Michel Ocelot

Three tales, three ages, three worlds. At the time of Ancient Egypt, a young king becomes the first black pharaoh to deserve the hand of his loved one. During the French Middle Ages, a mysterious wild boy steals from the rich to give to the poor. In 18th-century Turkey, a prince of pastries and a princess of roses escape the palace to live their love.

Three tales, three ages, three worlds. At the time of Ancient Egypt, a young king becomes the first black pharaoh to deserve the hand of his loved one. During the French Middle Ages, a mysterious wild boy steals from the rich to give to the poor. In 18th-century Turkey, a prince of pastries and a princess of roses escape the palace to live their love.

Three tales, three ages, three worlds. At the time of Ancient Egypt, a young king becomes the first black pharaoh to deserve the hand of his loved one. During the French Middle Ages, a mysterious wild boy steals from the rich to give to the poor. In 18th-century Turkey, a prince of pastries and a princess of roses escape the palace to live their love.

Three tales, three ages, three worlds. At the time of Ancient Egypt, a young king becomes the first black pharaoh to deserve the hand of his loved one. During the French Middle Ages, a mysterious wild boy steals from the rich to give to the poor. In 18th-century Turkey, a prince of pastries and a princess of roses escape the palace to live their love.

Three tales, three ages, three worlds. At the time of Ancient Egypt, a young king becomes the first black pharaoh to deserve the hand of his loved one. During the French Middle Ages, a mysterious wild boy steals from the rich to give to the poor. In 18th-century Turkey, a prince of pastries and a princess of roses escape the palace to live their love.

Pablo Legasa from the Paris Opera Ballet dances in the sky in live-action, to Erik Satie's Gnossienne No. 1.

Pablo Legasa from the Paris Opera Ballet dances in the sky in live-action, to Erik Satie's Gnossienne No. 1.

Pablo Legasa from the Paris Opera Ballet dances in the sky in live-action, to Erik Satie's Gnossienne No. 1.

Dilili, una joven que llega de Nueva Caledonia a Francia, cuenta con la ayuda de su amigo repartidor para investigar una serie de misteriosos secuestros de chicas jóvenes en el París de la Belle Époque. En el curso de su investigación se encontrará con múltiples personajes extraordinarios que le irán dando pistas.

Dilili, una joven que llega de Nueva Caledonia a Francia, cuenta con la ayuda de su amigo repartidor para investigar una serie de misteriosos secuestros de chicas jóvenes en el París de la Belle Époque. En el curso de su investigación se encontrará con múltiples personajes extraordinarios que le irán dando pistas.

Four tales about princesses and adventurers around the world: The Mistress of Monsters, The Wizard Student, The Ship's Boy and His Cat, and Ivan Tsarevitch and his changeable princess.

Four tales about princesses and adventurers around the world: The Mistress of Monsters, The Wizard Student, The Ship's Boy and His Cat, and Ivan Tsarevitch and his changeable princess.

Four tales about princesses and adventurers around the world: The Mistress of Monsters, The Wizard Student, The Ship's Boy and His Cat, and Ivan Tsarevitch and his changeable princess.

Four tales about princesses and adventurers around the world: The Mistress of Monsters, The Wizard Student, The Ship's Boy and His Cat, and Ivan Tsarevitch and his changeable princess.

Five further stories from the French designer, writer and director Michel Ocelot: La Maîtresse des monstres, Le Pont du petit cordonnier, Le Mousse et sa chatte, L'Écolier sorcier, and Ivan Tsarévitch et la Princesse Changeante. This compilation movie has only been released in Japan.

Five further stories from the French designer, writer and director Michel Ocelot: La Maîtresse des monstres, Le Pont du petit cordonnier, Le Mousse et sa chatte, L'Écolier sorcier, and Ivan Tsarévitch et la Princesse Changeante. This compilation movie has only been released in Japan.

Five further stories from the French designer, writer and director Michel Ocelot: La Maîtresse des monstres, Le Pont du petit cordonnier, Le Mousse et sa chatte, L'Écolier sorcier, and Ivan Tsarévitch et la Princesse Changeante. This compilation movie has only been released in Japan.

Five further stories from the French designer, writer and director Michel Ocelot: La Maîtresse des monstres, Le Pont du petit cordonnier, Le Mousse et sa chatte, L'Écolier sorcier, and Ivan Tsarévitch et la Princesse Changeante. This compilation movie has only been released in Japan.

