My Small Land (2022)
Can I call this place my home?
Género : Drama
Tiempo de ejecución : 1H 54M
Director : Emma Kawawada
Escritor : Emma Kawawada
Sinopsis
Sarya lives between three worlds: Having fled from Turkey to Japan, her small family tries to maintain their Kurdish traditions. On the other hand, Sarya, who arrived when she was five, feels at home in Japan. But then, the family loses its refugee-status. Life becomes unpredictable and their days in Japan seem numbered. A haunting story about the balancing act of finding your place in the world.
A mentally handicapped girl has been raped a few months ago. Her parents, Jalal and Maryam are trying to abort the baby and get rid of it but something worse happens
Bilal, un joven de 17 años procedente del Kurdistán iraní, ha cruzado Oriente Próximo y Europa para reunirse con su novia recién emigrada a Inglaterra. Pero su viaje se ve bruscamente interrumpido cuando en Francia le impiden cruzar el Canal de la Mancha. El joven decide entonces atravesarlo a nado (32 kilómetros). Para ello, empieza a entrenarse en una piscina municipal, donde conoce a Simon, un profesor de natación en pleno proceso de divorcio. Simon está dispuesto a hacer lo que sea para recuperar a su mujer y lo arriesga todo ofreciendo protección a Bilal...
Sarya lives between three worlds: Having fled from Turkey to Japan, her small family tries to maintain their Kurdish traditions. On the other hand, Sarya, who arrived when she was five, feels at home in Japan. But then, the family loses its refugee-status. Life becomes unpredictable and their days in Japan seem numbered. A haunting story about the balancing act of finding your place in the world.
Con una pizarra al hombro, un grupo de profesores recorre las montañas kurdas, en la frontera entre Irán e Iraq, a la búsqueda de alumnos. La lucha diaria por la supervivencia no deja a la población ni tiempo ni fuerzas para aprender. Dos profesores, Said y Reboir, se separan del grupo: Reboir encuentra unos niños dedicados al contrabando de objetos robados; Said se une a un grupo de ancianos kurdos que, antes de morir, desean volver a ver la tierra donde nacieron, en territorio iraquí. Las guerra se mantiene siempre en un segundo plano, pero está omnipresente en el constante ruido de las ametralladoras.
In the metropolitan city of Hamburg, illegal immigrant Chernor, an openly gay African youth with blond hair, makes his money by dealing drugs and dreams of one day living in Australia. Baran, meanwhile, is a Kurdish bicycle delivery boy living in constant fear of deportation, who keeps his past in a video camera. The two form a bond when they meet, and their shared struggles to survive soon develop into a relationship that is threatened when Baran loses his job.
A Kurdish woman is sentenced to six years of house arrest with an electronic ankle bracelet. The charge: supporting terrorist activities. From now on an invisible border runs through her garden in a Turkish village, which she repeatedly trespasses. Her older son is torn between obedience and rebellion. How far will he go to protect his mother from further punishment?
Hundreds of Western volunteers have joined Kurdish armies in Syria and Iraq in their efforts to fight the Islamic State. What drives some Canadians to put their lives on the line?
“Binxet – Under the border” is a journey between life and death, dignity and pain, struggle and freedom. It takes place along the 911 km of the turkish-Syrian border. On the one hand the ISIS, in the other Erdogan’s Turkey. In the middle the borders and one hope. This hope is called Rojava, only one point on the chart of a troubled region, a region of resistance and an example of grassroots democracy that speaks about gender equality, self-determination of peoples and peaceful coexistence.
12-year-old Dyab is a Kurdish Yazidi boy living at Arbat refugee camp, after the horrendous attacks by the Islamic States on their villages at Shingal Mountains (Sinjar). However, Dyab’s dream is, to become a filmmaker and actor and tell the stories and sufferings of his people to the outside world.
AVDEL feeds his family with the salary of his old donkey, BOZO, who works in the waste department of the city of Mardin in Turkey. It is also home to his nephew, SALIH, who fled Syria because of the war. After BOZO’s “retirement”, Avdel must find a younger ass to continue to earn his salary. So traumatized by the war Salih returns to Syria to recover his.
The story of this film is an aesthetic narration of the death of a Kurdish Family, along the 20th century.
Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.
In the 1990s, some newspapers were not allowed to enter the Diyarbakir region, under a state of emergency at that time, although they were legal. Children like Bawer and Hebûn, who were part of the distribution group, would secretly collect these newspapers from outside the city at a previously agreed location and take them to the planned meeting place in the city. There, the children changed their clothes and went out to distribute them, under the guise of other work. But they were constantly followed by those who saw the newspaper as dangerous and wanted to prevent its dissemination. Çerx is a testament to the conditions under which these newspapers were distributed to readers and the difficulties encountered.
Through a series of vignettes from the ancient and war-torn Levant, WILD IS THE SPRING captures moments in the lives of diverse ethnic communities who struggle to survive when life descends into chaos.
A village, in the hearts of mountains, is totally empty. Still it is not. The village comes to life back with past voices. There is no people in the village. But their voices exist. There are no animals and no living things. But their voices exist. The past voices, together with scenes happenning right now, create memory about what happened there. It is the story of people, animals, nature and all the living things of a village before it is ruined.
Vic tiene 13 años y es nueva en el instituto, pero pronto se hace amiga de Penélope. Las dos están ansiosas por encontrar un chico del que enamorarse; el problema es que los padres de Vic no la dejan todavía ir a fiestas. (FILMAFFINITY)
El estado emocional del Dr. Powell está siendo desafiado por uno de sus pacientes en el pabellón de psiquiatría; Prot, quien reclama ser de otro planeta, ha anunciado su partida de la tierra, y el resto de los pacientes se apuntan también para ir con él. Esta situación deja al Dr. Powell preguntándose acerca de sus propias habilidades para distinguir la realidad de la fantasía.
Adaptación de la novela homónima de Julio Verne. En 1870, debido a los relatos de marineros que aseguran haber visto un monstruo marino al sur del Pacífico, los Estados Unidos fletan un buque de guerra para destruir a la bestia que altera la tranquilidad de los mares. Pero, cuando el monstruo los ataca, de nada sirve todo su poderío bélico para evitar el desastre. Tras el hundimiento del buque, los tripulantes son rescatados por el propio "monstruo", que resulta ser un buque capaz de sumergirse en el mar, algo inédito hasta entonces.
Jacques Mayol es un joven francés con un talento especial para el buceo, y ayuda al profesor Lawrence en sus experimentos marinos. Cuando era niño y vivía en una pequeña población griega junto a su gran amigo Enzo Molinari, ahora campeón de buceo en apnea, Jacques perdió a su padre, que trabajaba como buzo, pero a pesar de ello ama al mar por encima de todo. Nada de lo que tiene o consigue en la vida le llena tanto como estar bajo el agua.
Jackie Brown (Pam Grier) es una azafata de vuelo que necesita dinero y hace de correo para Robbie, un mafioso buscado por la policía. Todo parece ir bien hasta que un día es sorprendida en la aduana y acusada de tráfico de drogas y evasión de capital. Sólo podrá evitar su ingreso en prisión, si acepta una propuesta de la policía: ayudarles a llegar hasta Robbie.