Story Artist
Three tales, three ages, three worlds. At the time of Ancient Egypt, a young king becomes the first black pharaoh to deserve the hand of his loved one. During the French Middle Ages, a mysterious wild boy steals from the rich to give to the poor. In 18th-century Turkey, a prince of pastries and a princess of roses escape the palace to live their love.
Art Direction
Three tales, three ages, three worlds. At the time of Ancient Egypt, a young king becomes the first black pharaoh to deserve the hand of his loved one. During the French Middle Ages, a mysterious wild boy steals from the rich to give to the poor. In 18th-century Turkey, a prince of pastries and a princess of roses escape the palace to live their love.
Production Design
Three tales, three ages, three worlds. At the time of Ancient Egypt, a young king becomes the first black pharaoh to deserve the hand of his loved one. During the French Middle Ages, a mysterious wild boy steals from the rich to give to the poor. In 18th-century Turkey, a prince of pastries and a princess of roses escape the palace to live their love.
Screenplay
Three tales, three ages, three worlds. At the time of Ancient Egypt, a young king becomes the first black pharaoh to deserve the hand of his loved one. During the French Middle Ages, a mysterious wild boy steals from the rich to give to the poor. In 18th-century Turkey, a prince of pastries and a princess of roses escape the palace to live their love.
Director
Three tales, three ages, three worlds. At the time of Ancient Egypt, a young king becomes the first black pharaoh to deserve the hand of his loved one. During the French Middle Ages, a mysterious wild boy steals from the rich to give to the poor. In 18th-century Turkey, a prince of pastries and a princess of roses escape the palace to live their love.
Self
Self (voice)
Director
Pablo Legasa from the Paris Opera Ballet dances in the sky in live-action, to Erik Satie's Gnossienne No. 1.
Screenplay
Pablo Legasa from the Paris Opera Ballet dances in the sky in live-action, to Erik Satie's Gnossienne No. 1.
Writer
Pablo Legasa from the Paris Opera Ballet dances in the sky in live-action, to Erik Satie's Gnossienne No. 1.
Screenplay
With the help of her delivery-boy friend, Dilili, a young Kanak, investigates a spate of mysterious kidnappings of young girls that is plaguing Belle Epoque Paris. In the course of her investigation she encounters a series of extraordinary characters, each of whom provides her with clues that will help her in her quest.
Director
With the help of her delivery-boy friend, Dilili, a young Kanak, investigates a spate of mysterious kidnappings of young girls that is plaguing Belle Epoque Paris. In the course of her investigation she encounters a series of extraordinary characters, each of whom provides her with clues that will help her in her quest.
Writer
Four tales about princesses and adventurers around the world: The Mistress of Monsters, The Wizard Student, The Ship's Boy and His Cat, and Ivan Tsarevitch and his changeable princess.
Matelot 2 / Le médecin (voice) (archive footage)
Four tales about princesses and adventurers around the world: The Mistress of Monsters, The Wizard Student, The Ship's Boy and His Cat, and Ivan Tsarevitch and his changeable princess.
Screenplay
Four tales about princesses and adventurers around the world: The Mistress of Monsters, The Wizard Student, The Ship's Boy and His Cat, and Ivan Tsarevitch and his changeable princess.
Director
Four tales about princesses and adventurers around the world: The Mistress of Monsters, The Wizard Student, The Ship's Boy and His Cat, and Ivan Tsarevitch and his changeable princess.
Storyboard
Five further stories from the French designer, writer and director Michel Ocelot: La Maîtresse des monstres, Le Pont du petit cordonnier, Le Mousse et sa chatte, L'Écolier sorcier, and Ivan Tsarévitch et la Princesse Changeante. This compilation movie has only been released in Japan.
Various Characters (voice) (archive footage)
Five further stories from the French designer, writer and director Michel Ocelot: La Maîtresse des monstres, Le Pont du petit cordonnier, Le Mousse et sa chatte, L'Écolier sorcier, and Ivan Tsarévitch et la Princesse Changeante. This compilation movie has only been released in Japan.
