Pem
In the early Middle Ages, two Christian knights set off to christen a small pagan village hidden deep in the mountains. Despite the differences in their views and perspectives on religion, the two men become travel companions and create a father-son relationship. As they settle into the local community, their faith, belief system and the bond between them are all put to the test. Soon, love is confronted with hate, dialogue with violence, madness with rules and many will have to die.
Discarnate Entity
La obsesión de un neurocientífico con una droga que expande la mente humana desata a una fuerza sobrenatural con consecuencias mortales para su equipo.
Director
"I'm not what I believe to be, I have to go behind my face, behind yours faces to understand: what does it means ? What want my body's cells". Olivier de Sagazan is a painter/sculptor. In 1996 start with performance art, over 200 performances all over the world.
"I'm not what I believe to be, I have to go behind my face, behind yours faces to understand: what does it means ? What want my body's cells". Olivier de Sagazan is a painter/sculptor. In 1996 start with performance art, over 200 performances all over the world.
Director
"I'm not what I believe to be, I have to go behind my face". Olivier de Sagazan is a painter/sculptor. In 1996 start with performance art, over 100 performances in USA, China, India and Europe. In his existential performative series « Transfiguration », he builds layers of clay and paint on his own face to transform, disfigure and take apart his own figure, revealing an half human and animal who is seeking to understand his real nature. At once disquieting and deeply moving, this new body of work reveal the puppet and the puppeteer that we have inside of us. As he says: « We are living in a collective hallucination. Art can be a knife to open this masks and illusions and observe them by the distance through the creative process.
"I'm not what I believe to be, I have to go behind my face". Olivier de Sagazan is a painter/sculptor. In 1996 start with performance art, over 100 performances in USA, China, India and Europe. In his existential performative series « Transfiguration », he builds layers of clay and paint on his own face to transform, disfigure and take apart his own figure, revealing an half human and animal who is seeking to understand his real nature. At once disquieting and deeply moving, this new body of work reveal the puppet and the puppeteer that we have inside of us. As he says: « We are living in a collective hallucination. Art can be a knife to open this masks and illusions and observe them by the distance through the creative process.
Man At Desk: France
Nuevo documental del responsable de Baraka, filmado a lo largo de cinco años en veinticinco países de cinco continentes.
Director
Olivier de Sagazan Performance
Olivier de Sagazan Performance
