Makeup Artist
Cuando Gretchen Carlson golpea al fundador de Fox News, Roger Ailes, con una demanda alegando acoso sexual, nadie podía predecir lo que sucedería después. Su decisión lleva a la corresponsal de Fox News, Megyn Kelly, a presentar su propia historia, así como a muchas otras mujeres, incitando a un movimiento que reverbera en todo el mundo.
Makeup Artist
A secret government lab run by Dr. Hess (Art LaFleur) has been trying to create the ultimate killer using the DNA of infamous killers Jeffrey Dahmer (Ford Austin) and John Wayne Gacy (Randal Malone), but there’s one big problem: they’ve escaped! Bloody mayhem stretches across the United States as they go on the ultimate killing spree. Trying to stop the maniacal madness is Ringo (Ford Austin), a hick warrior being trained by God (Harland Williams), using only a shotgun and a bottle of whiskey. In his road trip to hell, he must first fight off his own demons, not to mention an army of Japanese ninjas and a Super-serial killer (Ethan Phillips)! It all leads up to the ultimate showdown!
Makeup Artist
During the film Dawn of the Dead, the survivors in the shopping mall communicate with a lone man named Andy, who is on the top of a building across the street. This is the footage from Andy's last days.
Assistant Makeup Artist
El aventurero capitán Jack Sparrow recorre las aguas caribeñas. Pero su andanzas terminan cuando su enemigo, el capitán Barbossa le roba su barco, la Perla Negra, y ataca la ciudad de Port Royal, secuestrando a Elizabeth Swann, hija del gobernador. Will Turner, el amigo de la infancia de Elizabeth, se une a Jack para rescatarla y recuperar la Perla Negra. Pero el prometido de Elizabeth, comodoro Norrington, les persigue a bordo del HMS Impávido. Además, Barbossa y su tripulación son víctimas de un conjuro por el que están condenados a vivir eternamente, y a transformarse cada noche en esqueletos vivientes, en fantasmas guerreros.
Graphic Designer
Produced to coincide with the 1984 Presidential Campaign, Perfect Leader is a cautionary tale that brings to life a prototypical politician, as packaged by Madison Avenue. With a driving soundtrack and bold visuals, Almy satirically presents this dynamic simulation of media politics as a fast-paced music clip. The narrator is a disembodied Big Brother, an Orwellian computer program who creates candidate images—dictator, evangelist, moderate—as models for a mass-marketed leader. The image of the potential president is overlaid with graphic symbols of multinational power: technology; economics; warfare. As a woman hysterically intones, "We've got to have a perfect leader," the bland, telegenic candidate is brought into two dimensions on the TV screen. Concise as a commercial, insistent as a pop song, Perfect Leader is Almy's most effective use of television techniques to critique the impact of the media on contemporary life.