Screenplay
Five further stories from the French designer, writer and director Michel Ocelot: La Maîtresse des monstres, Le Pont du petit cordonnier, Le Mousse et sa chatte, L'Écolier sorcier, and Ivan Tsarévitch et la Princesse Changeante. This compilation movie has only been released in Japan.
Director
Five further stories from the French designer, writer and director Michel Ocelot: La Maîtresse des monstres, Le Pont du petit cordonnier, Le Mousse et sa chatte, L'Écolier sorcier, and Ivan Tsarévitch et la Princesse Changeante. This compilation movie has only been released in Japan.
Screenplay
The grandfather welcomes us into his blue grotto, there was still beautiful memories of childhood to tell Kirikou: the times when he helped the men and women of his village and elsewhere ... He tells us how Kirikou, thanks to his bravery and intelligence, came to the aid of the strong woman. He tells us by what trick the little hero found the grumpy old man, who had been lost in the bush, and how a cherry threatened by the witch was finally able to pass on his knowledge to the villagers. We also discover the secret of a mysterious blue monster, and finally through a flute linked to the family of our small and valiant heroes, the magical power of music.
Writer
The grandfather welcomes us into his blue grotto, there was still beautiful memories of childhood to tell Kirikou: the times when he helped the men and women of his village and elsewhere ... He tells us how Kirikou, thanks to his bravery and intelligence, came to the aid of the strong woman. He tells us by what trick the little hero found the grumpy old man, who had been lost in the bush, and how a cherry threatened by the witch was finally able to pass on his knowledge to the villagers. We also discover the secret of a mysterious blue monster, and finally through a flute linked to the family of our small and valiant heroes, the magical power of music.
Director
The grandfather welcomes us into his blue grotto, there was still beautiful memories of childhood to tell Kirikou: the times when he helped the men and women of his village and elsewhere ... He tells us how Kirikou, thanks to his bravery and intelligence, came to the aid of the strong woman. He tells us by what trick the little hero found the grumpy old man, who had been lost in the bush, and how a cherry threatened by the witch was finally able to pass on his knowledge to the villagers. We also discover the secret of a mysterious blue monster, and finally through a flute linked to the family of our small and valiant heroes, the magical power of music.
Screenplay
Six exotic fables, each unfold in a unique locale, from Tibet, to medieval Europe, an Aztec kingdom, the African plains, and even the Land of the Dead.
Writer
Six exotic fables, each unfold in a unique locale, from Tibet, to medieval Europe, an Aztec kingdom, the African plains, and even the Land of the Dead.
Director
Six exotic fables, each unfold in a unique locale, from Tibet, to medieval Europe, an Aztec kingdom, the African plains, and even the Land of the Dead.
Director
Screenplay
Screenplay
I told a story, Kirikou and the Sorceress, that reached a large number of people. It was the first time in my life. But this film was not my first one. I had also made short films, with a very limited distribution. Nobody saw them. I am lucky enough now to introduce them to you, to make these little mechanisms run again; they are the result of perseverance and passion. Besides the almost forgotten past, I have added a dance of today, which I conceived for Björk. Also something of the future, a post-scriptum to my film "Azur & Asmar". In addition to the films, I try to explain the happy magic of these bits of nothing which became my life. Michel Ocelot
I told a story, Kirikou and the Sorceress, that reached a large number of people. It was the first time in my life. But this film was not my first one. I had also made short films, with a very limited distribution. Nobody saw them. I am lucky enough now to introduce them to you, to make these little mechanisms run again; they are the result of perseverance and passion. Besides the almost forgotten past, I have added a dance of today, which I conceived for Björk. Also something of the future, a post-scriptum to my film "Azur & Asmar". In addition to the films, I try to explain the happy magic of these bits of nothing which became my life. Michel Ocelot
Writer
