Pippo Delbono

El final de la civilización ha llegado. Un padre y su hijo se encuentran entre los supervivientes. El hijo es criado como un niño salvaje, pues su padre considera que es la única forma de sobrevivir. Cuando el padre muere, el hijo decide emprender un viaje a lo largo del río, en busca de alguien que pueda leer el diario que su padre escribió a lo largo de su vida.

Raffaele an off-campus university student, with a strong love for science and for his fiancée Alice. Raffaele is a hard worker, in order to pay the university he does two jobs: he is a bellhop at a flower shop and a clerk in a clothing store, all without the two employers being aware of the other respective job.

An ancient dying land is brought back to life by the primal force of a young mute girl, who witnesses the fatal clash between two fathers.

A Tramway in Jerusalem is a situation comedy that juxtaposes stories and human situations in the context of the current Israeli Palestinian society in 2018. In Jerusalem the tramway connects several neighbourhoods, from East to West, recording their variety and differences.

Vincent was born near Paris, but has cut off every link with his roots. Maria, fifteen years younger, grew up in Ostia, but no longer sees her family. Together they form a couple that does not seem to need anyone. They lead a secluded life in contemporary Rome, indolent and distracted. Furthermore, Vincent and Maria are good at blending in with their environment. When they return home, they make love with the passion of young lovers in a suburban apartment that she has carefully furnished. Yet, on closer inspection, their everyday life betrays what lies behind their seemingly normal appearance: a project carried out by him with a clear determination and accepted by her only by virtue of unconditional love. A plan to help couples who cannot have children. Maria decides that it is time to create a real family. This choice has an inevitable consequence: the rebellion against Vincent, the man of her life.

Pietro, Ivan and their friend Fabio, aka "Cosmic," live in the once-prosperous Po Valley. Post-crisis, this is a vast and alienating landscape of abandoned factories and petty crimes committed by the infamous Candelabra gang. The 19-year olds resist the authority of their parents and their teachers, and resign themselves to a listless fate of foreclosed opportunities. When news breaks of a large asteroid being monitored by the local astronomical station, the boys become convinced that it will collide with earth and destroy mankind.

Narra la historias de tres "falchi" (agentes de paisano en Nápoles) que deben enfrentarse a sus demonios personales.

Giulia’s is a poised world, made of rigour and sacred texts, which fiercely excludes those who do not belong to it. Libero's world is the world of all the others, of those who make mistakes, who fend for themselves looking for another chance and who love unconditionally. When Giulia meets Libero, she realizes she can have another destiny, one she will have to choose and build.

Pippo is a stage director who visits a refugee center to see how the refugees spend their days, in a sort of limbo made up of painful memories and fears for the future. Little by little, the refugees open their hearts to the director and tell him their stories, some of which will be in this film, others staying secret. In the end, the idea of staging the Gospel takes shape, as incarnated in these individuals, who inevitably find themselves key players in a new age.

Pippo is a stage director who visits a refugee center to see how the refugees spend their days, in a sort of limbo made up of painful memories and fears for the future. Little by little, the refugees open their hearts to the director and tell him their stories, some of which will be in this film, others staying secret. In the end, the idea of staging the Gospel takes shape, as incarnated in these individuals, who inevitably find themselves key players in a new age.

Bobo and Michael Lonsdale are alone in the Château de Versailles. Together, they are walking around this ghostly place of power. The director Pippo Delbono offers a singular journey in this exceptional palace.

In October 1995 three French sisters gather in Atlit, Israel to sell the family home. Tensions arise between elders Darel and Cali when Darel proves unwilling to sell. That's when the sisters start seeing apparitions of their dead parents.

Narra la historia de la FIFA, la principal institución futbolística, desde su fundación en 1904 y especialmente centrada en sus tres principales y más conocidos presidentes: Jules Rimet, Joao Havelange y Sepp Blatter.

