Pem
Dois cavaleiros cristãos chegam a uma ilha remota com a intenção de converter os aldeões pagãos à sua religião. O primeiro busca conquistá-los com compreensão e humildade, enquanto o segundo confia na intimidação e na violência. À medida que a ruptura se forma, os aldeões devem decidir de que lado estão, e os homens, até onde estão dispostos a ir e quanto sangue será derramado.
Discarnate Entity
A obsessão de um neurocientista com uma droga que expande a mente humana inadvertidamente desencadeia uma força sobrenatural mortal em sua equipe.
Director
"I'm not what I believe to be, I have to go behind my face, behind yours faces to understand: what does it means ? What want my body's cells". Olivier de Sagazan is a painter/sculptor. In 1996 start with performance art, over 200 performances all over the world.
"I'm not what I believe to be, I have to go behind my face, behind yours faces to understand: what does it means ? What want my body's cells". Olivier de Sagazan is a painter/sculptor. In 1996 start with performance art, over 200 performances all over the world.
Director
"I'm not what I believe to be, I have to go behind my face". Olivier de Sagazan is a painter/sculptor. In 1996 start with performance art, over 100 performances in USA, China, India and Europe. In his existential performative series « Transfiguration », he builds layers of clay and paint on his own face to transform, disfigure and take apart his own figure, revealing an half human and animal who is seeking to understand his real nature. At once disquieting and deeply moving, this new body of work reveal the puppet and the puppeteer that we have inside of us. As he says: « We are living in a collective hallucination. Art can be a knife to open this masks and illusions and observe them by the distance through the creative process.
"I'm not what I believe to be, I have to go behind my face". Olivier de Sagazan is a painter/sculptor. In 1996 start with performance art, over 100 performances in USA, China, India and Europe. In his existential performative series « Transfiguration », he builds layers of clay and paint on his own face to transform, disfigure and take apart his own figure, revealing an half human and animal who is seeking to understand his real nature. At once disquieting and deeply moving, this new body of work reveal the puppet and the puppeteer that we have inside of us. As he says: « We are living in a collective hallucination. Art can be a knife to open this masks and illusions and observe them by the distance through the creative process.
Man At Desk: France
Samsara se apresenta como uma meditação guiada não-verbal que trasformará os espectadores em todos os países do mundo conforme eles são carregados através da jornada da alma. Com poderosas imagens fotografadas cuidadosamente em 70mm e uma trilha sonora dinâmica, o filme ilumina as conexões entre a humanidade e o resto da natureza, mostrando como nossos ciclos de vida espelham o ritmo do planeta.
Director
Olivier de Sagazan Performance
Olivier de Sagazan Performance