I told a story, Kirikou and the Sorceress, that reached a large number of people. It was the first time in my life. But this film was not my first one. I had also made short films, with a very limited distribution. Nobody saw them. I am lucky enough now to introduce them to you, to make these little mechanisms run again; they are the result of perseverance and passion. Besides the almost forgotten past, I have added a dance of today, which I conceived for Björk. Also something of the future, a post-scriptum to my film "Azur & Asmar". In addition to the films, I try to explain the happy magic of these bits of nothing which became my life. Michel Ocelot
Director
I told a story, Kirikou and the Sorceress, that reached a large number of people. It was the first time in my life. But this film was not my first one. I had also made short films, with a very limited distribution. Nobody saw them. I am lucky enough now to introduce them to you, to make these little mechanisms run again; they are the result of perseverance and passion. Besides the almost forgotten past, I have added a dance of today, which I conceived for Björk. Also something of the future, a post-scriptum to my film "Azur & Asmar". In addition to the films, I try to explain the happy magic of these bits of nothing which became my life. Michel Ocelot
Screenplay
Красавец-блондин Азур с глазами цвета ясного неба — сын владелицы замка. Брюнет Азмар, чьи очи черны, как самая темная ночь Востока, — сын кормилицы. В зеленой и процветающей стране они росли, как родные братья. Судьба разлучила друзей, но они не забыли счастья своего детства и сказок о далекой стране мечты, о которой когда-то рассказывала им кормилица. Став взрослым, сильный и умный Азур отправляется на поиски этой загадочной страны, где обитает могущественная Фея Джиннов. Сказка детства привела в эти края и храброго Азмара, который тоже полон решимости во что бы то ни стало разыскать Фею, невзирая на все опасности и чары этого волшебного государства, где встречаются день и ночь, где счастье и любовь — на волоске от смерти…
Writer
Красавец-блондин Азур с глазами цвета ясного неба — сын владелицы замка. Брюнет Азмар, чьи очи черны, как самая темная ночь Востока, — сын кормилицы. В зеленой и процветающей стране они росли, как родные братья. Судьба разлучила друзей, но они не забыли счастья своего детства и сказок о далекой стране мечты, о которой когда-то рассказывала им кормилица. Став взрослым, сильный и умный Азур отправляется на поиски этой загадочной страны, где обитает могущественная Фея Джиннов. Сказка детства привела в эти края и храброго Азмара, который тоже полон решимости во что бы то ни стало разыскать Фею, невзирая на все опасности и чары этого волшебного государства, где встречаются день и ночь, где счастье и любовь — на волоске от смерти…
Director
Красавец-блондин Азур с глазами цвета ясного неба — сын владелицы замка. Брюнет Азмар, чьи очи черны, как самая темная ночь Востока, — сын кормилицы. В зеленой и процветающей стране они росли, как родные братья. Судьба разлучила друзей, но они не забыли счастья своего детства и сказок о далекой стране мечты, о которой когда-то рассказывала им кормилица. Став взрослым, сильный и умный Азур отправляется на поиски этой загадочной страны, где обитает могущественная Фея Джиннов. Сказка детства привела в эти края и храброго Азмара, который тоже полон решимости во что бы то ни стало разыскать Фею, невзирая на все опасности и чары этого волшебного государства, где встречаются день и ночь, где счастье и любовь — на волоске от смерти…
Screenplay
Фильм от лауреата премии «Сезар», создателя знаменитого мультфильма «Кирику и колдунья», удостоенного Гран-при самого престижного в мире фестиваля анимационных фильмов Анси (Франция) в 1999 году. Это антология разных подвигов маленького негритенка, о которых повествует его мудрый дедушка. Кирику разгадывает тайну разграбленного огорода, восхищается красотами родного континента, путешествуя на жирафе, и даже — спасая деревню — бросает вызов самой Смерти.
Director
Фильм от лауреата премии «Сезар», создателя знаменитого мультфильма «Кирику и колдунья», удостоенного Гран-при самого престижного в мире фестиваля анимационных фильмов Анси (Франция) в 1999 году. Это антология разных подвигов маленького негритенка, о которых повествует его мудрый дедушка. Кирику разгадывает тайну разграбленного огорода, восхищается красотами родного континента, путешествуя на жирафе, и даже — спасая деревню — бросает вызов самой Смерти.
