Pippo Delbono

Civilisation is coming to an end. The death of his only relative gives a feral boy the pretext to journey beyond the confines of his home environment; only by doing this will he be able to decipher his father's journal, the most valuable artefact in his legacy. This singular contribution to the post-apocalyptic sci-fi genre tells of a humanity in crisis, while at the same time conveying the adventurous spirit of adolescence.

Raffaele an off-campus university student, with a strong love for science and for his fiancée Alice. Raffaele is a hard worker, in order to pay the university he does two jobs: he is a bellhop at a flower shop and a clerk in a clothing store, all without the two employers being aware of the other respective job.

An ancient dying land is brought back to life by the primal force of a young mute girl, who witnesses the fatal clash between two fathers.

A Tramway in Jerusalem is a situation comedy that juxtaposes stories and human situations in the context of the current Israeli Palestinian society in 2018. In Jerusalem the tramway connects several neighbourhoods, from East to West, recording their variety and differences.

Vincent was born near Paris, but has cut off every link with his roots. Maria, fifteen years younger, grew up in Ostia, but no longer sees her family. Together they form a couple that does not seem to need anyone. They lead a secluded life in contemporary Rome, indolent and distracted. Furthermore, Vincent and Maria are good at blending in with their environment. When they return home, they make love with the passion of young lovers in a suburban apartment that she has carefully furnished. Yet, on closer inspection, their everyday life betrays what lies behind their seemingly normal appearance: a project carried out by him with a clear determination and accepted by her only by virtue of unconditional love. A plan to help couples who cannot have children. Maria decides that it is time to create a real family. This choice has an inevitable consequence: the rebellion against Vincent, the man of her life.

Pietro, Ivan and their friend Fabio, aka "Cosmic," live in the once-prosperous Po Valley. Post-crisis, this is a vast and alienating landscape of abandoned factories and petty crimes committed by the infamous Candelabra gang. The 19-year olds resist the authority of their parents and their teachers, and resign themselves to a listless fate of foreclosed opportunities. When news breaks of a large asteroid being monitored by the local astronomical station, the boys become convinced that it will collide with earth and destroy mankind.

Three undercover cops in Naples must face their own demons as well as criminals.

Giulia’s is a poised world, made of rigour and sacred texts, which fiercely excludes those who do not belong to it. Libero's world is the world of all the others, of those who make mistakes, who fend for themselves looking for another chance and who love unconditionally. When Giulia meets Libero, she realizes she can have another destiny, one she will have to choose and build.

Pippo is a stage director who visits a refugee center to see how the refugees spend their days, in a sort of limbo made up of painful memories and fears for the future. Little by little, the refugees open their hearts to the director and tell him their stories, some of which will be in this film, others staying secret. In the end, the idea of staging the Gospel takes shape, as incarnated in these individuals, who inevitably find themselves key players in a new age.

Pippo is a stage director who visits a refugee center to see how the refugees spend their days, in a sort of limbo made up of painful memories and fears for the future. Little by little, the refugees open their hearts to the director and tell him their stories, some of which will be in this film, others staying secret. In the end, the idea of staging the Gospel takes shape, as incarnated in these individuals, who inevitably find themselves key players in a new age.

Bobo and Michael Lonsdale are alone in the Château de Versailles. Together, they are walking around this ghostly place of power. The director Pippo Delbono offers a singular journey in this exceptional palace.

In October 1995 three French sisters gather in Atlit, Israel to sell the family home. Tensions arise between elders Darel and Cali when Darel proves unwilling to sell. That's when the sisters start seeing apparitions of their dead parents.

FIFA의 110년 역사를 다룬 프랑스 영화.

Davide is different from the other teenagers. Something makes him look like a girl. Davide is fourteen when he runs away from home. His intuition leads him to choose Villa Bellini, a park in Catania, as a refuge. The park is a world in itself, a world of the marginalized, to which the rest of the city turns a blind eye. But one day the past catches up and Davide has to face the most difficult choice, this time alone.