Davide es distinto a los demás adolescentes ya que, por algún motivo, parece una chica. Davide tiene catorce años cuando se fuga de casa. Su intuición le lleva a elegir Villa Bellini, un parque en Catania, como refugio. El parque es un mundo en sí mismo, un mundo de marginados, a los que el resto de la ciudad parece ignorar. Pero un día el pasado se pone al día y Davide tiene que enfrentarse a la decisión más difícil, esta vez en solitario.

The meeting of two lonely, marginal souls. There is Henri, a man in his 50s, limp, resigned, somewhat alcoholic. And Rosette, a (slightly) retarded woman who dreams of love, sexuality, normality

Louise conoce a Nathan, sus sueños resurgen. También es la historia de su hermano enfermo y de su madre, y del destino de una gran familia de la burguesía industrial italiana. La historia de una familia que se disgrega, de un mundo que se termina y de un amor que comienza.

An accident involving a 16-years old prompts private eye Corso to an investigation that will unearth a deep web of corruption in today's Rome.

During the course of a series of voyages, the pocket cameras of Pippo Delbono capture unique moments, ordinary and extraordinary meetings. From a hotel room in Paris to another in Budapest, from Istanbul to Bucharest, the journeys weave a fabric of the contemporary world. Its testimonials – some famous, others anonymous – say or dance their vision of the universe.

During the course of a series of voyages, the pocket cameras of Pippo Delbono capture unique moments, ordinary and extraordinary meetings. From a hotel room in Paris to another in Budapest, from Istanbul to Bucharest, the journeys weave a fabric of the contemporary world. Its testimonials – some famous, others anonymous – say or dance their vision of the universe.

During the course of a series of voyages, the pocket cameras of Pippo Delbono capture unique moments, ordinary and extraordinary meetings. From a hotel room in Paris to another in Budapest, from Istanbul to Bucharest, the journeys weave a fabric of the contemporary world. Its testimonials – some famous, others anonymous – say or dance their vision of the universe.

During the course of a series of voyages, the pocket cameras of Pippo Delbono capture unique moments, ordinary and extraordinary meetings. From a hotel room in Paris to another in Budapest, from Istanbul to Bucharest, the journeys weave a fabric of the contemporary world. Its testimonials – some famous, others anonymous – say or dance their vision of the universe.

During the course of a series of voyages, the pocket cameras of Pippo Delbono capture unique moments, ordinary and extraordinary meetings. From a hotel room in Paris to another in Budapest, from Istanbul to Bucharest, the journeys weave a fabric of the contemporary world. Its testimonials – some famous, others anonymous – say or dance their vision of the universe.

End of 2011. Pippo Delbono and Giovanni Senzani, the former leader of the Red Brigades recently released from prison, decide to get back together on their relationship with violence, with dreams of revolution, with the world today, and Italy in ruins. For a book, or a movie ... But the reality is that almost making mock of their projects, the death surprises them. Pippo rushed to the bedside of his sick mother, a fervent Catholic and a former elementary school teacher who hated the Communists ... While Anna, after waiting 23 years, her husband Giovanni came out of prison, gets sick in turn. Despite their efforts, the two women die three days apart. Pippo and Giovanni suddenly find themselves orphans, vulnerable, exposed. Meanwhile, L'Aquila, the city disfigured by the earthquake and emptied of its inhabitants, the city of promises and political campaigns, today also lonely and orphaned, abandoned, waiting for someone to finally bring her back to life.

End of 2011. Pippo Delbono and Giovanni Senzani, the former leader of the Red Brigades recently released from prison, decide to get back together on their relationship with violence, with dreams of revolution, with the world today, and Italy in ruins. For a book, or a movie ... But the reality is that almost making mock of their projects, the death surprises them. Pippo rushed to the bedside of his sick mother, a fervent Catholic and a former elementary school teacher who hated the Communists ... While Anna, after waiting 23 years, her husband Giovanni came out of prison, gets sick in turn. Despite their efforts, the two women die three days apart. Pippo and Giovanni suddenly find themselves orphans, vulnerable, exposed. Meanwhile, L'Aquila, the city disfigured by the earthquake and emptied of its inhabitants, the city of promises and political campaigns, today also lonely and orphaned, abandoned, waiting for someone to finally bring her back to life.