Self - Interviewee
Studio Ghibli is Japan's most successful animation studio, with helmers Hayao Miyazaki ("Spirited Away," "My Neighbor Totoro") and Isao Takahata ("Grave of The Fireflies," "The Tale of Princess Kaguya") creating a bonanza for producer/prexy Toshio Suzuki. Generously adorned with clips from their films and their influences, the docu follows Ghibli's arc from a mid-'60s rebellion against working conditions at Toei Co. to its present powerhouse position, complete with public fun park. All interviews are illuminating, but Miyazaki is teasingly confined to pic's tete-a-tete finale with esteemed French comic artist Jean "Moebius" Giraud. Meeting of the wizened European, whose imprint is on films from "Blade Runner" to "The Fifth Element," and the apparently relaxed Nipponese helmer makes an interesting contrast, and will be of special interest to Francophiles. All credits are impeccable
Animation
«Принцы и принцессы» - полнометражный мультфильм французского мультипликатора Мишеля Осело, нарисованный в изысканной силуэтной манере. Мультфильм состоит из шести историй, рассказанных и сыгранных главными героями. Каждая история не похожа на предыдущую – разные страны, разные эпохи, неожиданные повороты сюжета. В некоторых историях узнаются знакомые с детства сюжеты.
Decorator
«Принцы и принцессы» - полнометражный мультфильм французского мультипликатора Мишеля Осело, нарисованный в изысканной силуэтной манере. Мультфильм состоит из шести историй, рассказанных и сыгранных главными героями. Каждая история не похожа на предыдущую – разные страны, разные эпохи, неожиданные повороты сюжета. В некоторых историях узнаются знакомые с детства сюжеты.
Screenplay
«Принцы и принцессы» - полнометражный мультфильм французского мультипликатора Мишеля Осело, нарисованный в изысканной силуэтной манере. Мультфильм состоит из шести историй, рассказанных и сыгранных главными героями. Каждая история не похожа на предыдущую – разные страны, разные эпохи, неожиданные повороты сюжета. В некоторых историях узнаются знакомые с детства сюжеты.
Writer
«Принцы и принцессы» - полнометражный мультфильм французского мультипликатора Мишеля Осело, нарисованный в изысканной силуэтной манере. Мультфильм состоит из шести историй, рассказанных и сыгранных главными героями. Каждая история не похожа на предыдущую – разные страны, разные эпохи, неожиданные повороты сюжета. В некоторых историях узнаются знакомые с детства сюжеты.
Director
«Принцы и принцессы» - полнометражный мультфильм французского мультипликатора Мишеля Осело, нарисованный в изысканной силуэтной манере. Мультфильм состоит из шести историй, рассказанных и сыгранных главными героями. Каждая история не похожа на предыдущую – разные страны, разные эпохи, неожиданные повороты сюжета. В некоторых историях узнаются знакомые с детства сюжеты.
Screenplay
В маленькой деревне, где-то в Африке, родился мальчик по имени Кирику. Это был необычный мальчик: едва родившись, он уже умел говорить и ходить и очень хорошо знал, чего хочет. Мама рассказала ему про злую колдунью, которая высушила их родник и уничтожила всех мужчин в деревне, кроме ее младшего брата. Храбрый малыш решает сопровождать последнего воина по дороге огненных деревьев на решающее сражение с колдуньей…
Director
В маленькой деревне, где-то в Африке, родился мальчик по имени Кирику. Это был необычный мальчик: едва родившись, он уже умел говорить и ходить и очень хорошо знал, чего хочет. Мама рассказала ему про злую колдунью, которая высушила их родник и уничтожила всех мужчин в деревне, кроме ее младшего брата. Храбрый малыш решает сопровождать последнего воина по дороге огненных деревьев на решающее сражение с колдуньей…
Writer
В маленькой деревне, где-то в Африке, родился мальчик по имени Кирику. Это был необычный мальчик: едва родившись, он уже умел говорить и ходить и очень хорошо знал, чего хочет. Мама рассказала ему про злую колдунью, которая высушила их родник и уничтожила всех мужчин в деревне, кроме ее младшего брата. Храбрый малыш решает сопровождать последнего воина по дороге огненных деревьев на решающее сражение с колдуньей…
Director
Screenplay
Director
Not to be confused with Ocelot's 2011 feature film, Tales of the Night is a made for TV silhouette animation. It is a compilation of 3 fairy tale like stories, bridged by sequences of a boy and girl in an abandoned theater.
