マイスモールランド (2022)

A mentally handicapped girl has been raped a few months ago. Her parents, Jalal and Maryam are trying to abort the baby and get rid of it but something worse happens

フランスの港町カレーにたどり着いたイラク国籍のクルド難民、ビラル（フィラ・エヴェルディ）はイギリスへ密航しようとするも失敗。恋人のいるロンドンへどうしても行きたいビラルは泳いで行こうと思いついたが、偶然出会った水泳コーチのシモン（ヴァンサン・ランドン）は「無理だ」と一刀両断。それでもビラルは練習を続け……。

政治的な弾圧から逃れ、幼い頃に家族とともに来日して以来、ずっと日本で育った17歳のサーリャ。埼玉に父と中学生の妹、小学生の弟の家族４人で暮らし、地元の高校に通う彼女は同世代の日本人と何ら変わらないごく普通の日常を送っていた。学校の先生を夢見る彼女は進学のためにバイトを始め、そこで東京の高校に通う聡太と出会い、互いに惹かれ合うようになる。そんな中、サーリャ一家の難民申請が不認定となってしまう。在留資格を失い、移動制限によって県外へ出ることができないばかりか、働くことも許されないサーリャたち家族は、たちまち追い詰められてしまうのだったが…。

Itinerant Kurdish teachers, carrying blackboards on their backs, look for students in the hills and villages of Iran, near the Iraqi border during the Iran-Iraq war. Said falls in with a group of old men looking for their bombed-out village; he offers to guide them, and takes as his wife Halaleh, the clan's lone woman, a widow with a young son. Reeboir attaches himself to a dozen pre-teen boys weighed down by contraband they carry across the border; they're mules, always on the move. Said and Reeboir try to teach as their potential students keep walking. Danger is close; armed soldiers patrol the skies, the roads, and the border. Is there a role for a teacher? Is there hope?

In the metropolitan city of Hamburg, illegal immigrant Chernor, an openly gay African youth with blond hair, makes his money by dealing drugs and dreams of one day living in Australia. Baran, meanwhile, is a Kurdish bicycle delivery boy living in constant fear of deportation, who keeps his past in a video camera. The two form a bond when they meet, and their shared struggles to survive soon develop into a relationship that is threatened when Baran loses his job.

A Kurdish woman is sentenced to six years of house arrest with an electronic ankle bracelet. The charge: supporting terrorist activities. From now on an invisible border runs through her garden in a Turkish village, which she repeatedly trespasses. Her older son is torn between obedience and rebellion. How far will he go to protect his mother from further punishment?

Hundreds of Western volunteers have joined Kurdish armies in Syria and Iraq in their efforts to fight the Islamic State. What drives some Canadians to put their lives on the line?

“Binxet – Under the border” is a journey between life and death, dignity and pain, struggle and freedom. It takes place along the 911 km of the turkish-Syrian border. On the one hand the ISIS, in the other Erdogan’s Turkey. In the middle the borders and one hope. This hope is called Rojava, only one point on the chart of a troubled region, a region of resistance and an example of grassroots democracy that speaks about gender equality, self-determination of peoples and peaceful coexistence.

12-year-old Dyab is a Kurdish Yazidi boy living at Arbat refugee camp, after the horrendous attacks by the Islamic States on their villages at Shingal Mountains (Sinjar). However, Dyab’s dream is, to become a filmmaker and actor and tell the stories and sufferings of his people to the outside world.

AVDEL feeds his family with the salary of his old donkey, BOZO, who works in the waste department of the city of Mardin in Turkey. It is also home to his nephew, SALIH, who fled Syria because of the war. After BOZO’s “retirement”, Avdel must find a younger ass to continue to earn his salary. So traumatized by the war Salih returns to Syria to recover his.

The story of this film is an aesthetic narration of the death of a Kurdish Family, along the 20th century.

Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.

In the 1990s, some newspapers were not allowed to enter the Diyarbakir region, under a state of emergency at that time, although they were legal. Children like Bawer and Hebûn, who were part of the distribution group, would secretly collect these newspapers from outside the city at a previously agreed location and take them to the planned meeting place in the city. There, the children changed their clothes and went out to distribute them, under the guise of other work. But they were constantly followed by those who saw the newspaper as dangerous and wanted to prevent its dissemination. Çerx is a testament to the conditions under which these newspapers were distributed to readers and the difficulties encountered.

Through a series of vignettes from the ancient and war-torn Levant, WILD IS THE SPRING captures moments in the lives of diverse ethnic communities who struggle to survive when life descends into chaos.

A village, in the hearts of mountains, is totally empty. Still it is not. The village comes to life back with past voices. There is no people in the village. But their voices exist. There are no animals and no living things. But their voices exist. The past voices, together with scenes happenning right now, create memory about what happened there. It is the story of people, animals, nature and all the living things of a village before it is ruined.

公開当時本国フランスで大ヒットとなり日本でも話題となった、ソフィー・マルソー主演の淡いラブ・ストーリー。10月のパリ。新学期に沸くリセエンヌたちにまじって、ビックの胸は不安と期待で高鳴っていた。彼女は13歳。心は恋への憧れでいっぱいだったが、同級生のペネロプみたいに男の子と寝たことはまだない。そんなある日、彼女にとって初めてのパーティの夜がやってきた。

ニューヨークの駅構内。不審な行動を見咎められ警察に連行される謎の男プロート。彼は自らを遥か1,000光年彼方のK－PAX星からやって来た異星人だと名乗り精神病院に送られる。プロートの治療に当たるのは精神科のパウエル医師。初めのうちは単なる妄想か虚言と高を括っていたパウエルだったが、その落ち着き払った言動や理路整然とした説明にかすかな疑問を抱き始める。さらに、プロートの存在は他の患者たちにも強い影響を与え、パウエルが治せずにいる患者たちがみるみる回復していく。

１８６０年代、世界各地の海で、謎の怪物による船舶の沈没事故が相次いで発生。海洋学者のアロナックス教授らはアメリカ政府から派遣され、船で調査に乗り出す。ある夜、彼らの乗った船は謎の物体と衝突。それは、権力と戦争を憎む天才科学者ネモ船長率いる万能潜水艦ノーチラス号だった。教授たちは船長に招かれ、海底へと旅に出る。

ジャック（ジャン=マルク・バール）とエンゾ（ジャン・レノ）は、ギリシャの島で幼なじみとして育つ。やがて二人は成長し、コート・ダジュールで20年ぶりに再会した際、エンゾはイタリアのシチリアで開催されるフリーダイビング大会に参加するようジャックに伝える。同じころ、アンデスで偶然ジャックと出会ったジョアンナ（ロザンナ・アークエット）も、出張を口実にニューヨークからシチリアにやって来る。

70年代テイストを前面に押し出した、クセ者スター勢揃いの、クエンティン・タランティークのクライム・サスペンス。 黒人スチュワーデスのジャッキー・ブラウンは、密売人の売上金をメキシコからアメリカに運ぶ副業を持っていた。だが、ひょんなことから逮捕され、捜査官レイに密売人オデールの逮捕に協力するよう強要される。オデールが証拠隠滅のために自分を消そうとしていることを知ったジャッキーは、関係者をあざむき、お互いに潰し合わせようとする。