Describe la historia de un adolescente de catorce años que engaña a sus padres con una coartada de una esquiada entre amigos para, en realidad, pasar esos días en un sótano con la intención de ayudar a su hermanastra mayor a superar su adicción a la heroína.

Hendrick Goltzius solicita al Margrave de Alsacia un mecenazgo para imprimir un volumen de historias bíblicas ilustradas con grabados. A cambio, el pintor y su compañía de teatro representarán dichos cuentos para diversión del benefactor y su corte. Fiel a su discurso culto y abigarrado, Peter Greenaway sigue elaborando una concepción multidisciplinar del cine que, todavía hoy, pertenece únicamente a él. (FILMAFFINITY)

The feat of marathon runner Dorando Pietri, who participated in the London Olympic Games in 1908.

La familia Recchi pertenece a la gran burguesía industrial lombarda. Viven en Milán, en una lujosa casa, llena de espejos, flores, cortinajes, pero las relaciones entre ellos son frías y distantes. Eduardo Tancredi, su mujer Emma (Tilda Swinton), una inmigrante rusa plenamente integrada en la cultura milanesa, sus hijos Elisabetta, Edoardo y Gianluca, los compañeros y prometidos de éstos y los abuelos componen el círculo familiar. Entre lujosos salones y espaciosos jardines tiene lugar la sucesión y entrega del negocio familiar y su consolidación. El joven cocinero Antonio, completamente ajeno a este mundo, condensa sus emociones en platos que no pertenecen a la tradición culinaria de la familia. Tanto él como Emma son personajes que no encajan en este universo, y la pasión que surge entre ellos los llevará a romper todas las ataduras, pero será a costa de pagar un precio muy alto.

Explores the strange routine of three of the Baczynski siblings: from 5pm to 8pm every day, for over thirty years Dorota, Tadeusz and Mordechaj have sat on a blue velvet sofa to wait for death to arrive. This ritual gives them the illusory belief that nothing fatal will happen to them for the rest of the day. But their other brother Leopold, who has always been excluded from this ritual, spies on them to check when the sofa will become free…

Explores the strange routine of three of the Baczynski siblings: from 5pm to 8pm every day, for over thirty years Dorota, Tadeusz and Mordechaj have sat on a blue velvet sofa to wait for death to arrive. This ritual gives them the illusory belief that nothing fatal will happen to them for the rest of the day. But their other brother Leopold, who has always been excluded from this ritual, spies on them to check when the sofa will become free…

A documentary behind the scenes of Luca Guadagnino's ???? ???????? ????????????????.

Shot entirely on a mobile phone, La paura is composed of moments caught 'on the fly' by the great Italian actor -better known for his work in theatre -Pippo Delbono. Over the course of these sequences, with the graininess so characteristic of those miniature cameras, an incisive poetry develops.

The film is the autobiographical history of the theatre director Pippo Delbono, who recounts the most meaningful moments of his life, up to the present day, along with the characters he has met during his career. It is a poetic statement, a portrait of his own artistic journey from theatre to reality and back. The actors play themselves, a typical element of Delbono's work.

The film is the autobiographical history of the theatre director Pippo Delbono, who recounts the most meaningful moments of his life, up to the present day, along with the characters he has met during his career. It is a poetic statement, a portrait of his own artistic journey from theatre to reality and back. The actors play themselves, a typical element of Delbono's work.

GUERRA is a non-linear story and doesn’t have real or proper characters. On the bare space of a stage or in the crowded streets of the Old City of Jerusalem everyone fights – through physical actions, the gestures of the actors and people, through words and music – an ‘inner war that is also the war of the world’. From the travel diaries, the emotions and the glances, the film brings together stories that cross over borders, stories ‘atrocious and happy, simple and full of poetry’, underlying the importance of the theatre and art.