Screenplay
Not to be confused with Ocelot's 2011 feature film, Tales of the Night is a made for TV silhouette animation. It is a compilation of 3 fairy tale like stories, bridged by sequences of a boy and girl in an abandoned theater.
Writer
Not to be confused with Ocelot's 2011 feature film, Tales of the Night is a made for TV silhouette animation. It is a compilation of 3 fairy tale like stories, bridged by sequences of a boy and girl in an abandoned theater.
Story
Here we have an innocent boy, a pretty princess, a treacherous merchant and a giant eagle who is fond of jewels. The tale is set in the country of the Arabian Nights, under a hail of precious stones...
Storyboard
Here we have an innocent boy, a pretty princess, a treacherous merchant and a giant eagle who is fond of jewels. The tale is set in the country of the Arabian Nights, under a hail of precious stones...
Writer
Here we have an innocent boy, a pretty princess, a treacherous merchant and a giant eagle who is fond of jewels. The tale is set in the country of the Arabian Nights, under a hail of precious stones...
Director
Here we have an innocent boy, a pretty princess, a treacherous merchant and a giant eagle who is fond of jewels. The tale is set in the country of the Arabian Nights, under a hail of precious stones...
Writer
A pretty shepherdess is in love with a young shepherd. So is a fairy. The shepherdess knows how to look after sheep and dance to the sound of her boyfriend's pipe. As for the fairy, she is powerful and hard-hearted; she has a flying dragon, a crystal palace, a sleeping tower and other evil powers. Which of the two will win ?
Director
A pretty shepherdess is in love with a young shepherd. So is a fairy. The shepherdess knows how to look after sheep and dance to the sound of her boyfriend's pipe. As for the fairy, she is powerful and hard-hearted; she has a flying dragon, a crystal palace, a sleeping tower and other evil powers. Which of the two will win ?
Director
"I am ugly, I am alone, I am bored". In three seconds, everything will change...
Writer
"I am ugly, I am alone, I am bored". In three seconds, everything will change...
Animation
Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.
Art Direction
Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.
The Villein (Voice)
Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.
Screenplay
Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.
Writer
Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.
Director
Saint Martin grants the peasant and his wife four wishes. All we can do now is hope they get everything to live happily ever after. Based on a XIVth century fable.
Graphic Designer
On her throne, a princess welcomes her suitors under the watchful eye of her family and the kingdom. Down below, amongst the crowd, struggles a poor hunchback.
(Voice)
On her throne, a princess welcomes her suitors under the watchful eye of her family and the kingdom. Down below, amongst the crowd, struggles a poor hunchback.
Screenplay
On her throne, a princess welcomes her suitors under the watchful eye of her family and the kingdom. Down below, amongst the crowd, struggles a poor hunchback.
Writer
On her throne, a princess welcomes her suitors under the watchful eye of her family and the kingdom. Down below, amongst the crowd, struggles a poor hunchback.
Director
On her throne, a princess welcomes her suitors under the watchful eye of her family and the kingdom. Down below, amongst the crowd, struggles a poor hunchback.
Writer
Documentary on industrial lubrification.
Screenplay
Documentary on industrial lubrification.
Graphic Designer
The Daughters of Equality want everybody to be like them...
Animation
The Daughters of Equality want everybody to be like them...
Editor
The Daughters of Equality want everybody to be like them...
Writer
The Daughters of Equality want everybody to be like them...
Screenplay
The Daughters of Equality want everybody to be like them...
Director
Documentary on industrial lubrification.
Director
The Daughters of Equality want everybody to be like them...
Screenplay
In a white lace universe, three inventors create machine which are both pretty and useful. Unfortunately people do not understand them...
Writer
In a white lace universe, three inventors create machine which are both pretty and useful. Unfortunately people do not understand them...
Narrator (voice)
In a white lace universe, three inventors create machine which are both pretty and useful. Unfortunately people do not understand them...
Director
In a white lace universe, three inventors create machine which are both pretty and useful. Unfortunately people do not understand them...
Writer
Screenplay
Director