Las historias de Kirikú no han terminado, así que de la mano de su abuelo nos llegan nuevas aventuras que aún desconocemos de este pequeño. Tercera película protagonizada por Kirikú.

Las historias de Kirikú no han terminado, así que de la mano de su abuelo nos llegan nuevas aventuras que aún desconocemos de este pequeño. Tercera película protagonizada por Kirikú.

Las historias de Kirikú no han terminado, así que de la mano de su abuelo nos llegan nuevas aventuras que aún desconocemos de este pequeño. Tercera película protagonizada por Kirikú.

Siguiendo la estela del especial televisivo de título homónimo emitido en 1992, 'Les contes de la nuit' recoge seis pequeñas historias presentadas, esta vez, en tres dimensiones. A partir de unas siluetas animadas, el director Michel Ocelot recoge las siguientes historias: "El hombre lobo"; "Tijean y la bella sin conocer"; "Los elegidos de la ciudad dorada"; "El pequeño tamborilero"; "El niño que nunca mintió"; y "La muchacha coneja y el hijo del arquitecto".

Siguiendo la estela del especial televisivo de título homónimo emitido en 1992, 'Les contes de la nuit' recoge seis pequeñas historias presentadas, esta vez, en tres dimensiones. A partir de unas siluetas animadas, el director Michel Ocelot recoge las siguientes historias: "El hombre lobo"; "Tijean y la bella sin conocer"; "Los elegidos de la ciudad dorada"; "El pequeño tamborilero"; "El niño que nunca mintió"; y "La muchacha coneja y el hijo del arquitecto".

Siguiendo la estela del especial televisivo de título homónimo emitido en 1992, 'Les contes de la nuit' recoge seis pequeñas historias presentadas, esta vez, en tres dimensiones. A partir de unas siluetas animadas, el director Michel Ocelot recoge las siguientes historias: "El hombre lobo"; "Tijean y la bella sin conocer"; "Los elegidos de la ciudad dorada"; "El pequeño tamborilero"; "El niño que nunca mintió"; y "La muchacha coneja y el hijo del arquitecto".

I told a story, Kirikou and the Sorceress, that reached a large number of people. It was the first time in my life. But this film was not my first one. I had also made short films, with a very limited distribution. Nobody saw them. I am lucky enough now to introduce them to you, to make these little mechanisms run again; they are the result of perseverance and passion. Besides the almost forgotten past, I have added a dance of today, which I conceived for Björk. Also something of the future, a post-scriptum to my film "Azur & Asmar". In addition to the films, I try to explain the happy magic of these bits of nothing which became my life. Michel Ocelot

I told a story, Kirikou and the Sorceress, that reached a large number of people. It was the first time in my life. But this film was not my first one. I had also made short films, with a very limited distribution. Nobody saw them. I am lucky enough now to introduce them to you, to make these little mechanisms run again; they are the result of perseverance and passion. Besides the almost forgotten past, I have added a dance of today, which I conceived for Björk. Also something of the future, a post-scriptum to my film "Azur & Asmar". In addition to the films, I try to explain the happy magic of these bits of nothing which became my life. Michel Ocelot

I told a story, Kirikou and the Sorceress, that reached a large number of people. It was the first time in my life. But this film was not my first one. I had also made short films, with a very limited distribution. Nobody saw them. I am lucky enough now to introduce them to you, to make these little mechanisms run again; they are the result of perseverance and passion. Besides the almost forgotten past, I have added a dance of today, which I conceived for Björk. Also something of the future, a post-scriptum to my film "Azur & Asmar". In addition to the films, I try to explain the happy magic of these bits of nothing which became my life. Michel Ocelot

I told a story, Kirikou and the Sorceress, that reached a large number of people. It was the first time in my life. But this film was not my first one. I had also made short films, with a very limited distribution. Nobody saw them. I am lucky enough now to introduce them to you, to make these little mechanisms run again; they are the result of perseverance and passion. Besides the almost forgotten past, I have added a dance of today, which I conceived for Björk. Also something of the future, a post-scriptum to my film "Azur & Asmar". In addition to the films, I try to explain the happy magic of these bits of nothing which became my life. Michel Ocelot

