Michel Ocelot

Three tales, three ages, three worlds. At the time of Ancient Egypt, a young king becomes the first black pharaoh to deserve the hand of his loved one. During the French Middle Ages, a mysterious wild boy steals from the rich to give to the poor. In 18th-century Turkey, a prince of pastries and a princess of roses escape the palace to live their love.

Three tales, three ages, three worlds. At the time of Ancient Egypt, a young king becomes the first black pharaoh to deserve the hand of his loved one. During the French Middle Ages, a mysterious wild boy steals from the rich to give to the poor. In 18th-century Turkey, a prince of pastries and a princess of roses escape the palace to live their love.

Three tales, three ages, three worlds. At the time of Ancient Egypt, a young king becomes the first black pharaoh to deserve the hand of his loved one. During the French Middle Ages, a mysterious wild boy steals from the rich to give to the poor. In 18th-century Turkey, a prince of pastries and a princess of roses escape the palace to live their love.

Three tales, three ages, three worlds. At the time of Ancient Egypt, a young king becomes the first black pharaoh to deserve the hand of his loved one. During the French Middle Ages, a mysterious wild boy steals from the rich to give to the poor. In 18th-century Turkey, a prince of pastries and a princess of roses escape the palace to live their love.

Three tales, three ages, three worlds. At the time of Ancient Egypt, a young king becomes the first black pharaoh to deserve the hand of his loved one. During the French Middle Ages, a mysterious wild boy steals from the rich to give to the poor. In 18th-century Turkey, a prince of pastries and a princess of roses escape the palace to live their love.

Pablo Legasa from the Paris Opera Ballet dances in the sky in live-action, to Erik Satie's Gnossienne No. 1.

Pablo Legasa from the Paris Opera Ballet dances in the sky in live-action, to Erik Satie's Gnossienne No. 1.

Pablo Legasa from the Paris Opera Ballet dances in the sky in live-action, to Erik Satie's Gnossienne No. 1.

With the help of her delivery-boy friend, Dilili, a young Kanak, investigates a spate of mysterious kidnappings of young girls that is plaguing Belle Epoque Paris. In the course of her investigation she encounters a series of extraordinary characters, each of whom provides her with clues that will help her in her quest.

With the help of her delivery-boy friend, Dilili, a young Kanak, investigates a spate of mysterious kidnappings of young girls that is plaguing Belle Epoque Paris. In the course of her investigation she encounters a series of extraordinary characters, each of whom provides her with clues that will help her in her quest.

Four tales about princesses and adventurers around the world: The Mistress of Monsters, The Wizard Student, The Ship's Boy and His Cat, and Ivan Tsarevitch and his changeable princess.

Four tales about princesses and adventurers around the world: The Mistress of Monsters, The Wizard Student, The Ship's Boy and His Cat, and Ivan Tsarevitch and his changeable princess.

Four tales about princesses and adventurers around the world: The Mistress of Monsters, The Wizard Student, The Ship's Boy and His Cat, and Ivan Tsarevitch and his changeable princess.

Four tales about princesses and adventurers around the world: The Mistress of Monsters, The Wizard Student, The Ship's Boy and His Cat, and Ivan Tsarevitch and his changeable princess.

Five further stories from the French designer, writer and director Michel Ocelot: La Maîtresse des monstres, Le Pont du petit cordonnier, Le Mousse et sa chatte, L'Écolier sorcier, and Ivan Tsarévitch et la Princesse Changeante. This compilation movie has only been released in Japan.

Five further stories from the French designer, writer and director Michel Ocelot: La Maîtresse des monstres, Le Pont du petit cordonnier, Le Mousse et sa chatte, L'Écolier sorcier, and Ivan Tsarévitch et la Princesse Changeante. This compilation movie has only been released in Japan.

Five further stories from the French designer, writer and director Michel Ocelot: La Maîtresse des monstres, Le Pont du petit cordonnier, Le Mousse et sa chatte, L'Écolier sorcier, and Ivan Tsarévitch et la Princesse Changeante. This compilation movie has only been released in Japan.

Five further stories from the French designer, writer and director Michel Ocelot: La Maîtresse des monstres, Le Pont du petit cordonnier, Le Mousse et sa chatte, L'Écolier sorcier, and Ivan Tsarévitch et la Princesse Changeante. This compilation movie has only been released in Japan.

The grandfather welcomes us into his blue grotto, there was still beautiful memories of childhood to tell Kirikou: the times when he helped the men and women of his village and elsewhere ... He tells us how Kirikou, thanks to his bravery and intelligence, came to the aid of the strong woman. He tells us by what trick the little hero found the grumpy old man, who had been lost in the bush, and how a cherry threatened by the witch was finally able to pass on his knowledge to the villagers. We also discover the secret of a mysterious blue monster, and finally through a flute linked to the family of our small and valiant heroes, the magical power of music.

The grandfather welcomes us into his blue grotto, there was still beautiful memories of childhood to tell Kirikou: the times when he helped the men and women of his village and elsewhere ... He tells us how Kirikou, thanks to his bravery and intelligence, came to the aid of the strong woman. He tells us by what trick the little hero found the grumpy old man, who had been lost in the bush, and how a cherry threatened by the witch was finally able to pass on his knowledge to the villagers. We also discover the secret of a mysterious blue monster, and finally through a flute linked to the family of our small and valiant heroes, the magical power of music.

