Pippo Delbono

Civilisation is coming to an end. The death of his only relative gives a feral boy the pretext to journey beyond the confines of his home environment; only by doing this will he be able to decipher his father's journal, the most valuable artefact in his legacy. This singular contribution to the post-apocalyptic sci-fi genre tells of a humanity in crisis, while at the same time conveying the adventurous spirit of adolescence.

Raffaele an off-campus university student, with a strong love for science and for his fiancée Alice. Raffaele is a hard worker, in order to pay the university he does two jobs: he is a bellhop at a flower shop and a clerk in a clothing store, all without the two employers being aware of the other respective job.

Um drama realista mágico sobre uma jovem muda capturada no meio de um choque entre seu pai fazendeiro e aqueles que querem envenenar seus campos.

A Tramway in Jerusalem is a situation comedy that juxtaposes stories and human situations in the context of the current Israeli Palestinian society in 2018. In Jerusalem the tramway connects several neighbourhoods, from East to West, recording their variety and differences.

Vincent was born near Paris, but has cut off every link with his roots. Maria, fifteen years younger, grew up in Ostia, but no longer sees her family. Together they form a couple that does not seem to need anyone. They lead a secluded life in contemporary Rome, indolent and distracted. Furthermore, Vincent and Maria are good at blending in with their environment. When they return home, they make love with the passion of young lovers in a suburban apartment that she has carefully furnished. Yet, on closer inspection, their everyday life betrays what lies behind their seemingly normal appearance: a project carried out by him with a clear determination and accepted by her only by virtue of unconditional love. A plan to help couples who cannot have children. Maria decides that it is time to create a real family. This choice has an inevitable consequence: the rebellion against Vincent, the man of her life.

Entre as fábricas perto e roubo de objetos sagrados nas igrejas, dois meninos até vinte e poucos anos errantes asteróides como uma planície desolada, encontrando seu espaço unicamente vivem graças à amizade que os une.

Three undercover cops in Naples must face their own demons as well as criminals.

Giulia’s is a poised world, made of rigour and sacred texts, which fiercely excludes those who do not belong to it. Libero's world is the world of all the others, of those who make mistakes, who fend for themselves looking for another chance and who love unconditionally. When Giulia meets Libero, she realizes she can have another destiny, one she will have to choose and build.

Pippo is a stage director who visits a refugee center to see how the refugees spend their days, in a sort of limbo made up of painful memories and fears for the future. Little by little, the refugees open their hearts to the director and tell him their stories, some of which will be in this film, others staying secret. In the end, the idea of staging the Gospel takes shape, as incarnated in these individuals, who inevitably find themselves key players in a new age.

Pippo is a stage director who visits a refugee center to see how the refugees spend their days, in a sort of limbo made up of painful memories and fears for the future. Little by little, the refugees open their hearts to the director and tell him their stories, some of which will be in this film, others staying secret. In the end, the idea of staging the Gospel takes shape, as incarnated in these individuals, who inevitably find themselves key players in a new age.

Bobo and Michael Lonsdale are alone in the Château de Versailles. Together, they are walking around this ghostly place of power. The director Pippo Delbono offers a singular journey in this exceptional palace.

In October 1995 three French sisters gather in Atlit, Israel to sell the family home. Tensions arise between elders Darel and Cali when Darel proves unwilling to sell. That's when the sisters start seeing apparitions of their dead parents.

Um grupo de jovens europeus decide reunir-se em torno de um projeto único: criar uma Federação Internacional de Futebol, que regule e promova a nível internacional a prática do futuro desporto-rei. Mais de 100 anos depois, esta instituição atravessou as maiores alterações e rupturas do século pela mão de dirigentes como Jules Rimet, João Havelange e Sepp Blatter.

Davide é diferente dos outros adolescentes. Algo o faz parecer uma menina. Davide tem catorze anos quando foge de casa. Sua intuição o leva a escolher Villa Bellini, um parque na Catânia, como refúgio. O parque é um mundo em si mesmo, o mundo dos marginalizados, para o qual o resto da cidade fecha os olhos. Mas um dia o passado o alcança e Davide precisa enfrentar a escolha mais difícil, desta vez, sozinho.

