Makeup Artist
Um gigante do telejornalismo e antigo CEO da Fox News, Roger Ailes (John Lithgow) tem seu poder questionado e sua carreira derrubada quando um grupo de mulheres o acusam de assédio sexual no ambiente de trabalho.
Makeup Artist
A secret government lab run by Dr. Hess (Art LaFleur) has been trying to create the ultimate killer using the DNA of infamous killers Jeffrey Dahmer (Ford Austin) and John Wayne Gacy (Randal Malone), but there’s one big problem: they’ve escaped! Bloody mayhem stretches across the United States as they go on the ultimate killing spree. Trying to stop the maniacal madness is Ringo (Ford Austin), a hick warrior being trained by God (Harland Williams), using only a shotgun and a bottle of whiskey. In his road trip to hell, he must first fight off his own demons, not to mention an army of Japanese ninjas and a Super-serial killer (Ethan Phillips)! It all leads up to the ultimate showdown!
Makeup Artist
During the film Dawn of the Dead, the survivors in the shopping mall communicate with a lone man named Andy, who is on the top of a building across the street. This is the footage from Andy's last days.
Assistant Makeup Artist
O pirata Jack Sparrow tem seu navio saqueado e roubado pelo capitão Barbossa e sua tripulação. Com o navio de Sparrow, Barbossa invade a cidade de Port Royal, levando consigo Elizabeth Swann, filha do governador. Para recuperar sua embarcação, Sparrow recebe a ajuda de Will Turner, um grande amigo de Elizabeth. Eles desbravam os mares em direção à misteriosa Ilha da Morte, tentando impedir que os piratas-esqueleto derramem o sangue de Elizabeth para desfazer a maldição que os assola.
Graphic Designer
Produced to coincide with the 1984 Presidential Campaign, Perfect Leader is a cautionary tale that brings to life a prototypical politician, as packaged by Madison Avenue. With a driving soundtrack and bold visuals, Almy satirically presents this dynamic simulation of media politics as a fast-paced music clip. The narrator is a disembodied Big Brother, an Orwellian computer program who creates candidate images—dictator, evangelist, moderate—as models for a mass-marketed leader. The image of the potential president is overlaid with graphic symbols of multinational power: technology; economics; warfare. As a woman hysterically intones, "We've got to have a perfect leader," the bland, telegenic candidate is brought into two dimensions on the TV screen. Concise as a commercial, insistent as a pop song, Perfect Leader is Almy's most effective use of television techniques to critique the impact of the media on contemporary life.
