Claire Doyle

参加作品

スキャンダル
Makeup Artist
全米最大のTV局を揺るがしたセクハラ騒動の全貌を、シャーリーズ・セロン×ニコール・キッドマン×マーゴット・ロビーという3大女優共演で描く。アカデミー賞に輝いたカズ・ヒロによる特殊メイクも必見。
Dahmer vs. Gacy
Makeup Artist
A secret government lab run by Dr. Hess (Art LaFleur) has been trying to create the ultimate killer using the DNA of infamous killers Jeffrey Dahmer (Ford Austin) and John Wayne Gacy (Randal Malone), but there’s one big problem: they’ve escaped! Bloody mayhem stretches across the United States as they go on the ultimate killing spree. Trying to stop the maniacal madness is Ringo (Ford Austin), a hick warrior being trained by God (Harland Williams), using only a shotgun and a bottle of whiskey. In his road trip to hell, he must first fight off his own demons, not to mention an army of Japanese ninjas and a Super-serial killer (Ethan Phillips)! It all leads up to the ultimate showdown!
The Lost Tape: Andy's Terrifying Last Days Revealed
Makeup Artist
During the film Dawn of the Dead, the survivors in the shopping mall communicate with a lone man named Andy, who is on the top of a building across the street. This is the footage from Andy's last days.
パイレーツ・オブ・カリビアン/呪われた海賊たち
Assistant Makeup Artist
17世紀、海賊たちが大海原を荒らしまわっていた遥かなる時代。カリブ海の港町ポートロイヤル。美しい総督の娘エリザベスはかつて海上で助けた少年ウィルが身につけていた黄金のメダルを手に入れ、今も密かに保管していた。そんなある日、突然ブラックパール号に乗ったキャプテン・バルボッサ率いる冷酷な海賊たちが町に現われ、エリザベスがさらわれてしまう。海賊の目的は、彼女がその時身につけていた例のメダルだった。一方、鍛冶屋で働く逞しい若者へと成長したウィルは、幽閉されていた元ブラックパール号船長で一匹狼の海賊ジャック・スパロウと手を組み、エリザベスの救出に向かうのだが…。
Perfect Leader
Graphic Designer
Produced to coincide with the 1984 Presidential Campaign, Perfect Leader is a cautionary tale that brings to life a prototypical politician, as packaged by Madison Avenue. With a driving soundtrack and bold visuals, Almy satirically presents this dynamic simulation of media politics as a fast-paced music clip. The narrator is a disembodied Big Brother, an Orwellian computer program who creates candidate images—dictator, evangelist, moderate—as models for a mass-marketed leader. The image of the potential president is overlaid with graphic symbols of multinational power: technology; economics; warfare. As a woman hysterically intones, "We've got to have a perfect leader," the bland, telegenic candidate is brought into two dimensions on the TV screen. Concise as a commercial, insistent as a pop song, Perfect Leader is Almy's most effective use of television techniques to critique the impact of the media on contemporary life.