Henri, de origem italiana, e sua mulher Rita são os donos de um pequeno restaurante chamado "La Cantina". Após a súbita morte de Rita, Henri fica desamparado e recebe a ajuda da filha, Laetitia, para cuidar do negócio familiar. A dupla descobre uma nova vida com a chegada de Rosette, uma deficiente mental que sonha com amor, sexualidade e normalidade.

Louise (Valeria Bruni Tedeschi) faz parte de uma grande família burguesa italiana, que vive um período de transformações: enquanto seu irmão está doente, e os conflitos com a mãe aumentam, eles são forçados a vender seu castelo na Itália. Em meio a todas essas confusões, Louise encontra Nathan (Louis Garrel), jovem que se declara apaixonado por ela.

An accident involving a 16-years old prompts private eye Corso to an investigation that will unearth a deep web of corruption in today's Rome.

During the course of a series of voyages, the pocket cameras of Pippo Delbono capture unique moments, ordinary and extraordinary meetings. From a hotel room in Paris to another in Budapest, from Istanbul to Bucharest, the journeys weave a fabric of the contemporary world. Its testimonials – some famous, others anonymous – say or dance their vision of the universe.

During the course of a series of voyages, the pocket cameras of Pippo Delbono capture unique moments, ordinary and extraordinary meetings. From a hotel room in Paris to another in Budapest, from Istanbul to Bucharest, the journeys weave a fabric of the contemporary world. Its testimonials – some famous, others anonymous – say or dance their vision of the universe.

During the course of a series of voyages, the pocket cameras of Pippo Delbono capture unique moments, ordinary and extraordinary meetings. From a hotel room in Paris to another in Budapest, from Istanbul to Bucharest, the journeys weave a fabric of the contemporary world. Its testimonials – some famous, others anonymous – say or dance their vision of the universe.

During the course of a series of voyages, the pocket cameras of Pippo Delbono capture unique moments, ordinary and extraordinary meetings. From a hotel room in Paris to another in Budapest, from Istanbul to Bucharest, the journeys weave a fabric of the contemporary world. Its testimonials – some famous, others anonymous – say or dance their vision of the universe.

During the course of a series of voyages, the pocket cameras of Pippo Delbono capture unique moments, ordinary and extraordinary meetings. From a hotel room in Paris to another in Budapest, from Istanbul to Bucharest, the journeys weave a fabric of the contemporary world. Its testimonials – some famous, others anonymous – say or dance their vision of the universe.

End of 2011. Pippo Delbono and Giovanni Senzani, the former leader of the Red Brigades recently released from prison, decide to get back together on their relationship with violence, with dreams of revolution, with the world today, and Italy in ruins. For a book, or a movie ... But the reality is that almost making mock of their projects, the death surprises them. Pippo rushed to the bedside of his sick mother, a fervent Catholic and a former elementary school teacher who hated the Communists ... While Anna, after waiting 23 years, her husband Giovanni came out of prison, gets sick in turn. Despite their efforts, the two women die three days apart. Pippo and Giovanni suddenly find themselves orphans, vulnerable, exposed. Meanwhile, L'Aquila, the city disfigured by the earthquake and emptied of its inhabitants, the city of promises and political campaigns, today also lonely and orphaned, abandoned, waiting for someone to finally bring her back to life.

End of 2011. Pippo Delbono and Giovanni Senzani, the former leader of the Red Brigades recently released from prison, decide to get back together on their relationship with violence, with dreams of revolution, with the world today, and Italy in ruins. For a book, or a movie ... But the reality is that almost making mock of their projects, the death surprises them. Pippo rushed to the bedside of his sick mother, a fervent Catholic and a former elementary school teacher who hated the Communists ... While Anna, after waiting 23 years, her husband Giovanni came out of prison, gets sick in turn. Despite their efforts, the two women die three days apart. Pippo and Giovanni suddenly find themselves orphans, vulnerable, exposed. Meanwhile, L'Aquila, the city disfigured by the earthquake and emptied of its inhabitants, the city of promises and political campaigns, today also lonely and orphaned, abandoned, waiting for someone to finally bring her back to life.