The grandfather welcomes us into his blue grotto, there was still beautiful memories of childhood to tell Kirikou: the times when he helped the men and women of his village and elsewhere ... He tells us how Kirikou, thanks to his bravery and intelligence, came to the aid of the strong woman. He tells us by what trick the little hero found the grumpy old man, who had been lost in the bush, and how a cherry threatened by the witch was finally able to pass on his knowledge to the villagers. We also discover the secret of a mysterious blue monster, and finally through a flute linked to the family of our small and valiant heroes, the magical power of music.

Six exotic fables, each unfold in a unique locale, from Tibet, to medieval Europe, an Aztec kingdom, the African plains, and even the Land of the Dead.

Six exotic fables, each unfold in a unique locale, from Tibet, to medieval Europe, an Aztec kingdom, the African plains, and even the Land of the Dead.

Six exotic fables, each unfold in a unique locale, from Tibet, to medieval Europe, an Aztec kingdom, the African plains, and even the Land of the Dead.

I told a story, Kirikou and the Sorceress, that reached a large number of people. It was the first time in my life. But this film was not my first one. I had also made short films, with a very limited distribution. Nobody saw them. I am lucky enough now to introduce them to you, to make these little mechanisms run again; they are the result of perseverance and passion. Besides the almost forgotten past, I have added a dance of today, which I conceived for Björk. Also something of the future, a post-scriptum to my film "Azur & Asmar". In addition to the films, I try to explain the happy magic of these bits of nothing which became my life. Michel Ocelot

I told a story, Kirikou and the Sorceress, that reached a large number of people. It was the first time in my life. But this film was not my first one. I had also made short films, with a very limited distribution. Nobody saw them. I am lucky enough now to introduce them to you, to make these little mechanisms run again; they are the result of perseverance and passion. Besides the almost forgotten past, I have added a dance of today, which I conceived for Björk. Also something of the future, a post-scriptum to my film "Azur & Asmar". In addition to the films, I try to explain the happy magic of these bits of nothing which became my life. Michel Ocelot

I told a story, Kirikou and the Sorceress, that reached a large number of people. It was the first time in my life. But this film was not my first one. I had also made short films, with a very limited distribution. Nobody saw them. I am lucky enough now to introduce them to you, to make these little mechanisms run again; they are the result of perseverance and passion. Besides the almost forgotten past, I have added a dance of today, which I conceived for Björk. Also something of the future, a post-scriptum to my film "Azur & Asmar". In addition to the films, I try to explain the happy magic of these bits of nothing which became my life. Michel Ocelot

I told a story, Kirikou and the Sorceress, that reached a large number of people. It was the first time in my life. But this film was not my first one. I had also made short films, with a very limited distribution. Nobody saw them. I am lucky enough now to introduce them to you, to make these little mechanisms run again; they are the result of perseverance and passion. Besides the almost forgotten past, I have added a dance of today, which I conceived for Björk. Also something of the future, a post-scriptum to my film "Azur & Asmar". In addition to the films, I try to explain the happy magic of these bits of nothing which became my life. Michel Ocelot

Raised on tales of a Djinn fairy princess, Azur, a young Frenchman goes to North Africa in search of the sprite, only to discover that his close childhood friend, Asmar, an Arab youth whose mother raised both boys also seeks the genie.

Raised on tales of a Djinn fairy princess, Azur, a young Frenchman goes to North Africa in search of the sprite, only to discover that his close childhood friend, Asmar, an Arab youth whose mother raised both boys also seeks the genie.

Raised on tales of a Djinn fairy princess, Azur, a young Frenchman goes to North Africa in search of the sprite, only to discover that his close childhood friend, Asmar, an Arab youth whose mother raised both boys also seeks the genie.

The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou's interactions with a different animals. It is however unique among Michel Ocelot's films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).

The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou's interactions with a different animals. It is however unique among Michel Ocelot's films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).

Studio Ghibli is Japan's most successful animation studio, with helmers Hayao Miyazaki ("Spirited Away," "My Neighbor Totoro") and Isao Takahata ("Grave of The Fireflies," "The Tale of Princess Kaguya") creating a bonanza for producer/prexy Toshio Suzuki. Generously adorned with clips from their films and their influences, the docu follows Ghibli's arc from a mid-'60s rebellion against working conditions at Toei Co. to its present powerhouse position, complete with public fun park. All interviews are illuminating, but Miyazaki is teasingly confined to pic's tete-a-tete finale with esteemed French comic artist Jean "Moebius" Giraud. Meeting of the wizened European, whose imprint is on films from "Blade Runner" to "The Fifth Element," and the apparently relaxed Nipponese helmer makes an interesting contrast, and will be of special interest to Francophiles. All credits are impeccable

In this episodic animated fantasy from France, an art teacher interprets a series of six fairy tales (each involving a prince or princess) with the help of two precocious students. Princes and Princesses was created using a special style of cutout animation, with black silhouetted characters performing the action against backlit backdrops in striking colors.