The meeting of two lonely, marginal souls. There is Henri, a man in his 50s, limp, resigned, somewhat alcoholic. And Rosette, a (slightly) retarded woman who dreams of love, sexuality, normality

Louise meets Nathan, her dreams resurface. It's also the story of her ailing brother, their mother, and the destiny of a leading family of wealthy Italian industrialists. The story of a family falling apart, a world coming to an end and love beginning.

An accident involving a 16-years old prompts private eye Corso to an investigation that will unearth a deep web of corruption in today's Rome.

During the course of a series of voyages, the pocket cameras of Pippo Delbono capture unique moments, ordinary and extraordinary meetings. From a hotel room in Paris to another in Budapest, from Istanbul to Bucharest, the journeys weave a fabric of the contemporary world. Its testimonials – some famous, others anonymous – say or dance their vision of the universe.

During the course of a series of voyages, the pocket cameras of Pippo Delbono capture unique moments, ordinary and extraordinary meetings. From a hotel room in Paris to another in Budapest, from Istanbul to Bucharest, the journeys weave a fabric of the contemporary world. Its testimonials – some famous, others anonymous – say or dance their vision of the universe.

During the course of a series of voyages, the pocket cameras of Pippo Delbono capture unique moments, ordinary and extraordinary meetings. From a hotel room in Paris to another in Budapest, from Istanbul to Bucharest, the journeys weave a fabric of the contemporary world. Its testimonials – some famous, others anonymous – say or dance their vision of the universe.

During the course of a series of voyages, the pocket cameras of Pippo Delbono capture unique moments, ordinary and extraordinary meetings. From a hotel room in Paris to another in Budapest, from Istanbul to Bucharest, the journeys weave a fabric of the contemporary world. Its testimonials – some famous, others anonymous – say or dance their vision of the universe.

During the course of a series of voyages, the pocket cameras of Pippo Delbono capture unique moments, ordinary and extraordinary meetings. From a hotel room in Paris to another in Budapest, from Istanbul to Bucharest, the journeys weave a fabric of the contemporary world. Its testimonials – some famous, others anonymous – say or dance their vision of the universe.

End of 2011. Pippo Delbono and Giovanni Senzani, the former leader of the Red Brigades recently released from prison, decide to get back together on their relationship with violence, with dreams of revolution, with the world today, and Italy in ruins. For a book, or a movie ... But the reality is that almost making mock of their projects, the death surprises them. Pippo rushed to the bedside of his sick mother, a fervent Catholic and a former elementary school teacher who hated the Communists ... While Anna, after waiting 23 years, her husband Giovanni came out of prison, gets sick in turn. Despite their efforts, the two women die three days apart. Pippo and Giovanni suddenly find themselves orphans, vulnerable, exposed. Meanwhile, L'Aquila, the city disfigured by the earthquake and emptied of its inhabitants, the city of promises and political campaigns, today also lonely and orphaned, abandoned, waiting for someone to finally bring her back to life.

End of 2011. Pippo Delbono and Giovanni Senzani, the former leader of the Red Brigades recently released from prison, decide to get back together on their relationship with violence, with dreams of revolution, with the world today, and Italy in ruins. For a book, or a movie ... But the reality is that almost making mock of their projects, the death surprises them. Pippo rushed to the bedside of his sick mother, a fervent Catholic and a former elementary school teacher who hated the Communists ... While Anna, after waiting 23 years, her husband Giovanni came out of prison, gets sick in turn. Despite their efforts, the two women die three days apart. Pippo and Giovanni suddenly find themselves orphans, vulnerable, exposed. Meanwhile, L'Aquila, the city disfigured by the earthquake and emptied of its inhabitants, the city of promises and political campaigns, today also lonely and orphaned, abandoned, waiting for someone to finally bring her back to life.