Dos niños son criados en Francia como hermanos. Uno es rico y el otro hijo de la nodriza de la familia. La vida les separa bruscamente pero se reencontrarán cuando Azur decida ir en busca del Hada de los Djins. Fábula sobre la tolerancia realizada por Michel Ocelot, director de "Kirikú y la bruja"

Dos niños son criados en Francia como hermanos. Uno es rico y el otro hijo de la nodriza de la familia. La vida les separa bruscamente pero se reencontrarán cuando Azur decida ir en busca del Hada de los Djins. Fábula sobre la tolerancia realizada por Michel Ocelot, director de "Kirikú y la bruja"

Dos niños son criados en Francia como hermanos. Uno es rico y el otro hijo de la nodriza de la familia. La vida les separa bruscamente pero se reencontrarán cuando Azur decida ir en busca del Hada de los Djins. Fábula sobre la tolerancia realizada por Michel Ocelot, director de "Kirikú y la bruja"

El encanto del pequeño niño africano Kirikú regresa a la gran pantalla para luchar contra el mal. En esta ocasión, su abuelo, desde su majestuoso trono de la gruta Azul cuenta a los más pequeños de la casa cómo Kirikú tiene que buscar el valor, la astucia, el amor y la generosidad que se esconden en su interior y que le ayudarán a triunfar en su lucha contra el mal. Para lograrlo, el niño africano se convertirá en alfarero, detective, jardinero, comerciante y hasta médico.

El encanto del pequeño niño africano Kirikú regresa a la gran pantalla para luchar contra el mal. En esta ocasión, su abuelo, desde su majestuoso trono de la gruta Azul cuenta a los más pequeños de la casa cómo Kirikú tiene que buscar el valor, la astucia, el amor y la generosidad que se esconden en su interior y que le ayudarán a triunfar en su lucha contra el mal. Para lograrlo, el niño africano se convertirá en alfarero, detective, jardinero, comerciante y hasta médico.

Studio Ghibli is Japan's most successful animation studio, with helmers Hayao Miyazaki ("Spirited Away," "My Neighbor Totoro") and Isao Takahata ("Grave of The Fireflies," "The Tale of Princess Kaguya") creating a bonanza for producer/prexy Toshio Suzuki. Generously adorned with clips from their films and their influences, the docu follows Ghibli's arc from a mid-'60s rebellion against working conditions at Toei Co. to its present powerhouse position, complete with public fun park. All interviews are illuminating, but Miyazaki is teasingly confined to pic's tete-a-tete finale with esteemed French comic artist Jean "Moebius" Giraud. Meeting of the wizened European, whose imprint is on films from "Blade Runner" to "The Fifth Element," and the apparently relaxed Nipponese helmer makes an interesting contrast, and will be of special interest to Francophiles. All credits are impeccable

Seis historias breves en el cine de príncipes y princesas provenientes de seis partes del mundo, contadas a través de la magia de las sombras chinescas.

Seis historias breves en el cine de príncipes y princesas provenientes de seis partes del mundo, contadas a través de la magia de las sombras chinescas.

Seis historias breves en el cine de príncipes y princesas provenientes de seis partes del mundo, contadas a través de la magia de las sombras chinescas.

Seis historias breves en el cine de príncipes y princesas provenientes de seis partes del mundo, contadas a través de la magia de las sombras chinescas.

Seis historias breves en el cine de príncipes y princesas provenientes de seis partes del mundo, contadas a través de la magia de las sombras chinescas.

Kirikú es un niño muy pequeño que sabe exactamente lo que quiere incluso, antes de su nacimiento. Es independiente, generoso y valiente, cualidades que necesitará emplear a fondo porque Kirikú ha nacido en un poblado africano sobre el que la terrible y hermosa bruja Karabá ha extendido un maleficio: no hay flores, ni agua, tienen que entregarle tributos y no quedan hombres, porque según creen los habitantes del poblado, se los ha comido la bruja.

Kirikú es un niño muy pequeño que sabe exactamente lo que quiere incluso, antes de su nacimiento. Es independiente, generoso y valiente, cualidades que necesitará emplear a fondo porque Kirikú ha nacido en un poblado africano sobre el que la terrible y hermosa bruja Karabá ha extendido un maleficio: no hay flores, ni agua, tienen que entregarle tributos y no quedan hombres, porque según creen los habitantes del poblado, se los ha comido la bruja.