In this episodic animated fantasy from France, an art teacher interprets a series of six fairy tales (each involving a prince or princess) with the help of two precocious students. Princes and Princesses was created using a special style of cutout animation, with black silhouetted characters performing the action against backlit backdrops in striking colors.

In this episodic animated fantasy from France, an art teacher interprets a series of six fairy tales (each involving a prince or princess) with the help of two precocious students. Princes and Princesses was created using a special style of cutout animation, with black silhouetted characters performing the action against backlit backdrops in striking colors.

In this episodic animated fantasy from France, an art teacher interprets a series of six fairy tales (each involving a prince or princess) with the help of two precocious students. Princes and Princesses was created using a special style of cutout animation, with black silhouetted characters performing the action against backlit backdrops in striking colors.

In this episodic animated fantasy from France, an art teacher interprets a series of six fairy tales (each involving a prince or princess) with the help of two precocious students. Princes and Princesses was created using a special style of cutout animation, with black silhouetted characters performing the action against backlit backdrops in striking colors.

Drawn from elements of West African folk tales, it depicts how a newborn boy, Kirikou, saves his village from the evil witch Karaba.

Drawn from elements of West African folk tales, it depicts how a newborn boy, Kirikou, saves his village from the evil witch Karaba.

Drawn from elements of West African folk tales, it depicts how a newborn boy, Kirikou, saves his village from the evil witch Karaba.

Not to be confused with Ocelot's 2011 feature film, Tales of the Night is a made for TV silhouette animation. It is a compilation of 3 fairy tale like stories, bridged by sequences of a boy and girl in an abandoned theater.

Not to be confused with Ocelot's 2011 feature film, Tales of the Night is a made for TV silhouette animation. It is a compilation of 3 fairy tale like stories, bridged by sequences of a boy and girl in an abandoned theater.

Not to be confused with Ocelot's 2011 feature film, Tales of the Night is a made for TV silhouette animation. It is a compilation of 3 fairy tale like stories, bridged by sequences of a boy and girl in an abandoned theater.

Here we have an innocent boy, a pretty princess, a treacherous merchant and a giant eagle who is fond of jewels. The tale is set in the country of the Arabian Nights, under a hail of precious stones...

Here we have an innocent boy, a pretty princess, a treacherous merchant and a giant eagle who is fond of jewels. The tale is set in the country of the Arabian Nights, under a hail of precious stones...

Here we have an innocent boy, a pretty princess, a treacherous merchant and a giant eagle who is fond of jewels. The tale is set in the country of the Arabian Nights, under a hail of precious stones...

Here we have an innocent boy, a pretty princess, a treacherous merchant and a giant eagle who is fond of jewels. The tale is set in the country of the Arabian Nights, under a hail of precious stones...

A pretty shepherdess is in love with a young shepherd. So is a fairy. The shepherdess knows how to look after sheep and dance to the sound of her boyfriend's pipe. As for the fairy, she is powerful and hard-hearted; she has a flying dragon, a crystal palace, a sleeping tower and other evil powers. Which of the two will win ?

A pretty shepherdess is in love with a young shepherd. So is a fairy. The shepherdess knows how to look after sheep and dance to the sound of her boyfriend's pipe. As for the fairy, she is powerful and hard-hearted; she has a flying dragon, a crystal palace, a sleeping tower and other evil powers. Which of the two will win ?

"I am ugly, I am alone, I am bored". In three seconds, everything will change...

"I am ugly, I am alone, I am bored". In three seconds, everything will change...

Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.

Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.

Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.

Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.

Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.

Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.

On her throne, a princess welcomes her suitors under the watchful eye of her family and the kingdom. Down below, amongst the crowd, struggles a poor hunchback.

On her throne, a princess welcomes her suitors under the watchful eye of her family and the kingdom. Down below, amongst the crowd, struggles a poor hunchback.

On her throne, a princess welcomes her suitors under the watchful eye of her family and the kingdom. Down below, amongst the crowd, struggles a poor hunchback.

On her throne, a princess welcomes her suitors under the watchful eye of her family and the kingdom. Down below, amongst the crowd, struggles a poor hunchback.

On her throne, a princess welcomes her suitors under the watchful eye of her family and the kingdom. Down below, amongst the crowd, struggles a poor hunchback.

Documentary on industrial lubrification.

Documentary on industrial lubrification.

The Daughters of Equality want everybody to be like them...

The Daughters of Equality want everybody to be like them...

The Daughters of Equality want everybody to be like them...

The Daughters of Equality want everybody to be like them...

The Daughters of Equality want everybody to be like them...

Documentary on industrial lubrification.

The Daughters of Equality want everybody to be like them...

In a white lace universe, three inventors create machine which are both pretty and useful. Unfortunately people do not understand them...

In a white lace universe, three inventors create machine which are both pretty and useful. Unfortunately people do not understand them...

In a white lace universe, three inventors create machine which are both pretty and useful. Unfortunately people do not understand them...

In a white lace universe, three inventors create machine which are both pretty and useful. Unfortunately people do not understand them...