Cold Souls (2009)

This short film is an ode to the women who settled the Prairies, from the days of early immigration to 1916 - when Manitobans became the first women in Canada to receive the provincial vote - and beyond. Recollections of women are complemented by a series of quotations drawn from letters, diaries, and newspapers of the day, which are spoken over re-enacted scenes and archival photographs.

The Great Road is a 1927 Soviet silent documentary film directed by Esfir Shub. It is the second in Esfir Shub's trilogy of films that began with The Fall of the Romanov Dynasty (1927) and concluded with Lev Tolstoy and the Russia of Nicolai II (1928).

Explorando los mares de medio mundo, nos encontramos con las historias más asombrosas de ballenas y delfines. Los mejores cámaras submarinos, acompañados por los grandes expertos mundiales en cetáceos, nos descubrirán nuevas habilidades de estos gigantes del mar.

Narra el romance entre dos personas de caracteres y profesiones muy diferentes: por un lado Wendy (Lisa Whelchel), una planificadora de bodas, y por otro Marco (Antonio Cupo), un abogado especializado en divorcios. (FILMAFFINITY)

Taryn, una adolescente muy popular en su instituto, entabla amistad con otra chica tan carismática como ella. Pronto la inicia en una peligrosa práctica conocida como 'el juego de la asfixia'.

There remains only silence in a US military camp town and the, soon to be demolished, surrounding entertainment district in the northern part of Kyounggi province. In the town, three ex-prostitutes live with pains engraved in their minds and bodies. This film poignantly shows pieces of their memories and their figures wandering through the forgotten site, and reveals the most pathetic truth left behind.

Durante los últimos veinte años, los famosos activistas Yes Men (Mike Bonanno y Andy Bichlbaum) han montado bromas escandalosas para secuestrar el diálogo público internacional sobre los asuntos del día. En su tercer viaje cinematográfico, ahora ya están bien entrados en la cuarentena, y su crisis de los cuarenta está amenazando con sacarlos del activismo para siempre, incluso mientras se preparan para aceptar el mayor reto, el cambio climático. Frustrados y preocupados por no poder marcar la diferencia nunca más. Tras seguir sus vidas durante más de cuatro años, The Yes Men Are Revolting revela su proceso creativo, sus hilarantes métodos y sus conflictos personales mientras hacen malabares con las exigencias de hacerse viejo, de mantener un trabajo y de tener un poco de vida personal.

A heavily neurotic young man starts to see his father's ghost, and while he helps the spirit cross to the otherworld, something happens that they could never achieve in their common life: they finally understand each other.

Marianne Riblon runs a small construction business in the south of France. Widowed and estranged from a daughter she hasn't seen in 15 years, she spends her time and working and has a life devoid of affection. An active member of the town council, she has strong conservative and racist convictions. One day, her daughter Charlotte calls her to tell her she's a grandmother. Her grandson, Nicolas, is 12 and is on his way to come see her. Charlotte wants her to take care of the child while she's being treated for leukemia. A the station, Marianne discovers the boy is half-black. The two learn to know each other...

Año 1969. En un estricto colegio de mujeres la carismática Abbie y la problemática Lydia son grandes amigas. Después de una tragedia ocurrida en el lugar, una misteriosa epidemia de desmayos estallará amenazando la estabilidad de todos los residentes.

Lee Anne Schmitt explores California's landscape and past to document the history of one-time boom towns built and abandoned by the industries that necessitated their creation. Sold as a limitless land expansive with free opportunity, California was actually, from its onset, fissured by the interwoven needs of private and public interests. Schmitt's film covers various locations through time, as the major industries of the early 20th century (mining, lumber, oil) give way to the military, eventually leading to multinational corporations, and the use of small towns as satellites for growing urban metropolises.

When seminal documentarian Ed Pincus is diagnosed with a terminal illness, he and collaborator Lucia Small team up to make one last film, much to the chagrin of Jane, Ed’s wife of 50 years. Told from two points of view with vulnerability, intimacy and humor, ONE CUT, ONE LIFE challenges the form of first person documentary while offering a complex story of love, loss, legacy, and the delicacy of capturing the preciousness of life while time is fleeting.

Across a language barrier, a Turkish groom-to-be on an engagement party in Kyev meets a Ukrainian that represents the 'other woman' for a marriage there.

A young boy grapples with first love and his ambitions as a drummer during an eventful summer holiday.

A lyrical and haunting portrait of reindeer herding in the twilight expanses of the Lappish wilderness.

Two novels united by common characters and a never-settled problem: the clash between sincerity of children and the heartless pragmatism and ambitions of grown-ups.

Frivolous girl falls in love with a young construction worker. He trusts her and decides to include her in his team of workers. In the beginning, she is happy, but soon starts to feel the tensions between the people in the team. Hypocrisy and demagogy fill her with indignation and she does not keep silent about the shortcomings and mistakes of her colleagues. Gradually, her superiors become uneasy about her and the girl has to go. Her boyfriend offers her marriage, but she decides to take her own path and lead a worthy life. The movie was shot in 1966 but was censored by the communist government and released in theatres on 31st October 1988.

Jeton, a 10-year-old boy is sitting on the edge of a balcony on the 4th floor. Neighbours and passers-by, terrified by this situation, call the police and firefighters for help. But the situation quickly becomes unmanageable.

Is it fun to be panda? May be... But not for Misha whose job is to work as a panda during birthday parties.

Loie Fuller, in her 1920 feature-length film Le Lys de la vie, […] explored the new technique for poetic ends, creating fleeting, dreamlike images that "freed" the medium from "illusionism" and imbued it with fantasy. A 17 minutes fragment is held at the Cinémathèque française.