Kirikú es un niño muy pequeño que sabe exactamente lo que quiere incluso, antes de su nacimiento. Es independiente, generoso y valiente, cualidades que necesitará emplear a fondo porque Kirikú ha nacido en un poblado africano sobre el que la terrible y hermosa bruja Karabá ha extendido un maleficio: no hay flores, ni agua, tienen que entregarle tributos y no quedan hombres, porque según creen los habitantes del poblado, se los ha comido la bruja.

Not to be confused with Ocelot's 2011 feature film, Tales of the Night is a made for TV silhouette animation. It is a compilation of 3 fairy tale like stories, bridged by sequences of a boy and girl in an abandoned theater.

Not to be confused with Ocelot's 2011 feature film, Tales of the Night is a made for TV silhouette animation. It is a compilation of 3 fairy tale like stories, bridged by sequences of a boy and girl in an abandoned theater.

Not to be confused with Ocelot's 2011 feature film, Tales of the Night is a made for TV silhouette animation. It is a compilation of 3 fairy tale like stories, bridged by sequences of a boy and girl in an abandoned theater.

Here we have an innocent boy, a pretty princess, a treacherous merchant and a giant eagle who is fond of jewels. The tale is set in the country of the Arabian Nights, under a hail of precious stones...

Here we have an innocent boy, a pretty princess, a treacherous merchant and a giant eagle who is fond of jewels. The tale is set in the country of the Arabian Nights, under a hail of precious stones...

Here we have an innocent boy, a pretty princess, a treacherous merchant and a giant eagle who is fond of jewels. The tale is set in the country of the Arabian Nights, under a hail of precious stones...

Here we have an innocent boy, a pretty princess, a treacherous merchant and a giant eagle who is fond of jewels. The tale is set in the country of the Arabian Nights, under a hail of precious stones...

A pretty shepherdess is in love with a young shepherd. So is a fairy. The shepherdess knows how to look after sheep and dance to the sound of her boyfriend's pipe. As for the fairy, she is powerful and hard-hearted; she has a flying dragon, a crystal palace, a sleeping tower and other evil powers. Which of the two will win ?

A pretty shepherdess is in love with a young shepherd. So is a fairy. The shepherdess knows how to look after sheep and dance to the sound of her boyfriend's pipe. As for the fairy, she is powerful and hard-hearted; she has a flying dragon, a crystal palace, a sleeping tower and other evil powers. Which of the two will win ?

"I am ugly, I am alone, I am bored". In three seconds, everything will change...

"I am ugly, I am alone, I am bored". In three seconds, everything will change...

Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.

Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.

Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.

Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.

Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.

Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.

On her throne, a princess welcomes her suitors under the watchful eye of her family and the kingdom. Down below, amongst the crowd, struggles a poor hunchback.

On her throne, a princess welcomes her suitors under the watchful eye of her family and the kingdom. Down below, amongst the crowd, struggles a poor hunchback.

On her throne, a princess welcomes her suitors under the watchful eye of her family and the kingdom. Down below, amongst the crowd, struggles a poor hunchback.

On her throne, a princess welcomes her suitors under the watchful eye of her family and the kingdom. Down below, amongst the crowd, struggles a poor hunchback.

On her throne, a princess welcomes her suitors under the watchful eye of her family and the kingdom. Down below, amongst the crowd, struggles a poor hunchback.

Documentary on industrial lubrification.

Documentary on industrial lubrification.

The Daughters of Equality want everybody to be like them...

The Daughters of Equality want everybody to be like them...

The Daughters of Equality want everybody to be like them...

The Daughters of Equality want everybody to be like them...

The Daughters of Equality want everybody to be like them...

Documentary on industrial lubrification.

The Daughters of Equality want everybody to be like them...

En un universo blanco y canalla, tres inventores crean una máquina que es a la vez útil y bonita. Pero, desafortunadamente, la gente no los entiende...

En un universo blanco y canalla, tres inventores crean una máquina que es a la vez útil y bonita. Pero, desafortunadamente, la gente no los entiende...

En un universo blanco y canalla, tres inventores crean una máquina que es a la vez útil y bonita. Pero, desafortunadamente, la gente no los entiende...

En un universo blanco y canalla, tres inventores crean una máquina que es a la vez útil y bonita. Pero, desafortunadamente, la gente no los entiende...