혼자가 편한 14살 소년 로렌조는 스키캠프 기간 동안 비밀 아지트에 숨어 지낼 계획을 세운다. 7일 간 필요한 식량부터 책과 음악까지 모든 걸 치밀하게 준비한 첫날, 하지만 계획에 없던 이복누나 올리비아가 찾아오면서 로렌조의 휴가는 위기를 맞는다. 일주일 동안 함께 지내게 된 올리비아와 로렌조, 자유롭고 예술적인 성향이 매력적인 올리비아와의 특별한 동거는 자신만의 세상에 갇혀 있던 로렌조를 조금씩 변화시키는데…

Goltzius and the Pelican Company tells the story of Hendrik Goltzius, a late 16th century Dutch printer and engraver of erotic prints. A contemporary of Rembrandt and, indeed, more celebrated during his life, Goltzius seduces the Margrave of Alsace into paying for a printing press to make and publish illustrated books. In return, he promises him an extraordinary book of pictures of illustrating the Old Testament’s biblical stories. Erotic tales of Lot and his daughters, David and Bathsheba, Samson and Deliah and John the Baptist and Salome. To tempt the Margrave further, Goltzius and his printing company will offer to perform dramatisations of these erotic stories for his court.

The feat of marathon runner Dorando Pietri, who participated in the London Olympic Games in 1908.

밀라노의 재벌가문인 레키가에 시집온 엠마는 존경 받는 아내이자 세 남매의 자상한 어머니이다. 시아버지의 생일날, 남편 탄크레디와 아들 에도아르도가 집안의 공동 후계자로 지명되며 서서히 가문에 균열이 일기 시작한다. 화려하지만 어딘가 결핍되어 있는 자신의 삶에 회의를 느끼던 엠마는 아들의 친구인 요리사 안토니오와의 만남으로 알 수 없는 열정에 사로잡힌다. 한편 삶의 이유였던 아이들이 독립적인 삶을 찾아가자 기쁨과 동시에 공허감을 느끼게 되는 엠마. 결국 그녀는 걷잡을 수 없는 고독과 욕망으로 안토니오를 다시 만날지도 모른다는 기대감에 산로메로 향하는데...

Explores the strange routine of three of the Baczynski siblings: from 5pm to 8pm every day, for over thirty years Dorota, Tadeusz and Mordechaj have sat on a blue velvet sofa to wait for death to arrive. This ritual gives them the illusory belief that nothing fatal will happen to them for the rest of the day. But their other brother Leopold, who has always been excluded from this ritual, spies on them to check when the sofa will become free…

Explores the strange routine of three of the Baczynski siblings: from 5pm to 8pm every day, for over thirty years Dorota, Tadeusz and Mordechaj have sat on a blue velvet sofa to wait for death to arrive. This ritual gives them the illusory belief that nothing fatal will happen to them for the rest of the day. But their other brother Leopold, who has always been excluded from this ritual, spies on them to check when the sofa will become free…

A documentary behind the scenes of Luca Guadagnino's ???? ???????? ????????????????.

Shot entirely on a mobile phone, La paura is composed of moments caught 'on the fly' by the great Italian actor -better known for his work in theatre -Pippo Delbono. Over the course of these sequences, with the graininess so characteristic of those miniature cameras, an incisive poetry develops.

The film is the autobiographical history of the theatre director Pippo Delbono, who recounts the most meaningful moments of his life, up to the present day, along with the characters he has met during his career. It is a poetic statement, a portrait of his own artistic journey from theatre to reality and back. The actors play themselves, a typical element of Delbono's work.

The film is the autobiographical history of the theatre director Pippo Delbono, who recounts the most meaningful moments of his life, up to the present day, along with the characters he has met during his career. It is a poetic statement, a portrait of his own artistic journey from theatre to reality and back. The actors play themselves, a typical element of Delbono's work.

GUERRA is a non-linear story and doesn’t have real or proper characters. On the bare space of a stage or in the crowded streets of the Old City of Jerusalem everyone fights – through physical actions, the gestures of the actors and people, through words and music – an ‘inner war that is also the war of the world’. From the travel diaries, the emotions and the glances, the film brings together stories that cross over borders, stories ‘atrocious and happy, simple and full of poetry’, underlying the importance of the theatre and art.