directed by Yoshikazu Ishii.
Screenplay
En el film anterior, se había conseguido derrotar a un nuevo Godzilla gracias a un gigantesco robot muy similar al monstruo: el Mechagodzilla o Kiryu, que ahora está en proceso de reparación. Mientras tanto, las diminutas gemelas de la Isla Infante (hogar de Mothra) proporcionan al doctor Chujo una información de vital importancia: Kiryu ha sido construido con los huesos del Godzilla original, y el espíritu del monstruo no descansará hasta que sus restos regresen al mar. Chujo se pone en contacto con el Gobierno para que destruyan el proyecto Kiryu, porque Mothra, en cuanto reaparezca Godzilla, defenderá de nuevo el Japón, pero ministros y militares desoyen la advertencia. Y el gigante verde vuelve a aparecer en Tokio, desatando una oleada de destrucción. Pronto tendrá lugar el enfrentamiento entre Godzilla y Mothra, que cuenta con la ayuda del robot gigante, aunque no está totalmente reparado.
Director
En el film anterior, se había conseguido derrotar a un nuevo Godzilla gracias a un gigantesco robot muy similar al monstruo: el Mechagodzilla o Kiryu, que ahora está en proceso de reparación. Mientras tanto, las diminutas gemelas de la Isla Infante (hogar de Mothra) proporcionan al doctor Chujo una información de vital importancia: Kiryu ha sido construido con los huesos del Godzilla original, y el espíritu del monstruo no descansará hasta que sus restos regresen al mar. Chujo se pone en contacto con el Gobierno para que destruyan el proyecto Kiryu, porque Mothra, en cuanto reaparezca Godzilla, defenderá de nuevo el Japón, pero ministros y militares desoyen la advertencia. Y el gigante verde vuelve a aparecer en Tokio, desatando una oleada de destrucción. Pronto tendrá lugar el enfrentamiento entre Godzilla y Mothra, que cuenta con la ayuda del robot gigante, aunque no está totalmente reparado.
Director
Para proteger el país del monstruo Godzilla, el gobierno japonés crea un robot gigante pilotado por seres humanos: Mekagodzilla, un símil del propio monstruo. Para ello utilizan el esqueleto del Godzilla original, que atacó por primera vez en 1954.
Director
En su búsqueda de alimento radioactivo, Godzilla ha destruido ciudades y plantas nucleares Japonesas a lo largo de la segunda mitad del siglo XX. Para detenerlo, se creó el Cuartel G-War, un centro de investigación apoyado por el equipo de combate G-Graspers. Su última arma, el Dimension Tide, tiene como objetivo encerrar a Godzilla en el interior de un Agujero Negro.
Assistant Director
The film opens with kidnappers of a corporate executive making an unusual ransom demand: that a wizened executive from another company haul large bags of money through downtown Tokyo as the media documents his every move. When the first old man almost dies from exhaustion, a second, and eventually a third elderly corporate fat cat is ordered to do the same. The police detective assigned to the case (Tetsuya Watari) and his younger partner (Masatoshi Nagase) are livid with indignation at this sorry spectacle. They learn that these four men were involved in a massive industrial spill that poisoned an entire rural hamlet 20 years previous. Suddenly, the detective -- who studied in the States and apparently absorbed some John Wayne-like mannerisms in the process -- isn't sure who are the victims and who are the villains.
Assistant Director
Kobasashi was learning Spanish so that she could go to Spain to look for her father who had left the family. She fell in love with her language teacher Ken. Finally she found her father in Madrid and she also met Ken's ex-girl friend Taeko there. Ken came to Madrid and learned of their meeting. He wanted her to help to look for Taeko. Ken was caught in between the past and the present.