Baseado no romance homônimo de Niccolo Ammaniti, o filme conta a história de Lorenzo, um garoto de 14 anos que, para evitar mais aborrecimentos com seus pais, mente que vai para uma viagem com sua turma e se fecha no porão de casa. Lá, porém, ele descobre uma jornada diferente, quando se aproxima de sua meia-irmã, muito mais velha, Olivia, viciada em heroína.

Goltzius and the Pelican Company tells the story of Hendrik Goltzius, a late 16th century Dutch printer and engraver of erotic prints. A contemporary of Rembrandt and, indeed, more celebrated during his life, Goltzius seduces the Margrave of Alsace into paying for a printing press to make and publish illustrated books. In return, he promises him an extraordinary book of pictures of illustrating the Old Testament’s biblical stories. Erotic tales of Lot and his daughters, David and Bathsheba, Samson and Deliah and John the Baptist and Salome. To tempt the Margrave further, Goltzius and his printing company will offer to perform dramatisations of these erotic stories for his court.

The feat of marathon runner Dorando Pietri, who participated in the London Olympic Games in 1908.

O patriarca da rica família Recchi decide nomear um sucessor para sua indústria. Surpreendendo a todos, ele divide o poder entre seu filho Tancredi e seu neto Edo. Mas Edo sonha abrir um restaurante com seu amigo Antonio, um bonito e talentoso chef. O drama começa quando a esposa de Tancredi, Emma, se apaixona por Antonio, embarcando num tórrido romance que mudará a família Recchi para sempre.

Explores the strange routine of three of the Baczynski siblings: from 5pm to 8pm every day, for over thirty years Dorota, Tadeusz and Mordechaj have sat on a blue velvet sofa to wait for death to arrive. This ritual gives them the illusory belief that nothing fatal will happen to them for the rest of the day. But their other brother Leopold, who has always been excluded from this ritual, spies on them to check when the sofa will become free…

Explores the strange routine of three of the Baczynski siblings: from 5pm to 8pm every day, for over thirty years Dorota, Tadeusz and Mordechaj have sat on a blue velvet sofa to wait for death to arrive. This ritual gives them the illusory belief that nothing fatal will happen to them for the rest of the day. But their other brother Leopold, who has always been excluded from this ritual, spies on them to check when the sofa will become free…

A documentary behind the scenes of Luca Guadagnino's ???? ???????? ????????????????.

Shot entirely on a mobile phone, La paura is composed of moments caught 'on the fly' by the great Italian actor -better known for his work in theatre -Pippo Delbono. Over the course of these sequences, with the graininess so characteristic of those miniature cameras, an incisive poetry develops.

The film is the autobiographical history of the theatre director Pippo Delbono, who recounts the most meaningful moments of his life, up to the present day, along with the characters he has met during his career. It is a poetic statement, a portrait of his own artistic journey from theatre to reality and back. The actors play themselves, a typical element of Delbono's work.

The film is the autobiographical history of the theatre director Pippo Delbono, who recounts the most meaningful moments of his life, up to the present day, along with the characters he has met during his career. It is a poetic statement, a portrait of his own artistic journey from theatre to reality and back. The actors play themselves, a typical element of Delbono's work.

GUERRA is a non-linear story and doesn’t have real or proper characters. On the bare space of a stage or in the crowded streets of the Old City of Jerusalem everyone fights – through physical actions, the gestures of the actors and people, through words and music – an ‘inner war that is also the war of the world’. From the travel diaries, the emotions and the glances, the film brings together stories that cross over borders, stories ‘atrocious and happy, simple and full of poetry’, underlying the importance of the theatre and art.